08x04 - King County
Posted: 06/02/23 06:32
Why is PADRE doing this?
To ensure what he's built endures.
I am the only one
who could save his life.
Get them out of here.
♪ ♪
We are PADRE.
All these people lost
their children to PADRE.
Fight alongside us.
What's this? King County.
What does it mean?
Some kind of graffiti.
- Who are you?
- I'm your mother.
- How'd they find us?
- At least we got to see.
[BIRDS CHIRPING]
[WALKERS GROWLING]
[WALKERS GROWLING]
[SOFT THUDDING]
Sorry it took me so long.
[GROWLING AND THUDDING CONTINUE]
♪ ♪
[GROWLING AND THUDDING GROWS LOUDER]
♪ ♪
I'm here!
♪ ♪
♪ ♪
[GROWLING AND THUDDING CONTINUE]
Duane?
♪ ♪
[SHOUTING ECHOING]
Ohh...
No. No.
[GROWLING AND THUDDING CONTINUE]
♪ ♪
♪ ♪
No!
♪ ♪
[INSECTS BUZZING]
Hey!
Hey!
I can do it.
I can k*ll you. [GRUNTS]
And you.
I can k*ll all of you!
[WALKERS GROWLING]
♪ ♪
[GROWLING STOPS]
♪ ♪
[GROANS]
♪ ♪
I'm sorry, Duane.
Duane, I can't do it.
♪ ♪
I don't know why I can't do it!
♪ ♪
♪ ♪
♪ ♪
[BIRDS CHIRPING]
[ENGINE REVS IN DISTANCE]
♪ ♪
♪ ♪
♪ ♪
♪ ♪
You're a long way from home.
♪ ♪
♪ ♪
Whoa! It's me! It's me!
What the hell are you doing here?
How did you find me?
You asked me to come.
No, I did not.
I was working at the repeater
station and you sent me an SOS.
It was coded like we talked about.
Nobody knew I was coming here.
You sure?
Unless somebody followed me,
yes, I am sure.
And you know better
than to listen to that.
- I could've been a walker. I could've...
- It doesn't matter.
What the hell is that smell?
Yeah, uh...
Walkers feeding on skunks, and I, uh...
Yeah, well, we need to
get you cleaned up.
What are you doing so far inland?
Morgan?
♪ ♪
Wait, wait, wait!
It's just me.
Why the hell are you two here?
You know you're just gonna
get yourselves k*lled.
Yeah, by you if you get any closer.
What are you doing here?
You get the same message that Grace did?
No.
I'm the one who sent it.
Madison told me you were going
to take care of something important.
Madison. You saw her?
Is she okay?
- She got away.
- Good.
I didn't tell Madison
where I was headed.
You didn't have to.
The graffiti on the boat... King County.
I knew it meant something by
the way you told me it didn't.
Well, you are so much smarter
than you got any right to be.
[GRACE CHUCKLES]
Does this have something
to do with Jenny and Duane?
Their names were on the wall, too.
You shouldn't be here.
Who are they?
You need to take her away from here.
It's his wife and son.
Is that why you're here?
I came here...
I came to put my boy to rest.
- You mean he's...
- Walking around.
Still.
How'd you fake that message?
"Dock of the Bay".
How'd you know about our code?
I knew that song meant
something to you and Mom.
Is it okay if I call you that?
Of course.
I thought if I put it
at the end of the message,
she'd think it was you.
If I told you the truth,
I didn't think you'd bring me here.
Is this what it feels like?
What feels like?
Getting in trouble with your parents?
You know, we're not the ones
you need to worry about.
How'd you get away from PADRE?
Madison's friend Daniel. He helped me.
Daniel's still alive?
He's found other parents
who lost their kids.
He's building an army
to take PADRE down.
We can help him do that.
Yeah, we...
We can, but first I gotta do
what I come here to do.
Duane.
Where is he?
We were looking for food.
Man, we were always looking for food,
and I went down into the basement
and told him to stay
in the kitchen and...
I don't know. Maybe the door was ajar.
The front door, because when
I came out, there she was.
His mother, standing right opposite him,
but she wasn't his mother anymore.
Before I could even get my g*n
up, Jenny was on top of him.
I finally did what I should
have done weeks before.
I, uh... I-I-I fired.
But it was too late.
I'm so sorry, Morgan.
There was just blood.
God, the blood and
the teeth and... and...
♪ ♪
I don't know.
I just ran.
You know, I ran like
I didn't know what else to do.
♪ ♪
Ran and left him here.
♪ ♪
Left my boy to become one of them.
♪ ♪
MO: Where'd you go?
I don't know.
♪ ♪
It's a blur.
It just comes back to me
in pieces. It's...
All I know is I started k*lling anything
that moved in front of me.
Whether it was alive
or dead, I k*lled it.
♪ ♪
You sure you're up for this?
Yeah.
I just think that maybe
I should go in there by myself.
We wanna come.
[SNIFFS]
What?
You really need some new clothes.
[GRACE CHUCKLES]
Yeah.
But we're still here,
which should tell you
we're not letting you
go in there by yourself.
♪ ♪
[FLARE EXPLODES]
- Were you followed?
- No, I was careful.
Let's get out of here.
Let's go. Come on.
♪ ♪
[HORSE NEIGHS]
Over there.
Okay. Come on.
[HORSE NEIGHS]
Stop. Behind there.
♪ ♪
Back up.
♪ ♪
There's nowhere to go, Morgan!
Okay.
I need you to stay here.
He called you Morgan. You know Red Kite?
I'm the reason he's at PADRE.
Stay here.
♪ ♪
Down...
What are you doing here?
How'd you find me?
We're here to take you back.
We heard the message you sent Grace.
That message was coded.
Coordinates and
"Dock of the Bay", Morgan?
You really think we wouldn't
figure that out?
Come on.
You don't really want to
take me back, do you?
This isn't up for debate, Morgan.
[SNIFFS] What the hell is that?
It's just a skunk. I... Look. Please...
He's going on the back of your horse.
PADRE's got your son, doesn't he?
He's using him against you.
Damn right he is.
And we bring you back,
he's giving Finch and us
- freedom to go wherever we want.
- You can't believe that.
We'll take our chances. Alright?
We know what'll happen to Finch
if we don't bring you back.
Worse than what's already happened.
You sold us out seven years ago
to rescue your kid.
We're just returning the favor.
[WALKER GROWLING]
No! Hey, hey, hey!
[GROWLING STOPS]
[BODY THUDS]
♪ ♪
Ah...
You brought them?
Technically, we came
without his permission.
VOICE ON RADIO: Red Kite, come in.
What do we do now?
Dude, you know what we have to do.
Well, we turn her in to PADRE,
PADRE's gonna hurt her.
Yeah, well, we won't see
our kid if we don't.
Red Kite, are you there?
Do you need assistance?
Alright. I may have an idea. Okay?
Look, you take off with
Grace and Mo right now.
Okay? We'll find some walkers
that look like y'all
and we'll mess up their faces
like we did
when Al and I ran from Ginny.
- That's not gonna work.
- It worked with Virginia.
We got lucky with Virginia.
If it doesn't work this time,
that's your kid's life on the line.
He's right, D. We've got way
too much to lose right now.
What, you want Finch to know
we traded in some kid to PADRE
to buy his freedom?
[SIGHS]
Look, we have two guards babysitting us.
Okay? We rode ahead to sweep the town.
So if I were you, I'd make your decision
right now before they catch up.
Red Kite, we're approaching.
What's your status?
There is something I have to do first.
- [CLEARS THROAT]
- God.
[SNIFFS]
Morgan. Let it go.
I can't. I'm sorry. I can't.
So...
Run. Go.
- Hey! Stop!
- I'm gonna...
Alright. Cut 'em off at the entrance!
♪ ♪
[WALKERS GROWLING]
♪ ♪
There are more of them coming.
Over here. Come on.
♪ ♪
[GROWLING IN DISTANCE]
It's clear.
[GROWLING IN DISTANCE]
It's gonna be getting dark soon.
Kitchen's through here.
In the cupboards,
there may be oil lamps.
Extra oil in the lowers.
And, Grace, up on the
second-floor front bedroom,
there may be a r*fle.
If there is, under the bed,
there'll be extra a*mo in a shoebox.
- Morgan...
- We're gonna need that r*fle.
Walkers are gonna find us
before Dwight and Sherry do.
[SIGHS]
I'm not going anywhere until you tell me
how you know where
everything is in this house.
I used to live here with Duane
before he died.
Are you sure being here is a good idea?
♪ ♪
You got a better one?
♪ ♪
♪ ♪
[WALKERS GROWLING IN DISTANCE]
Did it get rid of the smell?
I think it just masks it.
How'd you know that'd work?
When Duane was little,
he had a dog named Midge.
Used to follow him everywhere
and bark at everybody else.
One time, she got too close
to the wrong end of a skunk.
She smelled worse than me.
But she had to be where Duane was at.
So he's crying. She's stinking.
Me and Jenny damn near lost our minds.
- So you gave her a bath in tomato soup?
- Yup.
Made her smell like a mix
between wet dog and bad ketchup.
Why do you think there's
all these cans still left?
Even when we hadn't eaten in days,
Duane wouldn't touch the stuff.
Was it nice?
What, the soup?
How things used to be.
I would say it wasn't bad.
Do you think it'll ever be
like that again?
I think if we do things right...
we might have the chance
to make it even better.
Give everybody that second
chance that they deserve.
I'm sorry what I said to you before.
When I said me and Grace
were not your parents.
I know what you were trying to do.
Because we are.
In every way that matters, we are.
I know.
It's just Isaac and Rachel,
they're your parents, too.
And they sacrificed their lives
so that you would survive.
[GROWLING GROWS LOUDER]
[THUDDING]
Go upstairs, Mo. Go.
There's too many out there.
We can't stay here, Morgan.
The walkers, they're gonna
lead Dwight and Sherry here.
Yeah. They'll head off, soon.
When they do, I want you to take Mo
as far north as your truck will get her.
- Where are you going?
- I gotta take care of Duane.
Then I will catch up to you,
and we can regroup
with Madison and Daniel.
You have to come with us now.
I need to put my boy to rest.
You just told Mo
you wanted a second chance.
This might be the only one you get.
I need to do this.
This is exactly what I was
doing when we first met.
No. You were burying your co-workers.
I was risking my life for people
who were already dead.
This is my son.
And it's Mo's life!
We could have gotten away when
Dwight and Sherry gave us the out.
- That wouldn't have worked.
- You don't know that.
I gotta do this.
Only way I can be sure I can
give that girl what she needs.
- Why?
- I need to know that I won't let her down.
You are so scared of
the past repeating itself
that you don't even realize
that you're the one
who's making it happen.
And now we're trapped in this house
that you and Duane lived
because you brought us here.
DWIGHT: We know you're in there, Morgan.
Look out the window.
Mo.
Upstairs, please.
♪ ♪
[WALKERS GROWLING]
Be smart about this, Morgan.
This isn't then.
Whatever happened
in this house with Duane,
it doesn't have to happen with us.
♪ ♪
I'm listening.
We're trying to make this easy on you.
You're the one that's making it hard.
Don't forget that.
Don't need to make it any harder.
Maybe we can still make that deal.
No, I think it's too late for that.
We're waiting, Morgan.
Man, you can keep waiting,
'cause those walkers out there,
they're a bigger problem
for you than they are us.
[WALKERS GROWLING]
Morgan.
You said you had to
take care of something.
Maybe we can help.
PADRE thinks you came
out here for a reason.
Weapons, more soldiers
to plan an attack.
It's not like that.
Okay, then tell us what it's like.
It's my boy. My son.
He died here. He's in one
of the houses close by.
I came back to bury him.
[WALKERS GROWLING]
I'm sorry, Morgan, but we have
our son to think about, too.
Let's get it done. Do it.
[HORSE NEIGHS]
[FLARES WHIZZING]
The house won't hold
when it's surrounded
by every walker within miles.
MO: Dad!
♪ ♪
♪ ♪
Did you do this?
MORGAN: I don't remember. I don't know.
♪ ♪
I don't remember ever coming
back here after Duane died.
- Morgan.
- It's okay.
I'm okay.
[WALKERS GROWLING]
Jenny was always outside.
She would wander back here most nights.
I don't know if it's 'cause
she heard us in here
or she could smell us, but I would...
I'd sit and wait.
I wanted to put her to rest,
didn't want Duane
to have to see his mother like that.
A man named Rick Grimes
gave me this r*fle
to do right by her,
and I... never could.
I don't know. I must have...
come back here after Duane died.
Why'd you write all this?
So, things, um...
they went wrong for me
for a long time after.
What does "clear" mean?
Clear? It...
It's when I was k*lling them,
when I was...
when I was k*lling anything and anyone
who came anywhere near me.
[THUD]
♪ ♪
♪ ♪
I like it when you smile.
Yeah, me too.
I remember the first time
I saw you smile.
It was on the carousel.
♪ ♪
What have we been doing
these last seven years?
We've been doing what...
what we thought we had to.
♪ ♪
Did you guys ever see each other?
Now and then.
If PADRE knew what
we mean to each other...
He would have used it against you.
Yeah.
♪ ♪
I'm sorry we wasted
all that time, Morgan.
[FLARES WHIZZING]
DWIGHT: Maybe this'll hurry you up.
[WALKERS GROWLING]
♪ ♪
What is it?
They're trying to burn us out.
Here. We'll save you the b*llet.
This one's a courtesy k*ll.
But the next one we light
on fire keeps walking.
Dwight, come on.
I got Mo in here with me.
You're gonna get her k*lled.
No. You will.
You got five minutes
to turn yourself over...
or I'm sending one up on that porch.
We'll be waiting, Morgan.
I should've taken that deal from before.
I put you and Mo in danger.
MO: You made the right choice, Dad.
We just can't abandon
Daniel and Madison.
We have to get back to my truck.
You can stop the walkers
before they get to the house.
You can make a path
so we can get to the truck.
You just have to "clear" for us.
No. It is not that simple.
This is your second chance, Dad.
GRACE: Maybe this is what
you need to show yourself
that things can be different.
That's Sherry and Dwight out there.
We can get by them.
PADRE will hurt their son.
Not if we can help Daniel
take the island first.
She's right, Morgan.
Rick... he gave you
this g*n for a reason.
Use it.
[WALKERS GROWLING]
Aim for the ones in the center.
I'll take care of the ones to the side.
You stay behind me.
We get through the scrum,
walkers will follow
and make it hard for Dwight
and Sherry to get close.
I'm gonna cover you, but when
I say, you take a hard right
and you do not stop until
we are at the truck, okay?
You can do this. I know you can.
- [r*fle COCKS]
- We're about to find out.
I meant what I said before.
I am so sorry we wasted so much time.
♪ ♪
Me too.
What was that for?
You've never seen anybody kiss before.
And I don't need to again.
♪ ♪
♪ ♪
Can we just start k*lling
the Carrion, please?
Come on.
♪ ♪
Ready?
[g*nsh*t]
[WALKERS GROWLING]
♪ ♪
♪ ♪
♪ ♪
[GRUNTS]
♪ ♪
In the house! Now!
♪ ♪
Morgan. He's on fire!
Morgan!
♪ ♪
[g*nsh*t]
[HORSE NEIGHS]
There's nowhere to go.
PADRE wants answers. Why are
you really here, Morgan?
I told you already. I'm here for my boy.
Alright. Show us. It's the only
way PADRE's gonna believe you.
It's alright.
After you see I'm telling the truth,
you can take me back to PADRE
if you have to,
but promise me you'll get Mo
out of that house.
It's surrounded by walkers.
We'll make sure she's okay.
♪ ♪
♪ ♪
♪ ♪
[WALKER GROWLING]
♪ ♪
DWIGHT: Morgan.
♪ ♪
Let me be the one to do it.
Please.
Not gonna try anything, are you?
Promise I won't.
Hey, hey, hey. No.
He's fine.
♪ ♪
♪ ♪
Ready?
Let's go.
It's not him. It's not him.
Duane?! Duane?
Where is he?
Duane?
- Duane!
- It's o... It's okay.
- Hey. Easy, easy, Morgan.
- Morgan, it's okay.
No, he's... he's... he's
he's got... got to be here.
He has got to be here!
Morgan. Morgan. He's not here.
- He has to be!
- Hey, hey.
- Duane!
- He must have...
Duane!
He must have gotten out. Morgan.
I wait... I waited too long.
I...
I waited too long.
It's okay, Morgan. It's okay.
It's not okay.
I waited too long. I...
I couldn't put him to rest back then,
and I-I can't put him to rest now.
I brought you here for nothing.
You and Mo, I put you
in danger for nothing!
- I couldn't...
- GUARD: On your feet.
Shrike wants answers.
Why did you really come here?
He told you. For his son.
- Bullshit!
- Grace.
Does it look like he's faking it?!
He was lying. His kid's not here.
If he won't tell you
why he's there, k*ll him.
[g*n COCKS]
No. No. Morgan. Morgan.
You heard her. Why are you here?
Morgan, you need to listen to me.
You need to tell them about Duane.
Last chance.
Why were you here?
Alright. Just give him a minute, okay?
Morgan, please. Please
listen to me, Morgan.
They will k*ll you if you don't
tell them what happened here.
You know it's already over.
No. No.
So if you're gonna do it...
GRACE: N... No.
... do it.
GRACE: No. No! Morgan!
No! Morgan! No!
- SHERRY: Grace.
- No! Morgan, no!
GRACE: No!
MORGAN: You shouldn't have done that.
I'm not just gonna stand here
and watch you get k*lled
in cold blood, Morgan.
You're not the only one
trying to escape your past.
What PADRE's doing...
you know, making us do,
it's like living at
the Sanctuary all over again.
Your boy's gonna end up just like mine.
And I can't have that on me. I can't.
SHRIKE: PADRE Three.
PADRE's gonna k*ll him.
Report. Now.
Not if we have something to do with it.
PADRE Three, answer.
DWIGHT: This is Red Kite.
Let me talk to Oriole.
Uh, Oriole can't talk right now.
Why not? Where is he?
You can talk to him
after I talk to my son.
I want to know he's okay.
Go ahead.
Talk to him.
♪ ♪
Hello?
Hey, bud.
How are you feeling?
FINCH: I think the treatment worked.
- You're gonna be alright.
- What's going on?
Hey, you remember that thing that I...
I taught you in class
before you got sick?
The Chimney Sweep?
Do it now.
Did it work?
Yeah, she's out. Now what?
They're going to find her.
Look, there is a morning supply boat
that leaves in minutes.
I want you to sneak on board,
and we're...
we're gonna meet you
on the dock when you land.
Can you do that?
I think so.
We know you can. Okay?
Look. It's not safe
to talk on here anymore.
We'll meet you on the mainland, alright?
Okay.
Alright. We need to start
riding now if we're gonna
make it there before
the boat hits the dock.
Yeah.
Hey, Morgan, um...
Look. Whatever happened here...
just know that you have a chance
to make things different with Mo.
Don't forget that. We'll see ya.
GRACE: Mo?
[RADIO CRACKLES]
Mo?
Mo, can you hear me?
We're on our way
to drive the walkers away.
MO: Hurry, Mom!
You get away from that door.
You hear me?
We'll be there.
- Come on, Morgan.
- MORGAN: No, you should go.
- You're her best shot.
- No, I'm not, Morgan.
You saw what happened to me
outside that house.
You have to do it.
You have to put it behind you.
- I can't.
- Neither can I!
What are you talking about?
There's a reason why
I didn't want you to hear
what I was listening to in the truck.
What?
The book.
I was playing it at double speed.
The radiation's caught up with me.
Morgan, I can feel it.
You were wrong before.
No.
This time it's different.
♪ ♪
I'm sick, Morgan.
♪ ♪
I know this isn't what you want to hear,
especially now, but you have got
to get her out of that house.
- How long have you known?
- A few months.
♪ ♪
I was starting to feel sick,
so I went to go find a hospital,
and I did a scan.
I'm paying the price for
chasing the dead, Morgan,
and I don't want you to do the same.
- You can't do the same!
- I'm gonna get to her.
And then you, me, and Mo...
we're gonna spend some time together.
Okay.
Mo, can you hear me?
MO: One of the flares.
Caught the house on fire.
It's spreadi...
Mo?
Listen, baby. I'm coming for you.
[WALKERS GROWLING]
Dad, I'm upstairs! I can't get out!
Get to the attic, Mo!
I'm on my way to you!
♪ ♪
[COUGHING]
♪ ♪
♪ ♪
- [THUD]
- Who's there?
♪ ♪
[GRUNTS]
♪ ♪
[GRUNTS]
[WALKER GROWLING]
♪ ♪
You're not her.
[WALKER GROWLING]
You are not her!
[GRUNTS]
Duane?
♪ ♪
None of you are her!
On my way!
♪ ♪
Mo, are you here?!
Dad! I'm trapped!
Dad!
I'm stuck!
I brought him here?
Dad, help me!
[WALKER GROWLING]
[GRUNTS]
MO: Help me, Dad!
[GRUNTS]
Dad! Please!
Do it, Dad! Please!
Please! You can do it! I know you can!
Help!
Help!
Daddy, Daddy!
[g*nsh*t]
♪ ♪
♪ ♪
You okay? Hey. You okay?
It's okay. Gonna be okay.
You did it.
Let's get out of here.
♪ ♪
There are a few things
I have to take care of.
But I'll be back. I promise.
And I won't take years
to make good on that.
♪ ♪
♪ ♪
♪ ♪
It's okay, Morgan.
It's over.
You didn't let it happen again.
And that's what matters.
We help Madison and Daniel with PADRE.
We reunite every child who's
still got a parent out there.
We do what we said we were gonna...
spend as much time together as we can.
You once told me...
that no matter what...
no matter what was coming,
I had to live.
So that's what we're gonna do.
When do we tell her?
Well, she's only just
got us all back together.
Let's not take that away
from her just yet, huh?
Dad.
You need something to help you remember
what they were like before.
- [GROWLING]
- Help me! Help!
[MO SCREAMING]
Dad!
[GROWLING STOPS]
Come here. Come here. You okay?
- You didn't get bit?
- No, I'm fine.
I didn't get bit.
- But I think he may have been skunked, too.
- Yeah.
We should forget about
the, uh, photo album
and look for cans
of tomato soup for you.
- Yeah.
- Morgan...
♪ ♪
He should've gotten off by now.
Hey. He'll be here.
- [WOOD CREAKS]
- Hey!
Oh.
Look. We gotta get out of
here before they spot us.
Don't sneak up on us like that.
- Whoa!
- Do you think they saw us?
I don't know.
♪ ♪
MAN: Hey! Who are you?
[MAN GRUNTS]
- What the hell's going on?
- You alright?
I'm gonna need your help
with Grace. She got bit.
The treatment that June
has been using on your boy.
Is it working?
Yeah. Yeah. He's doing okay.
Then we gotta get Grace to June.
- It's her only chance.
- Let's go.
♪ ♪
Hey. You hang on. Hang on.
June's gonna be able to fix this.
- You don't know that.
- Hey.
No matter what's coming,
we have to live.
- Right?
- Hm.
Yeah.
I promise.
♪ ♪
I promise.
♪ ♪
♪ ♪
They're getting closer.
I'm pushing her all I can!
[SILENCED g*nsh*t]
It's gonna be okay.
June has a way of treating bites.
She has to get to the train car.
There's no way Padre's
leaving it unguarded.
Why do you think I put it
on wheels in the first place?
[GROANS]
Those are the tracks it was on.
We are getting closer.
Come on, my way.
Don't you try and stop me!
♪ ♪
♪ ♪
Hey!
I think the thing that made it so easy
to kind of return to King County
and to return to that house
that we saw in the pilot
of "The Walking Dead",
this location, these sets
where the entire kind of
"Walking Dead" universe began,
was the fact that kind
of Morgan, at his core
as a character, was defined
by what happened in that house,
by what didn't happen in that house.
And we were always looking for food.
And I went down into the basement
and told them to stay in the kitchen.
And I don't know...
maybe the door was ajar.
The front door, because when I came up,
there she was.
His mother standing right opposite him,
but she wasn't his mother anymore.
I'm so sorry, Morgan.
I just ran.
Ran and left them here.
Those sets that were used
in the "Walking Dead" pilot
had long been dismantled,
so we were very lucky
that we got such
an amazing production team
that we could actually build the
exterior of that yellow house.
And then we re-created
the interior using all the plans
and all the set photographs that we had.
It looks exactly like the house
that Morgan Jones and Rick Grimes
were in at the very start
of this whole entire universe.
Man named Rick Grimes gave me this r*fle
to do right by her,
and I... never could.
Morgan has had an incredibly
complicated journey
from where he started
on "The Walking Dead"
to where we have found him on "Fear".
He's petrified that he's not
going to be able to protect Mo,
his daughter, the way he wasn't
able to protect his son.
He's still punishing himself
for what happened with Duane way back
when we first met him on
"The Walking Dead".
I'm on my way!
[GROWLING]
- Mo, you here?
- Dad! I'm trapped!
I brought him here?
Dad, help me!
Help me, Dad!
[GRUNTS]
Dad, please!
Help!
Help!
Daddy, daddy!
[FIRE CRACKLING]
♪ ♪
The scene where Morgan buries
Jenny and Duane
was one that we talked about a lot.
And I think what was
really important to us
was feeling like Morgan had done
what he came there to do,
was he sort of put these
ghosts of his past to rest
and he was ready to move on.
You once told me...
that no matter what...
no matter what was coming,
I had to live.
So that's what we're going to do.
And then just the final blow.
Help me! Help!
[SCREAMS]
Dad!
Morgan said some words, and that was,
"I lose people, I lose myself".
You okay? You didn't get bit?
No, I'm fine. I didn't get bit.
That's a real window into Morgan's soul.
So the real pivot point is,
is Morgan going to be able
to overcome this mistaken belief
that every time he loses someone,
he's going to lose himself?
And if that is the case,
Morgan's probably not going to survive.
Hang on. Hang on.
June's gonna be able to fix this.
You don't know that.
Hey, no matter what's coming,
we have to live.
- Right?
- Yeah.
♪ ♪
♪ ♪
♪ ♪
♪ ♪
♪ ♪
To ensure what he's built endures.
I am the only one
who could save his life.
Get them out of here.
♪ ♪
We are PADRE.
All these people lost
their children to PADRE.
Fight alongside us.
What's this? King County.
What does it mean?
Some kind of graffiti.
- Who are you?
- I'm your mother.
- How'd they find us?
- At least we got to see.
[BIRDS CHIRPING]
[WALKERS GROWLING]
[WALKERS GROWLING]
[SOFT THUDDING]
Sorry it took me so long.
[GROWLING AND THUDDING CONTINUE]
♪ ♪
[GROWLING AND THUDDING GROWS LOUDER]
♪ ♪
I'm here!
♪ ♪
♪ ♪
[GROWLING AND THUDDING CONTINUE]
Duane?
♪ ♪
[SHOUTING ECHOING]
Ohh...
No. No.
[GROWLING AND THUDDING CONTINUE]
♪ ♪
♪ ♪
No!
♪ ♪
[INSECTS BUZZING]
Hey!
Hey!
I can do it.
I can k*ll you. [GRUNTS]
And you.
I can k*ll all of you!
[WALKERS GROWLING]
♪ ♪
[GROWLING STOPS]
♪ ♪
[GROANS]
♪ ♪
I'm sorry, Duane.
Duane, I can't do it.
♪ ♪
I don't know why I can't do it!
♪ ♪
♪ ♪
♪ ♪
[BIRDS CHIRPING]
[ENGINE REVS IN DISTANCE]
♪ ♪
♪ ♪
♪ ♪
♪ ♪
You're a long way from home.
♪ ♪
♪ ♪
Whoa! It's me! It's me!
What the hell are you doing here?
How did you find me?
You asked me to come.
No, I did not.
I was working at the repeater
station and you sent me an SOS.
It was coded like we talked about.
Nobody knew I was coming here.
You sure?
Unless somebody followed me,
yes, I am sure.
And you know better
than to listen to that.
- I could've been a walker. I could've...
- It doesn't matter.
What the hell is that smell?
Yeah, uh...
Walkers feeding on skunks, and I, uh...
Yeah, well, we need to
get you cleaned up.
What are you doing so far inland?
Morgan?
♪ ♪
Wait, wait, wait!
It's just me.
Why the hell are you two here?
You know you're just gonna
get yourselves k*lled.
Yeah, by you if you get any closer.
What are you doing here?
You get the same message that Grace did?
No.
I'm the one who sent it.
Madison told me you were going
to take care of something important.
Madison. You saw her?
Is she okay?
- She got away.
- Good.
I didn't tell Madison
where I was headed.
You didn't have to.
The graffiti on the boat... King County.
I knew it meant something by
the way you told me it didn't.
Well, you are so much smarter
than you got any right to be.
[GRACE CHUCKLES]
Does this have something
to do with Jenny and Duane?
Their names were on the wall, too.
You shouldn't be here.
Who are they?
You need to take her away from here.
It's his wife and son.
Is that why you're here?
I came here...
I came to put my boy to rest.
- You mean he's...
- Walking around.
Still.
How'd you fake that message?
"Dock of the Bay".
How'd you know about our code?
I knew that song meant
something to you and Mom.
Is it okay if I call you that?
Of course.
I thought if I put it
at the end of the message,
she'd think it was you.
If I told you the truth,
I didn't think you'd bring me here.
Is this what it feels like?
What feels like?
Getting in trouble with your parents?
You know, we're not the ones
you need to worry about.
How'd you get away from PADRE?
Madison's friend Daniel. He helped me.
Daniel's still alive?
He's found other parents
who lost their kids.
He's building an army
to take PADRE down.
We can help him do that.
Yeah, we...
We can, but first I gotta do
what I come here to do.
Duane.
Where is he?
We were looking for food.
Man, we were always looking for food,
and I went down into the basement
and told him to stay
in the kitchen and...
I don't know. Maybe the door was ajar.
The front door, because when
I came out, there she was.
His mother, standing right opposite him,
but she wasn't his mother anymore.
Before I could even get my g*n
up, Jenny was on top of him.
I finally did what I should
have done weeks before.
I, uh... I-I-I fired.
But it was too late.
I'm so sorry, Morgan.
There was just blood.
God, the blood and
the teeth and... and...
♪ ♪
I don't know.
I just ran.
You know, I ran like
I didn't know what else to do.
♪ ♪
Ran and left him here.
♪ ♪
Left my boy to become one of them.
♪ ♪
MO: Where'd you go?
I don't know.
♪ ♪
It's a blur.
It just comes back to me
in pieces. It's...
All I know is I started k*lling anything
that moved in front of me.
Whether it was alive
or dead, I k*lled it.
♪ ♪
You sure you're up for this?
Yeah.
I just think that maybe
I should go in there by myself.
We wanna come.
[SNIFFS]
What?
You really need some new clothes.
[GRACE CHUCKLES]
Yeah.
But we're still here,
which should tell you
we're not letting you
go in there by yourself.
♪ ♪
[FLARE EXPLODES]
- Were you followed?
- No, I was careful.
Let's get out of here.
Let's go. Come on.
♪ ♪
[HORSE NEIGHS]
Over there.
Okay. Come on.
[HORSE NEIGHS]
Stop. Behind there.
♪ ♪
Back up.
♪ ♪
There's nowhere to go, Morgan!
Okay.
I need you to stay here.
He called you Morgan. You know Red Kite?
I'm the reason he's at PADRE.
Stay here.
♪ ♪
Down...
What are you doing here?
How'd you find me?
We're here to take you back.
We heard the message you sent Grace.
That message was coded.
Coordinates and
"Dock of the Bay", Morgan?
You really think we wouldn't
figure that out?
Come on.
You don't really want to
take me back, do you?
This isn't up for debate, Morgan.
[SNIFFS] What the hell is that?
It's just a skunk. I... Look. Please...
He's going on the back of your horse.
PADRE's got your son, doesn't he?
He's using him against you.
Damn right he is.
And we bring you back,
he's giving Finch and us
- freedom to go wherever we want.
- You can't believe that.
We'll take our chances. Alright?
We know what'll happen to Finch
if we don't bring you back.
Worse than what's already happened.
You sold us out seven years ago
to rescue your kid.
We're just returning the favor.
[WALKER GROWLING]
No! Hey, hey, hey!
[GROWLING STOPS]
[BODY THUDS]
♪ ♪
Ah...
You brought them?
Technically, we came
without his permission.
VOICE ON RADIO: Red Kite, come in.
What do we do now?
Dude, you know what we have to do.
Well, we turn her in to PADRE,
PADRE's gonna hurt her.
Yeah, well, we won't see
our kid if we don't.
Red Kite, are you there?
Do you need assistance?
Alright. I may have an idea. Okay?
Look, you take off with
Grace and Mo right now.
Okay? We'll find some walkers
that look like y'all
and we'll mess up their faces
like we did
when Al and I ran from Ginny.
- That's not gonna work.
- It worked with Virginia.
We got lucky with Virginia.
If it doesn't work this time,
that's your kid's life on the line.
He's right, D. We've got way
too much to lose right now.
What, you want Finch to know
we traded in some kid to PADRE
to buy his freedom?
[SIGHS]
Look, we have two guards babysitting us.
Okay? We rode ahead to sweep the town.
So if I were you, I'd make your decision
right now before they catch up.
Red Kite, we're approaching.
What's your status?
There is something I have to do first.
- [CLEARS THROAT]
- God.
[SNIFFS]
Morgan. Let it go.
I can't. I'm sorry. I can't.
So...
Run. Go.
- Hey! Stop!
- I'm gonna...
Alright. Cut 'em off at the entrance!
♪ ♪
[WALKERS GROWLING]
♪ ♪
There are more of them coming.
Over here. Come on.
♪ ♪
[GROWLING IN DISTANCE]
It's clear.
[GROWLING IN DISTANCE]
It's gonna be getting dark soon.
Kitchen's through here.
In the cupboards,
there may be oil lamps.
Extra oil in the lowers.
And, Grace, up on the
second-floor front bedroom,
there may be a r*fle.
If there is, under the bed,
there'll be extra a*mo in a shoebox.
- Morgan...
- We're gonna need that r*fle.
Walkers are gonna find us
before Dwight and Sherry do.
[SIGHS]
I'm not going anywhere until you tell me
how you know where
everything is in this house.
I used to live here with Duane
before he died.
Are you sure being here is a good idea?
♪ ♪
You got a better one?
♪ ♪
♪ ♪
[WALKERS GROWLING IN DISTANCE]
Did it get rid of the smell?
I think it just masks it.
How'd you know that'd work?
When Duane was little,
he had a dog named Midge.
Used to follow him everywhere
and bark at everybody else.
One time, she got too close
to the wrong end of a skunk.
She smelled worse than me.
But she had to be where Duane was at.
So he's crying. She's stinking.
Me and Jenny damn near lost our minds.
- So you gave her a bath in tomato soup?
- Yup.
Made her smell like a mix
between wet dog and bad ketchup.
Why do you think there's
all these cans still left?
Even when we hadn't eaten in days,
Duane wouldn't touch the stuff.
Was it nice?
What, the soup?
How things used to be.
I would say it wasn't bad.
Do you think it'll ever be
like that again?
I think if we do things right...
we might have the chance
to make it even better.
Give everybody that second
chance that they deserve.
I'm sorry what I said to you before.
When I said me and Grace
were not your parents.
I know what you were trying to do.
Because we are.
In every way that matters, we are.
I know.
It's just Isaac and Rachel,
they're your parents, too.
And they sacrificed their lives
so that you would survive.
[GROWLING GROWS LOUDER]
[THUDDING]
Go upstairs, Mo. Go.
There's too many out there.
We can't stay here, Morgan.
The walkers, they're gonna
lead Dwight and Sherry here.
Yeah. They'll head off, soon.
When they do, I want you to take Mo
as far north as your truck will get her.
- Where are you going?
- I gotta take care of Duane.
Then I will catch up to you,
and we can regroup
with Madison and Daniel.
You have to come with us now.
I need to put my boy to rest.
You just told Mo
you wanted a second chance.
This might be the only one you get.
I need to do this.
This is exactly what I was
doing when we first met.
No. You were burying your co-workers.
I was risking my life for people
who were already dead.
This is my son.
And it's Mo's life!
We could have gotten away when
Dwight and Sherry gave us the out.
- That wouldn't have worked.
- You don't know that.
I gotta do this.
Only way I can be sure I can
give that girl what she needs.
- Why?
- I need to know that I won't let her down.
You are so scared of
the past repeating itself
that you don't even realize
that you're the one
who's making it happen.
And now we're trapped in this house
that you and Duane lived
because you brought us here.
DWIGHT: We know you're in there, Morgan.
Look out the window.
Mo.
Upstairs, please.
♪ ♪
[WALKERS GROWLING]
Be smart about this, Morgan.
This isn't then.
Whatever happened
in this house with Duane,
it doesn't have to happen with us.
♪ ♪
I'm listening.
We're trying to make this easy on you.
You're the one that's making it hard.
Don't forget that.
Don't need to make it any harder.
Maybe we can still make that deal.
No, I think it's too late for that.
We're waiting, Morgan.
Man, you can keep waiting,
'cause those walkers out there,
they're a bigger problem
for you than they are us.
[WALKERS GROWLING]
Morgan.
You said you had to
take care of something.
Maybe we can help.
PADRE thinks you came
out here for a reason.
Weapons, more soldiers
to plan an attack.
It's not like that.
Okay, then tell us what it's like.
It's my boy. My son.
He died here. He's in one
of the houses close by.
I came back to bury him.
[WALKERS GROWLING]
I'm sorry, Morgan, but we have
our son to think about, too.
Let's get it done. Do it.
[HORSE NEIGHS]
[FLARES WHIZZING]
The house won't hold
when it's surrounded
by every walker within miles.
MO: Dad!
♪ ♪
♪ ♪
Did you do this?
MORGAN: I don't remember. I don't know.
♪ ♪
I don't remember ever coming
back here after Duane died.
- Morgan.
- It's okay.
I'm okay.
[WALKERS GROWLING]
Jenny was always outside.
She would wander back here most nights.
I don't know if it's 'cause
she heard us in here
or she could smell us, but I would...
I'd sit and wait.
I wanted to put her to rest,
didn't want Duane
to have to see his mother like that.
A man named Rick Grimes
gave me this r*fle
to do right by her,
and I... never could.
I don't know. I must have...
come back here after Duane died.
Why'd you write all this?
So, things, um...
they went wrong for me
for a long time after.
What does "clear" mean?
Clear? It...
It's when I was k*lling them,
when I was...
when I was k*lling anything and anyone
who came anywhere near me.
[THUD]
♪ ♪
♪ ♪
I like it when you smile.
Yeah, me too.
I remember the first time
I saw you smile.
It was on the carousel.
♪ ♪
What have we been doing
these last seven years?
We've been doing what...
what we thought we had to.
♪ ♪
Did you guys ever see each other?
Now and then.
If PADRE knew what
we mean to each other...
He would have used it against you.
Yeah.
♪ ♪
I'm sorry we wasted
all that time, Morgan.
[FLARES WHIZZING]
DWIGHT: Maybe this'll hurry you up.
[WALKERS GROWLING]
♪ ♪
What is it?
They're trying to burn us out.
Here. We'll save you the b*llet.
This one's a courtesy k*ll.
But the next one we light
on fire keeps walking.
Dwight, come on.
I got Mo in here with me.
You're gonna get her k*lled.
No. You will.
You got five minutes
to turn yourself over...
or I'm sending one up on that porch.
We'll be waiting, Morgan.
I should've taken that deal from before.
I put you and Mo in danger.
MO: You made the right choice, Dad.
We just can't abandon
Daniel and Madison.
We have to get back to my truck.
You can stop the walkers
before they get to the house.
You can make a path
so we can get to the truck.
You just have to "clear" for us.
No. It is not that simple.
This is your second chance, Dad.
GRACE: Maybe this is what
you need to show yourself
that things can be different.
That's Sherry and Dwight out there.
We can get by them.
PADRE will hurt their son.
Not if we can help Daniel
take the island first.
She's right, Morgan.
Rick... he gave you
this g*n for a reason.
Use it.
[WALKERS GROWLING]
Aim for the ones in the center.
I'll take care of the ones to the side.
You stay behind me.
We get through the scrum,
walkers will follow
and make it hard for Dwight
and Sherry to get close.
I'm gonna cover you, but when
I say, you take a hard right
and you do not stop until
we are at the truck, okay?
You can do this. I know you can.
- [r*fle COCKS]
- We're about to find out.
I meant what I said before.
I am so sorry we wasted so much time.
♪ ♪
Me too.
What was that for?
You've never seen anybody kiss before.
And I don't need to again.
♪ ♪
♪ ♪
Can we just start k*lling
the Carrion, please?
Come on.
♪ ♪
Ready?
[g*nsh*t]
[WALKERS GROWLING]
♪ ♪
♪ ♪
♪ ♪
[GRUNTS]
♪ ♪
In the house! Now!
♪ ♪
Morgan. He's on fire!
Morgan!
♪ ♪
[g*nsh*t]
[HORSE NEIGHS]
There's nowhere to go.
PADRE wants answers. Why are
you really here, Morgan?
I told you already. I'm here for my boy.
Alright. Show us. It's the only
way PADRE's gonna believe you.
It's alright.
After you see I'm telling the truth,
you can take me back to PADRE
if you have to,
but promise me you'll get Mo
out of that house.
It's surrounded by walkers.
We'll make sure she's okay.
♪ ♪
♪ ♪
♪ ♪
[WALKER GROWLING]
♪ ♪
DWIGHT: Morgan.
♪ ♪
Let me be the one to do it.
Please.
Not gonna try anything, are you?
Promise I won't.
Hey, hey, hey. No.
He's fine.
♪ ♪
♪ ♪
Ready?
Let's go.
It's not him. It's not him.
Duane?! Duane?
Where is he?
Duane?
- Duane!
- It's o... It's okay.
- Hey. Easy, easy, Morgan.
- Morgan, it's okay.
No, he's... he's... he's
he's got... got to be here.
He has got to be here!
Morgan. Morgan. He's not here.
- He has to be!
- Hey, hey.
- Duane!
- He must have...
Duane!
He must have gotten out. Morgan.
I wait... I waited too long.
I...
I waited too long.
It's okay, Morgan. It's okay.
It's not okay.
I waited too long. I...
I couldn't put him to rest back then,
and I-I can't put him to rest now.
I brought you here for nothing.
You and Mo, I put you
in danger for nothing!
- I couldn't...
- GUARD: On your feet.
Shrike wants answers.
Why did you really come here?
He told you. For his son.
- Bullshit!
- Grace.
Does it look like he's faking it?!
He was lying. His kid's not here.
If he won't tell you
why he's there, k*ll him.
[g*n COCKS]
No. No. Morgan. Morgan.
You heard her. Why are you here?
Morgan, you need to listen to me.
You need to tell them about Duane.
Last chance.
Why were you here?
Alright. Just give him a minute, okay?
Morgan, please. Please
listen to me, Morgan.
They will k*ll you if you don't
tell them what happened here.
You know it's already over.
No. No.
So if you're gonna do it...
GRACE: N... No.
... do it.
GRACE: No. No! Morgan!
No! Morgan! No!
- SHERRY: Grace.
- No! Morgan, no!
GRACE: No!
MORGAN: You shouldn't have done that.
I'm not just gonna stand here
and watch you get k*lled
in cold blood, Morgan.
You're not the only one
trying to escape your past.
What PADRE's doing...
you know, making us do,
it's like living at
the Sanctuary all over again.
Your boy's gonna end up just like mine.
And I can't have that on me. I can't.
SHRIKE: PADRE Three.
PADRE's gonna k*ll him.
Report. Now.
Not if we have something to do with it.
PADRE Three, answer.
DWIGHT: This is Red Kite.
Let me talk to Oriole.
Uh, Oriole can't talk right now.
Why not? Where is he?
You can talk to him
after I talk to my son.
I want to know he's okay.
Go ahead.
Talk to him.
♪ ♪
Hello?
Hey, bud.
How are you feeling?
FINCH: I think the treatment worked.
- You're gonna be alright.
- What's going on?
Hey, you remember that thing that I...
I taught you in class
before you got sick?
The Chimney Sweep?
Do it now.
Did it work?
Yeah, she's out. Now what?
They're going to find her.
Look, there is a morning supply boat
that leaves in minutes.
I want you to sneak on board,
and we're...
we're gonna meet you
on the dock when you land.
Can you do that?
I think so.
We know you can. Okay?
Look. It's not safe
to talk on here anymore.
We'll meet you on the mainland, alright?
Okay.
Alright. We need to start
riding now if we're gonna
make it there before
the boat hits the dock.
Yeah.
Hey, Morgan, um...
Look. Whatever happened here...
just know that you have a chance
to make things different with Mo.
Don't forget that. We'll see ya.
GRACE: Mo?
[RADIO CRACKLES]
Mo?
Mo, can you hear me?
We're on our way
to drive the walkers away.
MO: Hurry, Mom!
You get away from that door.
You hear me?
We'll be there.
- Come on, Morgan.
- MORGAN: No, you should go.
- You're her best shot.
- No, I'm not, Morgan.
You saw what happened to me
outside that house.
You have to do it.
You have to put it behind you.
- I can't.
- Neither can I!
What are you talking about?
There's a reason why
I didn't want you to hear
what I was listening to in the truck.
What?
The book.
I was playing it at double speed.
The radiation's caught up with me.
Morgan, I can feel it.
You were wrong before.
No.
This time it's different.
♪ ♪
I'm sick, Morgan.
♪ ♪
I know this isn't what you want to hear,
especially now, but you have got
to get her out of that house.
- How long have you known?
- A few months.
♪ ♪
I was starting to feel sick,
so I went to go find a hospital,
and I did a scan.
I'm paying the price for
chasing the dead, Morgan,
and I don't want you to do the same.
- You can't do the same!
- I'm gonna get to her.
And then you, me, and Mo...
we're gonna spend some time together.
Okay.
Mo, can you hear me?
MO: One of the flares.
Caught the house on fire.
It's spreadi...
Mo?
Listen, baby. I'm coming for you.
[WALKERS GROWLING]
Dad, I'm upstairs! I can't get out!
Get to the attic, Mo!
I'm on my way to you!
♪ ♪
[COUGHING]
♪ ♪
♪ ♪
- [THUD]
- Who's there?
♪ ♪
[GRUNTS]
♪ ♪
[GRUNTS]
[WALKER GROWLING]
♪ ♪
You're not her.
[WALKER GROWLING]
You are not her!
[GRUNTS]
Duane?
♪ ♪
None of you are her!
On my way!
♪ ♪
Mo, are you here?!
Dad! I'm trapped!
Dad!
I'm stuck!
I brought him here?
Dad, help me!
[WALKER GROWLING]
[GRUNTS]
MO: Help me, Dad!
[GRUNTS]
Dad! Please!
Do it, Dad! Please!
Please! You can do it! I know you can!
Help!
Help!
Daddy, Daddy!
[g*nsh*t]
♪ ♪
♪ ♪
You okay? Hey. You okay?
It's okay. Gonna be okay.
You did it.
Let's get out of here.
♪ ♪
There are a few things
I have to take care of.
But I'll be back. I promise.
And I won't take years
to make good on that.
♪ ♪
♪ ♪
♪ ♪
It's okay, Morgan.
It's over.
You didn't let it happen again.
And that's what matters.
We help Madison and Daniel with PADRE.
We reunite every child who's
still got a parent out there.
We do what we said we were gonna...
spend as much time together as we can.
You once told me...
that no matter what...
no matter what was coming,
I had to live.
So that's what we're gonna do.
When do we tell her?
Well, she's only just
got us all back together.
Let's not take that away
from her just yet, huh?
Dad.
You need something to help you remember
what they were like before.
- [GROWLING]
- Help me! Help!
[MO SCREAMING]
Dad!
[GROWLING STOPS]
Come here. Come here. You okay?
- You didn't get bit?
- No, I'm fine.
I didn't get bit.
- But I think he may have been skunked, too.
- Yeah.
We should forget about
the, uh, photo album
and look for cans
of tomato soup for you.
- Yeah.
- Morgan...
♪ ♪
He should've gotten off by now.
Hey. He'll be here.
- [WOOD CREAKS]
- Hey!
Oh.
Look. We gotta get out of
here before they spot us.
Don't sneak up on us like that.
- Whoa!
- Do you think they saw us?
I don't know.
♪ ♪
MAN: Hey! Who are you?
[MAN GRUNTS]
- What the hell's going on?
- You alright?
I'm gonna need your help
with Grace. She got bit.
The treatment that June
has been using on your boy.
Is it working?
Yeah. Yeah. He's doing okay.
Then we gotta get Grace to June.
- It's her only chance.
- Let's go.
♪ ♪
Hey. You hang on. Hang on.
June's gonna be able to fix this.
- You don't know that.
- Hey.
No matter what's coming,
we have to live.
- Right?
- Hm.
Yeah.
I promise.
♪ ♪
I promise.
♪ ♪
♪ ♪
They're getting closer.
I'm pushing her all I can!
[SILENCED g*nsh*t]
It's gonna be okay.
June has a way of treating bites.
She has to get to the train car.
There's no way Padre's
leaving it unguarded.
Why do you think I put it
on wheels in the first place?
[GROANS]
Those are the tracks it was on.
We are getting closer.
Come on, my way.
Don't you try and stop me!
♪ ♪
♪ ♪
Hey!
I think the thing that made it so easy
to kind of return to King County
and to return to that house
that we saw in the pilot
of "The Walking Dead",
this location, these sets
where the entire kind of
"Walking Dead" universe began,
was the fact that kind
of Morgan, at his core
as a character, was defined
by what happened in that house,
by what didn't happen in that house.
And we were always looking for food.
And I went down into the basement
and told them to stay in the kitchen.
And I don't know...
maybe the door was ajar.
The front door, because when I came up,
there she was.
His mother standing right opposite him,
but she wasn't his mother anymore.
I'm so sorry, Morgan.
I just ran.
Ran and left them here.
Those sets that were used
in the "Walking Dead" pilot
had long been dismantled,
so we were very lucky
that we got such
an amazing production team
that we could actually build the
exterior of that yellow house.
And then we re-created
the interior using all the plans
and all the set photographs that we had.
It looks exactly like the house
that Morgan Jones and Rick Grimes
were in at the very start
of this whole entire universe.
Man named Rick Grimes gave me this r*fle
to do right by her,
and I... never could.
Morgan has had an incredibly
complicated journey
from where he started
on "The Walking Dead"
to where we have found him on "Fear".
He's petrified that he's not
going to be able to protect Mo,
his daughter, the way he wasn't
able to protect his son.
He's still punishing himself
for what happened with Duane way back
when we first met him on
"The Walking Dead".
I'm on my way!
[GROWLING]
- Mo, you here?
- Dad! I'm trapped!
I brought him here?
Dad, help me!
Help me, Dad!
[GRUNTS]
Dad, please!
Help!
Help!
Daddy, daddy!
[FIRE CRACKLING]
♪ ♪
The scene where Morgan buries
Jenny and Duane
was one that we talked about a lot.
And I think what was
really important to us
was feeling like Morgan had done
what he came there to do,
was he sort of put these
ghosts of his past to rest
and he was ready to move on.
You once told me...
that no matter what...
no matter what was coming,
I had to live.
So that's what we're going to do.
And then just the final blow.
Help me! Help!
[SCREAMS]
Dad!
Morgan said some words, and that was,
"I lose people, I lose myself".
You okay? You didn't get bit?
No, I'm fine. I didn't get bit.
That's a real window into Morgan's soul.
So the real pivot point is,
is Morgan going to be able
to overcome this mistaken belief
that every time he loses someone,
he's going to lose himself?
And if that is the case,
Morgan's probably not going to survive.
Hang on. Hang on.
June's gonna be able to fix this.
You don't know that.
Hey, no matter what's coming,
we have to live.
- Right?
- Yeah.
♪ ♪
♪ ♪
♪ ♪
♪ ♪
♪ ♪