NARRATOR: Gateways to other dimensions.
LOGAN HAWKES: To the Mayans, this
represented the passageway to another world.
NARRATOR: Hidden dwellings
for strange beings.
TIM R. SWARTZ: They were the
first inhabitants of Planet Earth.
NARRATOR: Secret vaults
of cosmic knowledge.
KEN JEREMIAH: It's almost as
though they're opening a doorway
to communicate with these divine beings.
NARRATOR: Since the dawn of man, caves
have been a source of great mystery.
But could the darkest
recesses of our planet
really be hiding some mysterious power?
And within their depths,
might we find evidence of
extraterrestrial visitors?
DAVID CHILDRESS: In some ways, exploring
the underground cavern world of Planet Earth
is the final frontier.
NARRATOR: Millions of
people around the world
believe we have been visited in
the past by extraterrestrial beings.
What if it were true?
Did ancient aliens really
help to shape our history?
And if so, might there be a connection
between aliens and the
earth's forbidden caves?
Central India. July, 2014.
While exploring caves in
the region of Charama...
which are known to contain prehistoric
artwork dating as far back as 10,000 years...
an Indian archaeologist, J.R.
Bhagat, makes a stunning discovery.
CHILDRESS: The Indian government
and Times of India had a major story
about rock paintings found
recently in Central India
that seem to show these tall beings,
and they do not seem to
have a nose or a mouth,
and nearby is this three-legged disk.
GIORGIO TSOUKALOS: The Times of India
actually proposed the idea,
what if what we have depicted here
are some type of extraterrestrials
or at least some type of flying craft,
because it's the basis for much
of the Hindu pantheon of gods.
NARRATOR: Ancient Hindu
texts like the Vedas
and the Puranas record stories about
extraterrestrials existing on other planets,
and the Mahabharata...
one of ancient India's
two major Sanskrit epics...
contains stories about gods
coming to Earth in flying machines.
Even the legends specific to this region
tell of a mysterious race of
beings known as the "rohela"
who descended from the sky
and abducted local villagers.
Could the newly unearthed
cave art be a visual record
that extraterrestrials really visited here?
GEORGE NOORY: There was an
obsession of ancient human beings
to depict things that they saw,
and I think they did it
with carvings on caves
because that's what they saw.
NARRATOR: But what is it about caves
that made them the ideal canvases
for ancient peoples to
chronicle their experiences?
WILLIAM HENRY: Caves are hugely significant
in ancient mythology and legends,
especially about the gods.
They seem to be a kind of a
luminal point, a boundary place
where the gods and humans can meet.
CHILDRESS: There is a whole hidden
underground world of Planet Earth
that we're only just now
beginning to discover,
and we don't know what's there.
We could be discovering
all kinds of amazing things,
and it's possible that there are
entire cities under the earth.
Whole cavern metropolises that
are talked about in legends.
NARRATOR: But while ancient cave art
often reveals the type of animals
our earliest ancestors encountered
and their means for hunting them,
there is a surprising number of depictions
of strange-looking figures and objects
that defy any conventional explanation.
NICK REDFERN: In Australia,
the Wondjina people,
they painted images on their caves
which eerily looks like the so-called
Greys of alien abduction lore today.
CHILDRESS: You have the strange petroglyphs
in the Hoggar Mountains of Southern Algeria.
You've got strange rock art,
too, in the American Southwest,
and when you look at it, and even
have the natives explain it to you,
they say things like, "Oh,
yes, he's Martian god," or,
"These are the star people
coming from the sky."
NARRATOR: How do we explain
so many different cultures
across thousands of years
and thousands of miles
producing such consistent
visual representations?
TSOUKALOS: The ones that were
discovered in some of the African caves,
it's too similar to what has
been discovered on every continent
for it to be complete coincidence.
So, it's this whole idea of the
spark of initial inspiration.
What is it that they witnessed,
and could it be that they
witnessed extraterrestrials?
REDFERN: One of the more intriguing aspects
of the cave paintings
that seem to show aliens,
is why are they inside caves?
This has sort of given rise to
the theory that maybe these aliens,
perhaps, have permanent bases
on the planet underground.
Maybe ancient man saw them coming
out of some of these caves and caverns
and then realized there was a relationship
between the aliens and the caves.
NARRATOR: In ancient times,
caves were places of shelter,
but is it possible our
ancestors were also using caves
to record and protect information
about extraterrestrial beings who
played a role in our existence?
Perhaps the answer can be found halfway
around the world, in the American Southwest.
The Grand Canyon.
This epic, 277-mile-long,
one-mile-deep fissure,
exposes millions of
years of geologic strata.
Imprinted onto this dramatic landscape
are petroglyphs that depict everyday life
as experienced by the first
inhabitants of the region.
But in one of the most
remote corners of the canyon
is a small cave covered with
artwork that mystifies experts.
Some refer to it as the "Shaman's Panel"
because it appears to depict
scenes of the supernatural.
CHILDRESS: All around the Grand Canyon
are unusual sites and sacred sites,
and then you have the Shaman's
Panel there in the Grand Canyon,
which seems to show these long,
tall extraterrestrial type figures.
NARRATOR: Like the strange looking beings
found in the cave in Charama, India,
the figures depicted on the Shaman's Panel
are oddly elongated and are
also thought to have been created
as many as 10,000 years ago.
And just as in Charama,
the native Hopi people here
also have detailed accounts of
extraterrestrials who came down to Earth.
CHILDRESS: In the Southwest,
the Pueblo Indians,
such as the Zuni and... and the Hopi,
believe that there is an
entrance into an underground world
and it is located in the Grand Canyon.
And it's this mythological underworld,
uh, of caves and
extraterrestrials, the ant people.
GARY A. DAVID: The Hopi have
this concept of the ant people.
The ant people are very thin.
They have elongated heads.
And the ancestral Hopi people
did make pictures of these ant people
which still survive today.
NARRATOR: Is it possible the rock art
found here and elsewhere around the world
is evidence that the earth's
first inhabitants had contact
with otherworldly beings?
And if so, might there be
some significance to the fact
that many of these strange petroglyphs
are found in and around caves?
Ancient astronaut theorists say yes,
and suggest further evidence can be found
by examining the ritualistic practices
that continue to be performed
inside caves even to this day.
NARRATOR: The Himalayas, Northern India.
Every summer, hundreds of
thousands of Hindu pilgrims
brave an arduous journey.
They cross many miles of deadly terrain
to reach the Amarnath Cave...
a place of worship for thousands of years.
DAVID WILCOCK: 12,756 feet above sea level,
in the Himalayas,
is the most revered holy pilgrimage site
for all of the people who
follow the Hindu faith.
DK SHIMKHADA: People die because
of high altitude sickness.
Others simply fall off the cliff.
And still people go there because
it is considered to be
the most holiest shrine.
NARRATOR: According to
local lore, this massive cave
is where the god Shiva realed
the secrets of immortality
and the creation of the
universe to his wife Parvati.
(crowd clamoring)
To honor Shiva,
worshippers pay their respects
to a sacred relic inside,
an ice lingam,
which they believe
is a physical manifestation
of his generative power.
WILCOCK: To reveal the secret
to transcending the flesh,
the secret to true immortality,
makes that site of extreme importance
to the people in the Hindu faith.
NARRATOR: To the Hindu faithful who risk
life and limb to reach the Amarnath Cave,
this story is a real account
of an otherworldly being
who was at this exact
location here on Earth.
But why would Lord Shiva
choose to divulge his
divine secrets in a cave?
Could caves really hold special properties
that have made them places
of worship throughout history?
Interestingly, the Amarnath Cave
is only one of hundreds
of caves around the world
that have been at one
time considered sacred.
Archaeologists believe
a 20-foot-long spentine rock carving
in Botswana's Rhino Cave
was the focus of religious ritual
as far back as 70,000 years ago.
And cave monasteries
can be found in France...
Russia...
Thailand...
Ethiopia...
and Hungary,
just to name a few.
REVEREND MICHAEL J.S. CARTER: I
don't think that this is a coincidence
that places of refuge, spiritual
refuge, are inside caves.
This is where one can contemplate,
one can hear one's inner voice
without the distractions of the day.
JONATHAN YOUNG: One thing about
caves is they're underground;
they're unseen. Well,
religion is about unseen things.
Going into a cave is
going into holy ground.
NARRATOR: Is the mysterious nature of caves
enough to explain
why they have been revered as sacred places
by different cultures and
religions all over the world?
Ancient astronaut theorists suggest
there may be a more profound reason,
which can be found
by examining the stories
behind our ancestors' rituals.
Yucat?n, Mexico, 2008.
Mexican archaeologists exploring
just outside the capital of Merida
make an historic discovery:
an aquatic underworld
full of mysterious offerings
to the Mayan gods, including
human sacrifices.
CHILDRESS: What they found
was a system of 14 caves,
and in them were stone temples,
and they were all linked together.
And it was thought that
what they had discovered
was the Mayan underworld known as Xibalba.
YOUNG: Some of this work is underwater.
Divers would have had to hold their breath
and go down and do carving
underwater to make this possible.
They were very devout to be sure.
NARRATOR: Central to the
heavily Mayan ritualistic society
was the belief that in order for them
to rejoin the gods in the next life,
the dead must make their way
through a dark and *** journey.
TSOUKALOS: In the mythology of the Maya,
we have these incredible
references to Xibalba,
which means "the underworld."
And we can read about it in the Popol Vuh,
which is the book of the Jaguar priests.
NARRATOR: Some historians believe
that the caves discovered in 2008
are indeed those caves that
represented for the Maya
the passageway to
Xibalba... the underworld.
But ancient astronaut theorists propose
Xibalba has a more cosmic connection.
TSOUKALOS: One of the most
famous code breakers...
her name was Dr. Linda Schele.
She dealt with the Maya
language all her life.
She is actually one of the
people who have suggested
that there is another meaning for Xibalba,
and that's "the Milky Way."
HAWKES: To the Mayans, who
were very good astronomers,
this represented the passageway
to another world, Xibalba...
the middle of the Milky Way.
So when they refer to the
underworld, they're actually referring
to the sky above.
WILCOCK: This suggests that
the cave could be a portal,
in which extraterrestrials
are actually able to come and go freely
from their plane of existence to our own.
NARRATOR: Is it possible that
the Mayan stories of Xibalba
were not describing a
passageway to the afterlife,
but a portal to another
part of the universe?
Ancient astronaut theorists suggest
that caves have become places of ritual
because they have a direct
connection to extraterrestrials,
and claim that further proof can be found
by examining the mysterious
Sky Caves of Nepal.
NARRATOR: Shikoku Island, Japan.
The eighth century AD.
A young monk named Saeki Mao
was deep in the mountains
doing his spiritual training
when he decided to enter a small
cave called Mikurodo and meditate.
While inside, he had an encounter
that he would later credit
with bringing him enlightenment,
and he emerged from the cave as Kukai...
a high priest
who would become one of Japan's
most important historical figures.
JEREMIAH: Many Buddhists have reported
enlightening experiences in caves.
And one of the most famous
stories involved the monk Kukai.
He is the individual who
brought esoteric Buddhism,
Shingon Buddhism, to Japan from China,
and according to his autobiography,
he was meditating in a cave at Cape Muroto.
And he had fixed his
eyes on the morning star.
The morning star flew towards him,
entered his mouth
and in front of him he saw an image
of the Bodhisattva Akasagarbha.
And Akasagarbha, in Japanese,
is known as Kokuzo Bosatsu.
So we have this spiritual
being, surrounded by light...
Perhaps he even used the
light to travel there.
NARRATOR: After this encounter,
Kukai suddenly had great wisdom,
including the ability to comprehend
85,000 Buddhist texts.
But what happened inside Mikurodo Cave
that allowed Kukai to enter
this enlightened state?
WM. MICHAEL MOTT: Kokuzo
appeared to Kukai in the cave
when he was in his trance and
basically informed him that
he was a conduit to the universe.
And it channeled through his body and he
could tell you anything about the stars,
the planets. It's almost as if
he were tapped into a database.
JEREMIAH: Some even perceive that
the cave is similar to a womb.
So a human being enters as a normal mortal.
They engage in ascetic or meditative
discipline within the cave.
And when they exit the cave,
they're no longer a typical mortal,
but they're more akin to a saint.
Or even a Buddha.
NARRATOR: But could the
enlightenment found inside caves
be coming from an extraterrestrial
source inside the earth?
Some ancient astronaut theorists say yes
and suggest evidence of this
might be found in the fabled
nirvana known as Shambhala
and the Sky Caves of Mustang in Nepal.
JEREMIAH: Some say
Shambhala is a mythical city
that's located somewhere in
the mountains in the Himalayas.
Its inhabitants are supposed
to be fully enlightened beings
who have access to a
great amount of technology,
which comes from the enlightenment itself.
MOTT: Buddhism has always seen
caves as more or less a conduit
to altered states of consciousness.
To other civilizations that
may exist inside the earth.
JEREMIAH: The Sky Caves in Mustang
are interesting because they're a hundred
or so man-made caves
carved into the faces of cliffs.
And are only accessible by
these huge vertical shafts.
And inside these caves, we have,
huge statues of Buddhas, bodhisattvas.
NARRATOR: And Buddhists are
not alone in this belief.
Hindus also revere caves
as places where monks
can go to find wisdom.
MOTT: The Sadhu are Indian
holy men who, basically,
lead a life of depravation,
self-imposed exile in caves
so that they can enter these
altered states of consciousness.
They definitely believe
that caves are a conduit
to communicating with non-human entities.
JEREMIAH: It's almost as
though they're opening a doorway
into a spiritual consciousness in
which they are able to communicate
with these divine beings and
hopefully become divine themselves.
NARRATOR: Other important
figures throughout history
also attribute their
life-altering epiphanies
to mysterious encounters
that happened in caves.
YOUNG: In the life of the great
artist and inventor, Leonardo da Vinci,
he had some unusual but important
experience at the mouth of a cave.
Right after that, he
disappeared for two years.
And right after that, he began this
spurt of creativity that was awesome.
In art and in science, he invented the first
self-propelled vehicle and imagined flying machines.
ERICH VON DANIKEN: Joseph Smith
wrote that an angel appeared to him
with the name of Moroni in the year 1827.
Told to Joseph Smith he should
go to a certain little hill.
He should pull the stone plate away,
and inside he would find a cave.
And in the cave he would
find unknown writings.
MOTT: As all good Mormons know,
he found the golden tablets, which
contained a vast amount of data.
NARRATOR: Why are there
so many accounts of humans
having enlightening
experiences inside caves?
Is there something about caves themselves
that facilitate such
extraordinary experiences?
Could it be that these people
are coming into contact with
an extraterrestrial presence?
Ancient astronaut theorists suggest
that cosmic knowledge may be stored in
the very walls of these caves themselves,
and that the proof can be
found in Central America
1,000 feet underground.
NARRATOR: Chihuahua, Mexico. April, 2000.
Miners excavating 1,000 feet below
the mineral-rich town of Naica
drill through a cave wall
and make a stunning discovery:
a glittering cavern full of giant crystals
that are half a million years old.
HAWKES: The Cuevas des Cristales...
or the Crystal Cave of Northern
Mexico... is a very unique site.
And we're talking crystals
as big around as a car
that stretched from the floor
to the ceiling of the cavern.
It's a remarkable thing to see.
CHILDRESS: The incredible
Cave of the Crystals in Mexico
was just accidentally found,
and the discoverers
were completely astounded
with these giant gypsum crystals.
It's fantastic and reminds a person
of the Fortress of Solitude of Superman,
where all this information is encoded
into these giant crystals. H
AWKES: Now, the significance of this
is extremely important
to the indigenous people
of Northern Mexico... in
fact, all of Mesoamerica...
in that the crystals themselves
were considered sacred.
They vibrated.
And they believed there was also
some properties involved in crystals
that would provide them a way
to communicate with the gods.
MOTT: Many ancient myths tell us
that there are magical apparatus
that are made out of
rock or stone or crystal.
JASON MARTELL: If we look at the
properties of many of the caverns and caves,
we see that there's usually some
type of lining of crystal or quartz,
and we know that crystal has a
vast ability to store information.
Maybe some of these caves are
actually storing information
and that ancient people
who meditate in caverns
are tapping into this knowledge.
NARRATOR: Might caves that
are rich in quartz or crystal
really possess some special power
that our ancestors were aware of?
Ancient astronaut theorists point out
that the scientists today
are discovering that crystals do,
in fact, have very unique properties.
MICHAEL DENNIN: Quartz and
other crystalline structures
oscillate on incredibly
well-defined frequencies
when you hit them mechanically,
and they can be activated
electrically through an effect
known as the piezoelectric effect.
So you can put quartz in a watch
and use it as a very
accurate timekeeping device.
So quartz could be used in conducting
or communicating certain signals.
NARRATOR: In the Silicon
Valley of California,
quartz is used to manufacture
the small integrated circuits
found in computers
because of its strong
semiconducting properties.
Computer chips are also made with
a form of the mineral quartzite,
which is a highly-condensed
form of quartz.
Today, computer engineers
are working on how to
physically manipulate crystals
so that digital data can be
stored inside them forever.
The media has dubbed these
hard drives of the future
"Superman memory crystals."
DENNIN: So, Superman is
one of our superheroes
who came from outer space. He
came from the planet Krypton.
It was in the process of
being destroyed, so his parents
saved him and sent him in
a spaceship to our planet.
One of the interesting
things in the Superman story
is that his father was
able to program a crystal
that traveled with him
that he was able to use to
construct the Fortress of Solitude.
And it was basically a crystal structure,
essentially a cave, where he
could both get away from things
and he could use the crystals
in there to get information.
So one of the things that's
interesting in the Fortress of Solitude
is the way that the quartz technology,
or the crystal technology, seems
to be underlying everything.
And so a future that we're looking
at is using light in computing.
You have to figure out ways to trap light
and to store it, basically
to create bits on and off
and have the light last long enough t
hat the signal stays there
and the memory is stored.
NARRATOR: Was the power of crystals
something the ancients not only knew about
but utilized by building structures
that would harness and transmit it?
MARTELL: A lot of the pyramids had either
granite or some type of crystal-lined surface.
For instance, Giza,
those great pyramids were
topped with an obelisk made
of shiny granite crystal.
And when we look at an obelisk, it very
much resembles some type of power rod,
maybe a Tesla coil.
Ancient times, the obelisk
was always a symbol of power.
Maybe this wasn't just
emotional power but actual
physical power that was being
harnessed by these objects.
HENRY: Crystals are transformers.
They hold energy.
And, indeed, caves are
thought of as "hot spots,"
where you have Earth energy
emerging from the planet.
NARRATOR: If scientists today
are looking into the
technological uses for crystal,
is it possible that there are
extraterrestrial civilizations
that have already mastered this technology?
Ancient astronaut theorists say yes
and that the mineral
properties found inside caves
have enabled some of the
world's most astounding miracles.
NARRATOR: Bethlehem.
The Church of the Nativity,
built around 330 AD
by the first Christian
Roman emperor Constantine,
is one of the oldest continuously
operating churches in the world,
having survived invasions, regime changes,
fires, and earthquakes.
Many claim that the church is
protected by a higher power,
because it sits above a cave
that some Bible scholars believe
to be the true birthplace of Jesus Christ.
MICHAEL GERVERS: There are many books
about the story of Christ's life,
Jesus' life,
which never made their way into the Bible,
and one of them was called
the Protoevangelium of James.
And in that story, Joseph and
Mary are approaching Bethlehem,
and Mary says, "I'm going to give birth."
And he thinks for a minute. He
said, "Ah, I know a cave near here."
And they're met at the entrance
to the cave by a brilliant light.
And when the light dissipates, there
is Mary holding Christ in her arms.
And if you look at Byzantine painting,
the Nativity is always
represented in a cave.
NARRATOR: According to the Gospel of Luke,
Mary gives birth and places
the baby Jesus in a manger,
but no actual location
for the Nativity is given.
It is known, however,
that caves at the time were commonly
used as shelter for livestock.
HENRY: Going back to the
third century, they...
they started this idea that
he was actually born in a cave.
But then they also describe the
tomb of resurrection as a cave,
as a simple hollowed-out room
that had this circular
stone at the entranceway.
GERVERS: The Bible does make a point
that when Christ was taken from the cross,
then he's buried in a rock-cut tomb.
KATHLEEN McGOWAN COPPENS: There does
seem to be a mystical environment here,
this idea of a cave being a place
where someone who is of divinity comes
and someone who is of divinity leaves.
So it's almost as if passages
are happening in caves.
ROBERT MULLINS: Constantine's building
program of churches in the Holy Land
began by building churches over caves
associated with key mysteries of the faith.
He built a church over
the site of Jesus' birth.
He built a church over the
site of Jesus' crucifixion,
where the Church of the
Holy Sepulchre stands today.
And he built a church
on the Mount of Olives
over a cave associated with the
site of his ascension into heaven.
NARRATOR: Is there some significance
to the fact that both Jesus' birthplace
and resurrection may have
occurred inside caves?
Some ancient astronaut theorists say yes
and claim there may
even be physical evidence
that what happened within these caves
was something other than miraculous.
McGOWAN: The Shroud of Turin
is certainly the most important
relic of the Resurrection,
this extraordinary imprint of
the crucified body on this cloth
that no one has ever been able to
accurately explain or reproduce.
MOTT: Jesus was in the tomb, and
some believe there was
an intense burst of energy
which created what we now
call the Shroud of Turin,
some form of radiation which
was very intense and powerful.
McGOWAN: We know with
21st century technology
that the Shroud of Turin
is a first century garment.
And we know beyond a shadow of a doubt
that it could not have been
painted or in any way created.
So the Shroud of Turin gives us
this exceptional piece of evidence
that something powerful
happened in that tomb.
MOTT: And when people came
to see him the next day
to view his body, he was gone.
Two shining beings, nonhuman beings,
met these two witnesses outside the tomb
and informed them that Christ had arisen
and that he had departed.
HENRY: It's possible that that
cave was acting as a sort of a
gateway or a portal, because
in many of these stories, the
caves link earth and heaven.
NARRATOR: Could the Shroud of Turin
really be evidence that
something of a technological
as well as a spiritual
nature took place in the cave
where many believe Jesus was resurrected?
Reports of humans encountering the divine
in or near caves come from
all corners of the globe
going back thousands of years.
CARTER: We look at the
prophet Mohammad at Mount Hira.
He's in a mountain in a cave.
He's praying and meditating.
He hears the voice of Gabriel.
"Iqra, Iqra," which means
"to "recite, recite." And so,
he recites the Koran.
According to the Hebrew
tradition the prophet Elijah,
who existed around nine
BCE, lived in a cave.
ROBERT CARGILL: According to
Greek mythology, Zeus was born
in a cave.
And caves are often understood,
in religious traditions,
to be gateways to the underworld.
So, caves are worshipped
throughout the Mediterranean,
usually because a god is
associated with that cave.
A god is worshipped in
a cave or in a grotto.
NARRATOR: Could the stories of Zeus,
Muhammad, and even Jesus
be evidence that the
world's subterranean caverns
might be portals that
connect us to other realms,
as ancient astronaut theorists suggest?
Perhaps the answer will be found
with new cutting-edge technology
designed to uncover secrets in cave walls
not visible to the naked eye.
NARRATOR: Santa Monica, California, 2014.
Here at xRez Studio,
visualization artists Greg
Downing and Eric Hanson
are pioneering the use of photogrammetry
and special effects software
to assist archaeologists in the global
effort to decipher ancient cave art.
GREG DOWNING: We use a
combination of technues
from the fields of
computational photography
and graphics in order to
help the archaeologists reveal
information difficult to see just
with basic vision when you're there.
NARRATOR: The team recently
traveled to the Grand Canyon
to compile a massive, in-depth
photographic compilation
of the collection of
strange petroglyphs known
as the Shaman's Panel.
ERIC HANSON: We were drawn to
the panel for two primary aspects.
One was the rich layering
of the anthropomorphic figures.
And two is the kind of evocative,
surreal nature of their composition.
DOWNING: This cave is maybe,
like, five or six feet deep.
So, by using a photogrammetric technique,
we were able to get the detail
across the entire painting.
HANSON: The nice thing
about this technique is,
we can separate the different
dyes and minerals that are used.
And in this case, now we can kind
of see the layering expressed,
we can see figures that are
simply lost by the naked eye.
DOWNING: Yeah, that brings it out.
Yeah, it's a complete difference.
NARRATOR: Could modern
techniques one day uncover
even more details about what
ancient people really saw
and hoped to communicate with rock art?
Some ancient astronaut theorists believe
one compelling clue that modern
researchers might be on the right track
can be found, oddly enough,
in contemporary America.
"March, 1945.
Amazing Stories magazine
publishes an article entitled
"I Remember Lemuria!"
But according to the author, this is the first
piece to appear in the science fiction magazine
that is not fiction at all
but an actual account of
his own alien abduction.
REDFERN: Richard Shaver was
a man who surfaced decades ago
with a story of underground entities
that were very hostile to the human race.
Terrible creatures that would kidnap
and k*ll members of the human race.
SWARTZ: They were the first
inhabitants of Planet Earth.
When the sun became radioactive,
these people could no
longer live on the surface.
Some left in their spaceships.
Others went underground.
NARRATOR: Could Richard Shaver's account
of underground extraterrestrials
abducting humans be true?
Shaver proposed that the alien
race that once populated the earth
had developed highly-specialized equipment
that allowed them to
embed multifaceted imagery
into stones.
BRIAN TUCKER: Richard Shaver believed
that he had made the greatest discovery
in the history of mankind
about the true nature of
intelligent life on Earth.
So, this is an original Shaver
photograph of a rock book.
And this multidimensional way
of making images in the rock
books was something that Shaver saw
as a real sign of the superior
intelligence of the ancient races.
Shaver believed that these weren't
mere rocks with random patterns,
that these were actually
deliberately manufactured artifacts
by the ancient races who had been here
30,000, 100,000, who
knows how many years ago.
NARRATOR: Might Richard
Shaver have actually discovered
real physical evidence that extraterrestrials
have been here on Planet Earth
and might still be here today?
SWARTZ: Whether or not Richard
Shaver's stories are true,
it does dovetail with
legends across this planet
of a race of beings that
either created humankind,
or were, at least, our ancestors
that had a superior technology.
REDFERN: If we're looking
for extraterrestrials,
ironically, the heavens above
might not be the best place to look.
We should perhaps even be
looking deep below our feet.
CHILDRESS: In some ways,
exploring the underground cavern world
of Planet Earth is the final frontier.
NARRATOR: Is it possible
that some of the world's
most mysterious caves
really are home to extraterrestrial beings?
Could it be that the
knowledge of the universe
has been left for us to
discover right here on Earth,
once we have the technology to unlock it?
And might the crystals
found within cave walls
not only tell us where we came from,
but even provide the technology
to access the most distant
corners of the universe?
Perhaps one day we will find proof
that there is life beyond our planet
by searching deep within it.
09x06 - Alien Resurrections
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Explores the pseudoscientific hypothesis of ancient astronauts in a non-critical, documentary format.
Explores the pseudoscientific hypothesis of ancient astronauts in a non-critical, documentary format.