02x12 - Lucy's Show-Biz Swan Song
Posted: 09/27/21 06:01
Yeah, yeah...
yeah, that'll be all right.
Okay, now, let's see, what else do we
need?
Barbershop quartet. Okay.
Hi, Rick.
Oh, hi.
A barbershop quartet-- yeah, that's
right.
Listen, uh... how much will that
cost?
What?!
Look, I only want a quartet.
I don't want the whole Metropolitan
Opera Company.
Look, I don't want you to think
that I'm a tight skate.
Tight skate.
Cheap wad.
Well, you know what I'm talking
about.
All right, well, look, they're only
singers.
See if you can get them to work
cheaper than that.
Okay, good-bye.
Hey, Rick, you looking for singers?
Good ones that'll work cheap?
Yeah, I'm putting on a new show.
If I'd known what I was getting into,
I would have never...
Ta-da!
Oh, no.
Presenting...
Those incomparable exponents of
mellifluous melody...
Heartwarming harmony...
And appropriate terpsichore...
The Merry Mertzes.
Now look, Fred, Ethel...
Oh, come on, now, Ricky,
you used us once, and we were good,
remember?
Yeah!
Oh, nothing could be finer than to be
in Carolina
In the mo-wo-worning
No one could be sweeter than my
sweetie when I meet her
In the mo-wo-worning...
All right, all right, hold it, hold
it.
and I'll give you an audition.
Oh, fine! What kind of a show is it
going to be?
It's going to be a gay ' s revue.
That ought to be fun.
Great.
You know, we didn't have the gay ' s
in Cuba like you did over here.
What were they like, Fred?
I don't know.
That was before my time.
Ask Ethel.
We shouldn't be talking about a new
show.
Lucy might hear us.
So what? In her condition,
she wouldn't want to be in the show.
She wouldn't?
Of course not.
Oh, I can understand that.
Her figure has changed quite a bit,
you know.
Sure.
While strolling through the park one
day
In the merry, merry month of May
I was taken by surprise
By a pair of roguish eyes
And you can put that parasol away,
bom, bom.
Now, Ricky, if Fred and Ethel are
going to be in your show,
there's no reason why I can't be in
it, too.
Now, look, wait a minute.
In the first place,
I have not definitely promised Fred
and Ethel
that they're going to be in the show.
And in the second place,
I can definitely promise you
that you're not going to be in it.
But Ricky...
You're going to have a baby,
remember?
Of course I remember.
That's just the point.
After I have the baby, I'll have
to stay home and take care of it.
I'll never be able to be in a show
again.
Hey, I never thought about it that
way.
Sure, it'll sort of be my show
business farewell.
My show business swan song.
Lucy, the answer is no.
Would you begrudge an expectant swan
her song?
You seem to forget
that this particular swan has no
talent.
Oh, no? What time is that rehearsal
tomorrow?
You're not going to be there, so just
forget it.
No?
No, I said no, I'm not going to be
there.
Sir, you dare not strike a mother.
Lucy?
I'm in the closet, Ethel,
trying to find a costume for my
audition today.
Oh, no, Lucy, you're not really going
to go down there
and audition, are you?
I certainly am.
Trying to find a costume
that won't be too revealing.
How's this?
Well, I guess that's not too
revealing.
What number are you going to do?
Oh, I never thought about that.
I could sing "Roll Out the Barrel."
You could, but it's not a gay ' s
song.
Oh.
How about "Put On Your Old Gray
Barrel"?
"I'm Only a Bird in a Gilded..."
No?
No.
Oh, well, I guess you're right.
This won't work.
Hey, where'd everybody go?
Don't stand there laughing, get me
out me out of this thing.
I can't move.
Okay. Hello, down there.
Hello.
Move up a little.
Oh, ow, uh.
Guess I'll have to find something
else
that'll do the trick.
Say!
How about that horse costume that
Ricky's got?
That's a wonderful idea, you know, we
can both...
Now, wait just a minute, forget I
ever said it.
If you dress as half a horse, I know
who'll be the other half
and no, thanks.
Oh, I know.
I know.
Oh, sure, these ought to do it.
How will I look in these?
What are you going as, a lamb chop?
There's an old fashioned hoop skirt
that goes with this.
We can work up a cute song and dance
number.
I hope you're not thinking of me as
part of "we."
Sure. We'll be a couple.
A couple of what?
I'll be the woman and you be the man.
Good-bye, Lucy.
Aw, now, Ethel,
are you going to desert me in my hour
of need?
Yes.
Ethel, you who would like to be the
godmother of my child.
Oh... but why me?
Why can't you be the man?
Well, that should be fairly obvious.
Oh, all right.
But I have a feeling I'd be better
off
if I'd settled for the back end of
that horse.
Pepito, haven't you got your costume
on yet?
Yes, start my music.
Okay, here we go, music.
Oh, Señor Ricardo.
Hello, Señor.
Muchas gracias, muchas gracias.
Oh, no!
Thank you, Señor Ricardo.
Muy bien, amigo, muy bien.
Oh...
My impression of a baby crying.
Ah.
Muchas gracias.
Bravo, Pepe!
Ah, Señor Ricky...
Mira, mira, mira.
The world's eh-smallest bicycle.
Oh.
Excuse me, make myself comfortable.
Oh-ay.
Señor Trombonista.
Oh.
Hup, hup.
Oh, that's wonderful.
Listen, you know what I'd like you to
do?
Si?
That imitation of Clyde Beatty,
you know, the lion tamer?
With the, with the lamp chimney?
Yeah, will you do that?
Yeah, yeah, sure, sure.
All right. I'll help you.
Oh, my portable dressing room.
Oh...
What a character.
Gracias, gracias.
All right.
Open the gate.
Hey, hup!
Listen, you know,
that is so realistic, you know, the
way that you do that.
Why don't you get yourself a couple
of lions
and be a real lion tamer?
Let's see what else...
Hey, Ricky.
Yeah?
There's an act out there waiting for
an audition.
What act?
McGillicuddy and Mertz.
I didn't ask for any Mack or
McGillicuddy--
McGillicuddy and Mertz?
Oh, give them the music, will you?
I won't miss this for all the money
in the world.
This I got to see.
Okay, girls.
By the light
Not the dark, but the light
Of the silvery moon
Not the sun, but the moon
I want to spoon
Hug and kiss, 'neath the moon
To my honey I'll croon love's tune
What a tune
Honeymoon
Funny, sunny honeymoon
Keep a-shining in June
Not July, but in June
Your silvery beams
Will bring love's dreams, we'll be
cuddling soon
Smooch, peck, neck, spoon
By the light of the moon
The silvery moon.
Dance, Maestro.
Your silvery beams will bring love's
dreams
We'll be cuddling soon
'Neath the silvery moon
The silvery moon.
Hi, Lucy.
What do you want?
Oh, for goodness' sake, you're still
mad.
I am not mad!
Well, then you got a new way of
acting happy.
Well, how do you expect me to act
when my own husband won't let me be
in his show?
Oh, now, Lucy, it's his show.
He's got a right to hire whoever he
wants.
Yeah, what a flimsy excuse he gave
us.
You mean telling us we stank?
Now, you know he didn't mean that.
He just said it because I'm expecting
a baby
and he doesn't want me to be in the
show.
Makes me so mad.
Well, if it'll make you feel any
better,
he couldn't find a place for Fred and
me either.
Some showman he is.
Hi, Ethel.
Hi.
Hiya, honey.
Huh?
Boo!
Oh, Lucy, are you still mad at me
on account of this afternoon?
I'm not talking to you.
Well, look, I'm awfully sorry
if I could not find a place for you
in the show.
But there is no place for a gay ' s
striptease.
Very funny.
Oh, you're a sorehead.
Oh, now, Ricky, it's her condition.
It is not my condition!
I was a sorehead long before I ever
thought about...
That's not what I meant.
Hi, Rick.
Oh, hiya, Fred.
Listen, Fred, uh,
I might find a place for you in the
barbershop quartet.
Oh, good. Nobody sings
barbershop
any better than I do.
Oh, good night, ladies, good night,
ladies
Good night, ladies
We're going to leave you now
Merrily we roll along, roll along,
roll along
Merrily we roll along
O'er the deep blue sea.
Hey, that sounds pretty good!
It's too bad you're not a man, Ethel.
Oh, I can wear a wig and a handlebar
mustache.
I dressed up like a man this
afternoon.
You just heard her sing that harmony.
Oh, come on, Ricky.
Say yes.
Well, we might be able to work
it out.
What do you think of this idea?
I thought that the three of us could
be barbers
and then the fourth guy could be the
customer in the chair.
Hey, that's cute.
Yeah, that's a great idea.
It'll be the first time I ever heard
a Cuban sing barbershop.
Well... yeah.
A Cuban singing barbershop.
That wouldn't sound so right, would
it?
I'll tell you what I'll do--
I'll sing it with an Irish accent.
Oh, this I got to hear.
Now, wait a minute.
I'll practice, you'll be surprised.
That's for sure.
Oh...!
Who's going to play the fourth
guy, Ricky?
Good night, ladies
Good night, ladies...
Good night.
Now, Ricky...
Now, honey, please.
Now, look, it would just be perfect.
I can be the fourth guy in the chair
with a sheet over me.
You seem to overlook one little minor
detail.
You can't sing.
I sang this afternoon.
Look, honey, we're singing "Sweet
Adeline."
We're singing harmony, everybody
sings something different.
Well, then, that's just perfect.
If everybody's singing something
different,
it won't matter what note I hit.
It doesn't work quite that way.
Besides, I practically offered the
job to George Watson.
Oh, George Watson.
You haven't even given me a chance.
Now, Ricky, couldn't Lucy just sing
the first part?
You know, Sweet Adeline
And then we could come in on the
second part.
Of course. Just give me a chance.
Yeah. Give her a chance.
Come on.
Hit the notes for us.
Okay.
That's me.
Lucy?
Bravo, bravo!
She made it!
All right, all right, you start all
by yourself now.
Give her the chord.
Sweet Adeline.
Well, it's a little difficult to
start all by yourself
just out of nowhere.
All right, we'll try it the other
way.
What other way?
We'll sing the first phrase
and you come in with the repeats.
Repeats?
Yeah. We'll sing, "Sweet Adeline,"
and you sing, "Sweet Adeline, my
Adeline."
"My Adeline."
"Sweet Adeline, sweet Adeline, my
Adeline," okay.
All right. Now, you better stand
away from us so you won't be thrown
off
by anybody singing harmony in your
ear.
All right? Go.
All right, go ahead.
Hit it.
Sweet Adeline
Sweet Adeline
Well, I guess I'm standing a little
close, it threw me off.
Try it again.
My Adeline
My Adeline
At night, dear heart
At night, dear heart
For you I pine
For you I pine
In all my dreams
In all my dreams
In all my dreams
In all my dreams?
George Watson, huh?
And now, ladies and gentlemen,
for the finale of our show,
something that a gay ' s revue
cannot be without:
A barbershop quartet.
So, here it is,
a quartet composed of Mertz,
Mertz,
Watson
and Ricardo,
with their version of "Sweet
Adeline."
In the evening when I sit alone
a-dreaming
Of days gone by, love
To me so dear...
There's a picture that in fancy oft'
appearing
Brings back the time, love
When you were near...
It is then I wonder where you are, me
darling
And if your heart to me is still the
same
For the sighing wind and nightingale
a-singing
Are breathing only
Your own sweet name
Your own sweet name
Sweet Adeline
Sweet Ad--
My Adeline
My Ad--
At night, dear heart
At--
For you I pine
Pi--
In all my dreams
In all--
Your fair face beams
You're the flower
Of my heart...
Sweet Adeline...
Sweet Adeline.
Lucy and Desi will be back in a
moment.
Fred! Merry Christmas!
Lucy!
We're all Santa Clauses!
Yeah!
How about that?
Let's put our presents under the
tree.
Okay, okay. Here we go. All right.
Whoo!
Hey, Santa, you put on
a little weight, didn't you?
Ha-ha! How about you?
Yeah!
How about you, Ethel?
Fred, where'd you ever buy such a big
pillow?
Huh? Why don't you answer me?
I'm not wearing a pillow.
Come on, let's open all our presents.
All right.
Okay!
Oh, no, no!
Let's sing first?
Sing?
Well, yeah. Everything is so
wonderful
and spending Christmas with our good
friends,
I just feel like serenading the
world.
Okay! I know a wonderful Cuban
melody.
It's called "Cascabeles."
Let's hear it!
Go ahead! Sing it!
All right.
Cascabeles, cascabeles
Cantan todo el día
Cascabeles, cascabeles
Traen la alegria...
Hey, that's "Jingle Bells."
"Jingle Bells"?
Sure!
How about that?
You Americans steal all our good
songs.
Ha-ha! Hey, let's all sing it, huh,
Santa Clauses?
All right.
Jingle bells, jingle bells, jingle
all the way
Oh, what fun it is to ride in a one
horse, open sleigh
Jingle Bells, jingle bells, jingle
all the way
Oh, what fun it is to ride
In a one horse, open sleigh
Dashing through the snow
In a once horse, open sleigh
O'er the fields we go
Laughing all the way
Bells on bobtail ring
Making spirits bright
What fun it is to ride and sing a
sleighing song tonight
Oh, Jingle bells, jingle bells,
jingle all the way
Oh, what fun it is to ride in a one
horse, open sleigh
Jingle Bells, jingle bells, jingle
all the way
Oh, what fun it is to ride
In a one horse, open sleigh.
Ho-ho-ho-ho-ho!
Ah!
Merry Christmas, everybody.
yeah, that'll be all right.
Okay, now, let's see, what else do we
need?
Barbershop quartet. Okay.
Hi, Rick.
Oh, hi.
A barbershop quartet-- yeah, that's
right.
Listen, uh... how much will that
cost?
What?!
Look, I only want a quartet.
I don't want the whole Metropolitan
Opera Company.
Look, I don't want you to think
that I'm a tight skate.
Tight skate.
Cheap wad.
Well, you know what I'm talking
about.
All right, well, look, they're only
singers.
See if you can get them to work
cheaper than that.
Okay, good-bye.
Hey, Rick, you looking for singers?
Good ones that'll work cheap?
Yeah, I'm putting on a new show.
If I'd known what I was getting into,
I would have never...
Ta-da!
Oh, no.
Presenting...
Those incomparable exponents of
mellifluous melody...
Heartwarming harmony...
And appropriate terpsichore...
The Merry Mertzes.
Now look, Fred, Ethel...
Oh, come on, now, Ricky,
you used us once, and we were good,
remember?
Yeah!
Oh, nothing could be finer than to be
in Carolina
In the mo-wo-worning
No one could be sweeter than my
sweetie when I meet her
In the mo-wo-worning...
All right, all right, hold it, hold
it.
and I'll give you an audition.
Oh, fine! What kind of a show is it
going to be?
It's going to be a gay ' s revue.
That ought to be fun.
Great.
You know, we didn't have the gay ' s
in Cuba like you did over here.
What were they like, Fred?
I don't know.
That was before my time.
Ask Ethel.
We shouldn't be talking about a new
show.
Lucy might hear us.
So what? In her condition,
she wouldn't want to be in the show.
She wouldn't?
Of course not.
Oh, I can understand that.
Her figure has changed quite a bit,
you know.
Sure.
While strolling through the park one
day
In the merry, merry month of May
I was taken by surprise
By a pair of roguish eyes
And you can put that parasol away,
bom, bom.
Now, Ricky, if Fred and Ethel are
going to be in your show,
there's no reason why I can't be in
it, too.
Now, look, wait a minute.
In the first place,
I have not definitely promised Fred
and Ethel
that they're going to be in the show.
And in the second place,
I can definitely promise you
that you're not going to be in it.
But Ricky...
You're going to have a baby,
remember?
Of course I remember.
That's just the point.
After I have the baby, I'll have
to stay home and take care of it.
I'll never be able to be in a show
again.
Hey, I never thought about it that
way.
Sure, it'll sort of be my show
business farewell.
My show business swan song.
Lucy, the answer is no.
Would you begrudge an expectant swan
her song?
You seem to forget
that this particular swan has no
talent.
Oh, no? What time is that rehearsal
tomorrow?
You're not going to be there, so just
forget it.
No?
No, I said no, I'm not going to be
there.
Sir, you dare not strike a mother.
Lucy?
I'm in the closet, Ethel,
trying to find a costume for my
audition today.
Oh, no, Lucy, you're not really going
to go down there
and audition, are you?
I certainly am.
Trying to find a costume
that won't be too revealing.
How's this?
Well, I guess that's not too
revealing.
What number are you going to do?
Oh, I never thought about that.
I could sing "Roll Out the Barrel."
You could, but it's not a gay ' s
song.
Oh.
How about "Put On Your Old Gray
Barrel"?
"I'm Only a Bird in a Gilded..."
No?
No.
Oh, well, I guess you're right.
This won't work.
Hey, where'd everybody go?
Don't stand there laughing, get me
out me out of this thing.
I can't move.
Okay. Hello, down there.
Hello.
Move up a little.
Oh, ow, uh.
Guess I'll have to find something
else
that'll do the trick.
Say!
How about that horse costume that
Ricky's got?
That's a wonderful idea, you know, we
can both...
Now, wait just a minute, forget I
ever said it.
If you dress as half a horse, I know
who'll be the other half
and no, thanks.
Oh, I know.
I know.
Oh, sure, these ought to do it.
How will I look in these?
What are you going as, a lamb chop?
There's an old fashioned hoop skirt
that goes with this.
We can work up a cute song and dance
number.
I hope you're not thinking of me as
part of "we."
Sure. We'll be a couple.
A couple of what?
I'll be the woman and you be the man.
Good-bye, Lucy.
Aw, now, Ethel,
are you going to desert me in my hour
of need?
Yes.
Ethel, you who would like to be the
godmother of my child.
Oh... but why me?
Why can't you be the man?
Well, that should be fairly obvious.
Oh, all right.
But I have a feeling I'd be better
off
if I'd settled for the back end of
that horse.
Pepito, haven't you got your costume
on yet?
Yes, start my music.
Okay, here we go, music.
Oh, Señor Ricardo.
Hello, Señor.
Muchas gracias, muchas gracias.
Oh, no!
Thank you, Señor Ricardo.
Muy bien, amigo, muy bien.
Oh...
My impression of a baby crying.
Ah.
Muchas gracias.
Bravo, Pepe!
Ah, Señor Ricky...
Mira, mira, mira.
The world's eh-smallest bicycle.
Oh.
Excuse me, make myself comfortable.
Oh-ay.
Señor Trombonista.
Oh.
Hup, hup.
Oh, that's wonderful.
Listen, you know what I'd like you to
do?
Si?
That imitation of Clyde Beatty,
you know, the lion tamer?
With the, with the lamp chimney?
Yeah, will you do that?
Yeah, yeah, sure, sure.
All right. I'll help you.
Oh, my portable dressing room.
Oh...
What a character.
Gracias, gracias.
All right.
Open the gate.
Hey, hup!
Listen, you know,
that is so realistic, you know, the
way that you do that.
Why don't you get yourself a couple
of lions
and be a real lion tamer?
Let's see what else...
Hey, Ricky.
Yeah?
There's an act out there waiting for
an audition.
What act?
McGillicuddy and Mertz.
I didn't ask for any Mack or
McGillicuddy--
McGillicuddy and Mertz?
Oh, give them the music, will you?
I won't miss this for all the money
in the world.
This I got to see.
Okay, girls.
By the light
Not the dark, but the light
Of the silvery moon
Not the sun, but the moon
I want to spoon
Hug and kiss, 'neath the moon
To my honey I'll croon love's tune
What a tune
Honeymoon
Funny, sunny honeymoon
Keep a-shining in June
Not July, but in June
Your silvery beams
Will bring love's dreams, we'll be
cuddling soon
Smooch, peck, neck, spoon
By the light of the moon
The silvery moon.
Dance, Maestro.
Your silvery beams will bring love's
dreams
We'll be cuddling soon
'Neath the silvery moon
The silvery moon.
Hi, Lucy.
What do you want?
Oh, for goodness' sake, you're still
mad.
I am not mad!
Well, then you got a new way of
acting happy.
Well, how do you expect me to act
when my own husband won't let me be
in his show?
Oh, now, Lucy, it's his show.
He's got a right to hire whoever he
wants.
Yeah, what a flimsy excuse he gave
us.
You mean telling us we stank?
Now, you know he didn't mean that.
He just said it because I'm expecting
a baby
and he doesn't want me to be in the
show.
Makes me so mad.
Well, if it'll make you feel any
better,
he couldn't find a place for Fred and
me either.
Some showman he is.
Hi, Ethel.
Hi.
Hiya, honey.
Huh?
Boo!
Oh, Lucy, are you still mad at me
on account of this afternoon?
I'm not talking to you.
Well, look, I'm awfully sorry
if I could not find a place for you
in the show.
But there is no place for a gay ' s
striptease.
Very funny.
Oh, you're a sorehead.
Oh, now, Ricky, it's her condition.
It is not my condition!
I was a sorehead long before I ever
thought about...
That's not what I meant.
Hi, Rick.
Oh, hiya, Fred.
Listen, Fred, uh,
I might find a place for you in the
barbershop quartet.
Oh, good. Nobody sings
barbershop
any better than I do.
Oh, good night, ladies, good night,
ladies
Good night, ladies
We're going to leave you now
Merrily we roll along, roll along,
roll along
Merrily we roll along
O'er the deep blue sea.
Hey, that sounds pretty good!
It's too bad you're not a man, Ethel.
Oh, I can wear a wig and a handlebar
mustache.
I dressed up like a man this
afternoon.
You just heard her sing that harmony.
Oh, come on, Ricky.
Say yes.
Well, we might be able to work
it out.
What do you think of this idea?
I thought that the three of us could
be barbers
and then the fourth guy could be the
customer in the chair.
Hey, that's cute.
Yeah, that's a great idea.
It'll be the first time I ever heard
a Cuban sing barbershop.
Well... yeah.
A Cuban singing barbershop.
That wouldn't sound so right, would
it?
I'll tell you what I'll do--
I'll sing it with an Irish accent.
Oh, this I got to hear.
Now, wait a minute.
I'll practice, you'll be surprised.
That's for sure.
Oh...!
Who's going to play the fourth
guy, Ricky?
Good night, ladies
Good night, ladies...
Good night.
Now, Ricky...
Now, honey, please.
Now, look, it would just be perfect.
I can be the fourth guy in the chair
with a sheet over me.
You seem to overlook one little minor
detail.
You can't sing.
I sang this afternoon.
Look, honey, we're singing "Sweet
Adeline."
We're singing harmony, everybody
sings something different.
Well, then, that's just perfect.
If everybody's singing something
different,
it won't matter what note I hit.
It doesn't work quite that way.
Besides, I practically offered the
job to George Watson.
Oh, George Watson.
You haven't even given me a chance.
Now, Ricky, couldn't Lucy just sing
the first part?
You know, Sweet Adeline
And then we could come in on the
second part.
Of course. Just give me a chance.
Yeah. Give her a chance.
Come on.
Hit the notes for us.
Okay.
That's me.
Lucy?
Bravo, bravo!
She made it!
All right, all right, you start all
by yourself now.
Give her the chord.
Sweet Adeline.
Well, it's a little difficult to
start all by yourself
just out of nowhere.
All right, we'll try it the other
way.
What other way?
We'll sing the first phrase
and you come in with the repeats.
Repeats?
Yeah. We'll sing, "Sweet Adeline,"
and you sing, "Sweet Adeline, my
Adeline."
"My Adeline."
"Sweet Adeline, sweet Adeline, my
Adeline," okay.
All right. Now, you better stand
away from us so you won't be thrown
off
by anybody singing harmony in your
ear.
All right? Go.
All right, go ahead.
Hit it.
Sweet Adeline
Sweet Adeline
Well, I guess I'm standing a little
close, it threw me off.
Try it again.
My Adeline
My Adeline
At night, dear heart
At night, dear heart
For you I pine
For you I pine
In all my dreams
In all my dreams
In all my dreams
In all my dreams?
George Watson, huh?
And now, ladies and gentlemen,
for the finale of our show,
something that a gay ' s revue
cannot be without:
A barbershop quartet.
So, here it is,
a quartet composed of Mertz,
Mertz,
Watson
and Ricardo,
with their version of "Sweet
Adeline."
In the evening when I sit alone
a-dreaming
Of days gone by, love
To me so dear...
There's a picture that in fancy oft'
appearing
Brings back the time, love
When you were near...
It is then I wonder where you are, me
darling
And if your heart to me is still the
same
For the sighing wind and nightingale
a-singing
Are breathing only
Your own sweet name
Your own sweet name
Sweet Adeline
Sweet Ad--
My Adeline
My Ad--
At night, dear heart
At--
For you I pine
Pi--
In all my dreams
In all--
Your fair face beams
You're the flower
Of my heart...
Sweet Adeline...
Sweet Adeline.
Lucy and Desi will be back in a
moment.
Fred! Merry Christmas!
Lucy!
We're all Santa Clauses!
Yeah!
How about that?
Let's put our presents under the
tree.
Okay, okay. Here we go. All right.
Whoo!
Hey, Santa, you put on
a little weight, didn't you?
Ha-ha! How about you?
Yeah!
How about you, Ethel?
Fred, where'd you ever buy such a big
pillow?
Huh? Why don't you answer me?
I'm not wearing a pillow.
Come on, let's open all our presents.
All right.
Okay!
Oh, no, no!
Let's sing first?
Sing?
Well, yeah. Everything is so
wonderful
and spending Christmas with our good
friends,
I just feel like serenading the
world.
Okay! I know a wonderful Cuban
melody.
It's called "Cascabeles."
Let's hear it!
Go ahead! Sing it!
All right.
Cascabeles, cascabeles
Cantan todo el día
Cascabeles, cascabeles
Traen la alegria...
Hey, that's "Jingle Bells."
"Jingle Bells"?
Sure!
How about that?
You Americans steal all our good
songs.
Ha-ha! Hey, let's all sing it, huh,
Santa Clauses?
All right.
Jingle bells, jingle bells, jingle
all the way
Oh, what fun it is to ride in a one
horse, open sleigh
Jingle Bells, jingle bells, jingle
all the way
Oh, what fun it is to ride
In a one horse, open sleigh
Dashing through the snow
In a once horse, open sleigh
O'er the fields we go
Laughing all the way
Bells on bobtail ring
Making spirits bright
What fun it is to ride and sing a
sleighing song tonight
Oh, Jingle bells, jingle bells,
jingle all the way
Oh, what fun it is to ride in a one
horse, open sleigh
Jingle Bells, jingle bells, jingle
all the way
Oh, what fun it is to ride
In a one horse, open sleigh.
Ho-ho-ho-ho-ho!
Ah!
Merry Christmas, everybody.