Restored in
from the original mm negative
by the Éclair Group
and L. E. Diapason.
NIGHΤ AND FOG
Even a peaceful landscape...
even a meadow in harvest
with flights of crows and grass fires...
even a road for cars
and peasants and couples,
even a resort village
with marketplace and steeple,
can lead to a concentration camp.
Struthof, Oranienburg, Auschwitz,
Neuengamme, Belsen,
Ravensbrück, Dachau
were names like any others
on maps and in guidebooks.
The blood has dried up,
tongues have fallen silent.
The blocks are visited
only by a camera.
Weeds cover the paths
once trod by prisoners.
No current runs through the wires.
No footstep is heard but our own.
.
The machine gets under way.
A nation must have no discord.
No quarrels.
They get to work.
A concentration camp
is built like a stadium or a hotel:
with contractors,
estimates, bids,
and no doubt a bribe or two.
No specific style -
that's left to the imagination.
Alpine style.
Garage style.
Japanese style.
No style.
Architects calmly conceive gates
to be passed through only once.
Meanwhile,
Burger, a German worker,
Stern, a Jewish student
in Amsterdam,
Schmulski,
a merchant in Krakow,
Annette, a schoolgirl in Bordeaux,
go about their daily lives,
unaware that
hundreds of miles away,
a place has already
been assigned to them.
One day the blocks are ready.
Nothing is missing but them.
Seized in Warsaw...
deported from Lodz, Prague,
Brussels, Athens,
Zagreb, Odessa, or Rome.
Interned at Pithiviers...
rounded up at the Vel' d'Hiv...
members of the Resistance
herded in Compiègne...
those caught in the act
by error or at random
begin their journey
to the camps.
Trains sealed and bolted.
A hundred people
crammed into a car.
No day, no night.
Hunger, thirst,
suffocation, madness.
A message drops to the ground,
sometimes picked up.
Death makes its first choice.
The second is made on arrival
in night and fog.
Today, on the same tracks,
in daylight and sunshine,
we move slowly along,
looking for what?
Traces of the corpses that fell out
when the doors opened?
Or of those herded at gunpoint
to the camp's gates
amid barking dogs
and glaring searchlights,
the crematorium's flames
in the distance,
in a nocturnal spectacle
the Nazis were so fond of.
The first sight of the camp.
It's another planet.
In the guise of hygiene,
nudity immediately strips
the prisoners of all pride.
Shaved.
Tattooed.
Numbered.
Caught up in some
incomprehensible hierarchy...
dressed in a blue-striped uniform,
sometimes classified
as Nacht und Nebel,
"night and fog."
Political prisoners
with the red triangle answer
to the green triangle,
the petty criminals,
masters among subhumans.
Above them, the Kapo,
almost always a common criminal.
Higher up: the SS, the untouchable,
to be addressed from ten feet away.
At the top, the Commandant,
presiding from afar over the rites,
professing ignorance of the camp.
But then doesn't everybody?
The reality of these camps,
despised by those who built them,
unfathomable
to those who endured them -
we try in vain to capture
what remains of it.
The wooden barracks
where people slept three to a bed,
the burrows where they hid
and ate furtively,
where sleep itself
presented a threat -
no description, no image
can convey their true dimension:
endless fear.
One would need the straw mattress,
both pantry and safe,
the blanket one fought for,
the denunciations and curses,
the orders
relayed in every language,
the SS suddenly bursting in,
eager to inspect and bully.
Of this brick dormitory,
this uneasy sleep,
we can only show you
the outer shell, the color.
Here's the setting:
buildings that might be
stables, barns, or workshops.
Arid land
now turned into a wasteland,
an indifferent autumn sky.
That's all that's left
for us to imagine
a night of roll calls,
of checkups for lice,
a night of chattering teeth.
Getting to sleep quickly.
Woken up with blows, stumbling
in search of stolen clothes.
: am. Endless roll call
on the Appellplatz.
The night's deaths
throw the figures off.
An orchestra plays an operetta march
as prisoners head off
to the quarry or factory.
Working in snow,
which turns to icy mud.
Working in the August heat,
with thirst and dysentery.
, Spaniards died
building these steps
leading to
the Mauthausen quarry.
Working
in underground factories.
Each month these burrow deeper,
hiding, k*lling.
They bear women's names:
Dora, Laura.
But these strange
-pound workers are unreliable.
The SS keep watching,
stalking them,
herding and searching them
before they return to camp.
Rustic signs direct everyone home.
The Kapo counts
his victims for the day.
As for the prisoner, he returns
to his haunting obsession: food.
Soup.
Each spoonful is priceless.
One spoonful less,
one less day to live.
Two, three cigarettes
are bartered for a bowl of soup.
Many, too weak to defend
their ration against thieves,
wait for the mud and snow
to claim them.
To lie down somewhere at last
and have one's death to oneself.
The latrines, the Abort.
Skeletons with bloated
stomachs came here
seven or eight times a night.
The soup saw to that.
Woe to him who ran into
a drunken Kapo in the moonlight.
Prisoners eyed each other fearfully,
on the lookout
for symptoms grown familiar:
passing blood meant death.
A clandestine market for buying,
selling, and discreet k*lling.
One met there,
swapping news and rumors,
organizing resistance groups.
A society took form,
shaped by terror,
yet less mad than that
of the SS and its maxims:
"Cleanliness is heath."
"Work is freedom."
"To each his due."
"One louse means death."
Then what of one SS?
Each camp holds surprises:
a symphony orchestra.
A zoo.
Greenhouses where Himmler
nurtures delicate plants.
Goethe's oak at Buchenwald.
They built the camp around it
while respecting the tree.
An orphanage, transient
but constantly replenished.
A block for the invalids.
The real world,
with its peaceful landscapes,
the world from before,
might be glimpsed not so far away.
But for the prisoner
it was an illusion.
For his world was this finite,
self-contained universe
bound by towers
from which soldiers kept watch,
endlessly aiming at the prisoners,
sometimes k*lling them
out of boredom.
Anything is reason enough
for pranks, punishment,
and humiliation.
Roil call lasts for hours.
An untidy bed:
strokes of the cane.
Don't attract attention.
Don't gesture to the gods.
They have their gallows
their sacrificial ground.
This yard in Block
shielded from view
has been set up
for execution by firing squad
its walls
protected from ricochets.
Hartheim Castle,
where buses deposit passengers
who will never be seen again.
"Black transports" depart at night,
never to be heard of again.
But man is incredibly resilient:
body consumed by fatigue
the mind works on
hands wrapped in bandages
work on.
They make spoons
puppets that they hide.
Monsters.
Boxes.
They manage to write
to make notes.
Exercise memory with dreams.
Some might think of God.
Some even organize politically
challenging the petty criminals
for control of camp life.
They care
for those most stricken.
They share their own food,
organize mutual help.
As a last resort and in anguish
they take them to the hospital.
Getting there gave
the illusion of real illness
and the hope of a real bed,
but the risk
was a lethal injection.
The medicines are a mockery,
the dressings mere paper.
The same ointment is used
on every type of wound.
Sometimes the starving
eat their dressings.
All prisoners ultimately look alike:
indeterminate in age,
dying with eyes wide open.
There was a surgical block.
Lt might almost pass
for a real clinic.
An SS doctor.
A menacing nurse.
There is a façade, but behind it,
needless operations,
amputations,
experimental mutilations.
The Kapos, like the SS surgeons,
can try their hand.
The big chemical factories
send samples of toxic products
or buy a batch of prisoners
for testing.
A few of these guinea pigs survive.
Castrated.
Burned with phosphorus.
The flesh of some
will be marked for life
despite their return home.
Faces of these victims
are filed upon arrival.
Names are recorded too
names from nations.
They fill hundreds of ledgers,
thousands of files.
A red line strikes out the dead.
Prisoners keep these insane,
always inaccurate records,
under the eye of the SS
and privileged Kapos.
These are the bosses
the upper crust.
Kapos have their own rooms
where they can hoard supplies
and receive young favorites.
Nearby,
the Commandant's villa,
where his wife keeps house
and even entertains,
like in any other garrison.
Though they're all perhaps
a bit more bored:
The w*r just won't end.
At least
the Kapos had a brothel.
Better-fed women
but equally doomed to die.
From these windows some bread
might fall for a comrade outside.
The SS had built the semblance
of a real city with its own hospital,
red-light and residential districts
and yes, even a prison.
No need to describe
what went on in these cells.
Ln cages designed so one could
neither stand nor lie down,
prisoners were tortured
methodically for days.
Air vents don't muffle the cries.
.
Himmler pays a visit.
"We must annihilate,
but efficiently."
Leaving efficiency
to technicians,
Himmler focuses on annihilation.
Plans are reviewed.
Models.
They're carried out,
the prisoners set to work.
A crematorium might look
a bit like a postcard.
Today tourists have their picture
taken in front of them.
Deportation spreads
all over Europe.
Convoys lose their way,
stop, start again,
are bombed,
and arrive at last.
For some, the selection
has already been made.
The rest are sorted out at once.
Those on the left will work,
those on the right...
These pictures were taken
moments before an extermination.
k*lling by hand takes time.
Zyklon gas is ordered.
Nothing distinguished the gas chamber
from an ordinary block.
Inside, a fake shower room
welcomed the newcomers.
They locked the doors.
They watched.
The only sign -
but one must know to look for it -
is the ceiling
scratched by fingernails.
Even the concrete tore apart.
When the crematoria
prove insufficient, pyres are set up.
Yet the new ovens consumed
thousands of bodies a day.
Nothing is wasted.
Here are the stockpiles
of the Nazis at w*r.
Their warehouses.
All this is women's hair.
At pfennig a kilo,
they make cloth from it.
From the bones...
they make fertilizer -
at least they try.
From the bodies -
But words fail.
From the bodies
they try to make soap.
As for the skin...
.
The camps
are spreading, are full.
Cities of , inhabitants.
No vacancy anywhere.
Heavy industry takes an interest
in this renewable labor force.
Factories have their own camps,
off limits to the SS.
Steyer, Krupp,
Heinkel, IG Farben,
Siemens, and Hermann Göring
do their shopping there.
The Nazis may win the w*r.
These new towns
are part of their economy.
But they do lose.
No coal for the crematoria,
no bread for the men.
Corpses overflow
the camps' streets.
Typhus.
When the Allies open the doors...
All the doors...
The prisoners look on,
not understanding.
Are they being freed?
Will everyday life recognize them?
"I'm not responsible,"
says the Kapo.
"I'm not responsible,"
says the officer.
"I'm not responsible."
Then who is responsible?
As I speak to you now,
cold water from the ponds and ruins
fills the mass graves...
a water as cold and murky
as our own faulty memory.
w*r has dozed off...
one eye still open.
Grass has returned faithfully
to the Appellplatz.
An abandoned village,
still full of menace.
The crematorium
is no longer used.
n*zi scheming
is out of fashion.
Nine million dead
haunt this landscape.
Who among us keeps watch
from this strange watchtower
to warn of the arrival
of new executioners?
Are their faces really
so different from ours?
Somewhere among us
there are still lucky Kapos,
reinstated officers,
and anonymous informers.
There are those who refused
to believe, or only now and then.
We survey these ruins
with a heartfelt gaze,
certain the old monster
lies crushed beneath the rubble.
We pretend to regain hope
as the image recedes,
as though we've been cured
of that plague.
We tell ourselves it was all confined
to one country, one point in time.
We turn a blind eye
to what surrounds us
and a deaf ear
to the never-ending cries...