♪
♪
♪
(PERSON WHISTLING TUNE) ♪
♪
(WHISTLING CONTINUES INTERMITTENTLY) ♪
♪
(SOFT DRUMS MUSIC INTRO PLAYING) ♪
♪
(CRANES WHIRRING AND CLANKING) ♪
♪
(SOFT DRUMS MUSIC CONTINUES) ♪
♪
(INTERMITTENT WHISTLING CONTINUES) ♪
♪
(SOFT CREAKING) ♪
♪
(SUSPENSEFUL MUSIC RISING) ♪ ♪
♪
(MUSIC ENDS IN FLOURISH) ♪ ♪
♪
(SUSPENSEFUL JAZZ MUSIC PLAYING) ♪ ♪
♪
(FINGERS SNAPPING RHYTHMICALLY) ♪ ♪
♪
(BOY WHISTLES) ♪ ♪
♪
(CHUCKLES) ♪ ♪
♪
(WHISTLING) ♪ ♪
♪
Jets! ♪ ♪
♪
(DISCORDANT JAZZ MUSIC PLAYING) ♪ ♪
♪
(JETS MEMBER WHISTLES) ♪ ♪
♪
(METAL CLINKS) ♪ ♪
♪
(TYRES SCREECH) ♪ ♪
♪
(JETS MEMBER WHISTLES) ♪ ♪
♪
(SNAPS FINGERS) ♪ ♪
♪
WOMAN: Hey, hey! ♪ ♪
♪
(MELODIOUS JAZZ MUSIC PLAYING) ♪ ♪
♪
(MELODIOUS JAZZ MUSIC CONTINUES) ♪ ♪
♪
(PEOPLE CHATTERING IN SPANISH) ♪ ♪
♪
(SUSPENSEFUL JAZZ MUSIC PLAYING) ♪ ♪
♪
Come on. ♪ ♪
♪
(WALTZY JAZZ MUSIC PLAYING) ♪ ♪
♪
- Ha!
- (MAN SPEAKING SPANISH) ♪ ♪
♪
(WALTZY JAZZ MUSIC CONTINUES) ♪ ♪
♪
(SHOUTING IN SPANISH) ♪ ♪
♪
(CONTINUES SHOUTING IN SPANISH) ♪ ♪
♪
JETS: Yeah! Come on, come on! ♪ ♪
♪
(WHOOPING) ♪ ♪
♪
(DRAMATIC MUSIC PLAYING) ♪ ♪
♪
(MUSIC ENDS) ♪ ♪
♪
b*at it. ♪ ♪
♪
(SUSPENSEFUL JAZZ MUSIC PLAYING) ♪ ♪
♪
(METAL CLINKS) ♪ ♪
♪
- (FRANTIC JAZZ MUSIC PLAYING)
- (JETS CLAMOURING) ♪ ♪
♪
JETS MEMBER: Oh, yeah! ♪ ♪
♪
(MEN SPEAKING SPANISH) ♪ ♪
♪
(JETS CLAMOURING AND WHOOPING) ♪ ♪
♪
Hey! ♪ ♪
♪
(WHISTLES) ♪ ♪
♪
(ALL CLAMOURING) ♪ ♪
♪
(FRANTIC JAZZ MUSIC CONTINUES) ♪ ♪
♪
BOY: Hey! ♪ ♪
♪
Hey, you! Come on! ♪ ♪
♪
(ALL GRUNTING) ♪ ♪
♪
(MAN LAUGHS) ♪ ♪
♪
(ALL GRUNTING) ♪ ♪
♪
(MAN LAUGHS) ♪ ♪
♪
(SHOUTS) Jets! ♪ ♪
♪
JETS MEMBER: Come on, Baby John! ♪ ♪
♪
(BABY JOHN SCREAMING) ♪ ♪
♪
Hey! ♪ ♪
♪
(ALL GRUNTING) ♪ ♪
♪
(WHISTLE BLOWS) ♪ ♪
♪
(BRAKES SCREECH) ♪ ♪
♪
(FRANTIC JAZZ MUSIC CONTINUES) ♪ ♪
♪
(WHISTLE BLOWING) ♪ ♪
♪
OFFICER: Alright now, all you separate! ♪ ♪
♪
Separate! Separate! ♪ ♪
♪
You're driving me to my grave,
ya pack of jackals. ♪ ♪
♪
Watch yourself, Sergeant Krupke, ♪ ♪
♪
you're gonna inflame your asthma, ♪ ♪
♪
- shouting like that.
- (LAUGHTER) ♪ ♪
♪
Why don't you leave
the Puerto Ricans alone, Riff? ♪ ♪
♪
Christ almighty. And you lot, ♪ ♪
♪
you're in New York now. ♪ ♪
♪
You got a problem, you call the cops. ♪ ♪
♪
Youse can't play
at being cops yourselves. ♪ ♪
♪
Pero we call the cops,
you show up and arrest us! ♪ ♪
♪
You're never around
when these hijueputas ♪ ♪
♪
mess up our stores and our streets. ♪ ♪
♪
See, I get confused
when you say "our streets," ♪ ♪
♪
seeing how these streets
are ours by right ♪ ♪
♪
- of being born here, amigo.
- The Jets! ♪ ♪
♪
(ALL ARGUING INDISTINCTLY) ♪ ♪
♪
How many times do I gotta tell you,
Bernardo? ♪ ♪
♪
I don't speak spic. ♪ ♪
♪
- (SQUABBLING)
- KRUPKE: Hey, hey! ♪ ♪
♪
That's enough! That's enough! ♪ ♪
♪
- (WHISTLE BLOWING)
- Come on! Break it up! ♪ ♪
♪
Jesus wept, Baby John. ♪ ♪
♪
Who did that to your ear? ♪ ♪
♪
Ow! ♪ ♪
♪
Which one of them nailed you? ♪ ♪
♪
Who cracked your head open, hombre? ♪ ♪
♪
- (SPEAKS SPANISH)
- In English. ♪ ♪
♪
Same guy who nailed your ear, maybe? ♪ ♪
♪
Maybe. I don't remember. ♪ ♪
♪
I realise if any of you helps me out, ♪ ♪
♪
you might spoil your chance
to m*rder each other ♪ ♪
♪
over control of this earthly paradise. ♪ ♪
♪
The Jets control it and you know it. ♪ ♪
♪
Uh-huh, yeah,
♪
but, golly gee, Balkan, not according
♪
to the New York City Committee
for Slum Clearance,
♪
which has decided
to pull this whole hellmouth
♪
down to the bedrock,
♪
and you're in the way.
♪
Aah! (SHUDDERING)
♪
(WHISTLES)
♪
Nice reflexes, muchacho.
♪
So, any day now,
♪
all of you are gonna be evicted.
♪
You'll have to "vamoose,"
as we say in Spanish.
♪
We're not relocating.
♪
(MAN SPEAKS SPANISH)
♪
We have rights.
♪
Rights, huh? Where are they?
♪
- (BERNARDO GROWLS)
- (SPEAKS SPANISH)
♪
You back down, Bernardo.
Don't be stupid.
♪
Some night, muchacho,
♪
maybe you'll get to see me fight.
♪
'Course, you'll have to leave
your g*n at home, Lieutenant.
♪
Evict yourself off my crime scene,
Bernardo.
♪
Vamos.
♪
(JETS TAUNTING)
♪
JETS MEMBER: Chick, chick, chick.
♪
(JETS MEMBER ♪ WHISTLES TAUNTINGLY)
♪
JETS MEMBER: Chickie, chickie, chickie.
♪
(SINGING IN SPANISH)
♪
- (JETS SNICKERING)
- A boxer and a singer.
♪
JETS MEMBER ♪ : Get a load of this guy.
♪
(CONTINUES SINGING IN SPANISH)
♪
(JETS LAUGHING)
♪
(ALL SINGING)
♪
You want me to book
the whole bunch of you?
♪
Keep up the serenade and see what...
♪
(SINGING CONTINUES)
♪
¡Viva Puerto Rico libre!
♪
I am ordering you clowns to disperse!
♪
Now!
♪
(ALL CONTINUE SINGING)
♪
(CROWD CHEERING)
♪
We're outnumbered, boys.
♪
Thousands more are on their way,
♪
and once they're here,
♪
they pop out kids like crazy.
Am I right?
♪
Tell me which one of them
nailed Baby John's ear
♪
and I'll put him out of circulation.
♪
Work with me, fellas.
♪
Or they're gonna drive you
off your turf.
♪
You said it was
the Slum Clearance Committee
♪
that was driving us off,
♪
now it's the PRs.
♪
You gotta get your story straight,
Lieutenant Schrank.
♪
We're very impressionable.
♪
Most of the white guys
who grew up in this slum
♪
climbed their way out of it.
♪
Irish, Italian, Jews.
♪
Nowadays, their descendants
live in nice houses
♪
and drive nice cars
♪
and date nice girls you'd want to marry.
♪
Your dads or your granddads stayed put,
♪
drinking and knocking up
some local piece
♪
who gave birth to you.
♪
The last of the
can't-make-it Caucasians.
♪
What's a g*ng without its terrain,
its turf?
♪
You're a month or two away
from finding out,
♪
one step ahead of the wrecking ball.
♪
And in this uncertain world,
♪
the only thing you can count on is me.
♪
I'm here to keep the civil peace
♪
until the last building falls.
♪
And if you boys make trouble
♪
on my turf, Riff, hand to heart,
♪
you're headed to an upstate prison cell
♪
for a very long time.
♪
By the time you get out,
♪
this will be a shiny new neighbourhood
of rich people
♪
in beautiful apartments
♪
with Puerto Rican doormen
to chase trash like you away.
♪
Wait!
♪
I got a question for you, Lieutenant.
♪
How tall did you used to be before you,
♪
you know, "schrank"?
♪
(JETS LAUGHING)
♪
Come on, Sergeant, ride with me.
♪
Long as I know you, Riff,
♪
you ain't had the sense,
God gave a pigeon.
♪
RIFF: Come here, let's see what he done.
♪
Come on.
♪
Well, that's gonna scar, buddy boy.
♪
- You think so? (CHUCKLES)
- Frankenstein time.
♪
They can't make us up and leave.
♪
We're here, ain't we?
♪
American citizens,
which them sp*cs ain't!
♪
Them they can chase off, not us.
♪
Puerto Ricans are Americans,
♪
- you ignoramus.
- Ah, go eat a green banana!
♪
Puerto Rico's like a state,
ain't it? So, Deez is right...
♪
BABY JOHN: No, it's something else.
♪
JETS MEMBER: There are only ♪ ♪ states,
♪
- ya dead battery.
- What do you know?
♪
- (LAUGHTER)
- Whatever they are,
♪
citizens or who gives a fart,
what we know is...
♪
JETS MEMBER ♪ : They ain't us.
♪
So, spill it, Krazy Kat,
what are you thinking?
♪
(METAL CLINKS)
♪
I'm thinking it's past time
for a rumble.
♪
For a all-in, all-out, once-and-for-all,
♪
winner-takes-all, high-noon-sh**t-
♪
- at-the-O.K. Corral rumble!
- (ALL SHOUT EXCITEDLY)
♪
BALKAN: Wild blue yonder! About time!
♪
We do 'em like we done
the Egyptian Kings.
♪
- And the Emeralds.
- And the Bishops.
♪
Alright, so Tony and me
will sit down with...
♪
- JETS MEMBER: Tony?
- Yeah, Tony.
♪
JETS MEMBER ♪ :
What's this got to do with him?
♪
He ain't stood with us
once since he got out.
♪
He's on parole.
He's gotta be careful, is all.
♪
He cannot be running around...
♪
Tony's done with the Jets, Riff.
♪
He ain't done with the Jets.
Like that's even a thing!
♪
You cannot be done with this family.
♪
Maybe it wasn't a thing before,
but now, Riff?
♪
The Lieutenant's right.
♪
What are the Jets
if we got no territory?
♪
- JETS MEMBER: That's right!
- ALL: Yeah.
♪
Schrank doesn't know
his ass from his elbow.
♪
Look,
♪
Tony and me started the Jets
♪
cause none of us would even be here
♪
if it wasn't for all of us.
♪
- And all you know it.
- (JAZZ MUSIC PLAYING)
♪
(SINGING) When you're a Jet
You're a Jet all the way
♪
From your first cigarette
To your last dyin' day
♪
When you're a Jet
If the spit hits the fan
♪
You got brothers around
You're a family man
♪
You're never alone
♪
You're never disconnected
♪
You're home with your own
♪
When company's expected
♪
You're well-protected
♪
Then you are set with a capital J
♪
Which you'll never forget
Till they cart you away
♪
When you're a Jet
♪
- (TYRES SCREECH RHYTHMICALLY)
- You stay a
♪
- Jet
- (CARS HORNS HONKING)
♪
So, meet Tony and me
at the Dog Days Dance
♪
at the gym tonight.
♪
We can't rumble at the gym,
it'll be lousy with cops!
♪
And maybe we've had enough trouble
♪
with the Puerto Ricans for one day?
♪
Relax. It's a social mixer.
♪
So we'll mix until the time's right
♪
to fix the rumble for tomorrow night.
♪
Be there ♪ ♪ :♪ ♪ p.m., punctual-like,
♪
dressed to k*ll, walking tall!
♪
We always walk tall! We're Jets!
♪
The greatest.
♪
(SINGING) When you're a Jet
You're the top cat in town
♪
You're the gold-medal kid
With the heavyweight crown
♪
When you're a Jet
♪
You're the swingin'est thing
Little boy, you're a man
♪
JETS: Little man
You're a king
♪
RIFF: The Jets are in gear
♪
Our cylinders are clickin'
♪
The Sharks'll steer clear
♪
JETS: Cause every
Puerto Rican's a lousy chicken
♪
Here come the Jets
Like a bat out of hell
♪
Someone gets in our way
Someone don't feel so well
♪
Here come the Jets
Little world, step aside
♪
Better go underground
♪
Better run, better hide
♪
We're drawin' the line
So keep your noses hidden
♪
We're hangin' a sign
Says "Visitors Forbidden"
♪
And we ain't kiddin'
♪
JETS: Here come the Jets, yeah
And we're gonna b*at
♪
Every last buggin' g*ng
On the whole buggin' street
♪
On the whole
♪
Ever mother-lovin'
♪
Street
♪
- Yeah!
- (MUSIC ENDS)
♪
- Can.
- RIFF: Come on.
♪
Just for an hour, only a little hour.
♪
You used to like dancing.
♪
- No monkeyshines.
- Come on, Riff, can.
♪
Christ almighty. You know,
there's dust on everything.
♪
You know, ever since...
♪
Hey, I swear on what's holy,
♪
it is just girls sipping punch
and music...
♪
- And the Sharks.
- And the sp*cs.
♪
- And a rumble.
- Which all you gotta do...
♪
You're on your own, pal-o-mine.
♪
...is help me haggle
over the terms of the rumble.
♪
You don't need me helping ya
screw up your life.
♪
You know how I get.
I will start runnin' my mouth.
♪
You... You got command.
♪
You are West Side legendary! And, Tony,
♪
Tony, the Jets.
I gave 'em my word you'd show.
♪
- Why would you do that?
- Because...
♪
Because it's a rumble!
♪
We need you if we're going to w*r.
♪
You can't refuse us now.
And because I know you.
♪
Or I thought I did,
♪
before you got all unlike yourself,
♪
before you went upstate.
♪
WOMAN: Tony? (SPEAKS SPANISH)
♪
I'm coming!
♪
It's like you're still in prison,
♪
and the old witch is the warden.
♪
She gave me a job and a place to stay.
♪
She's always been there
for me, like nobody else.
♪
- Oh, nobody, huh? Thanks, pal.
- So don't call her...
♪
Thanks a big fat lot. Yeah.
♪
You know I didn't mean you wasn't there.
♪
You was always there.
♪
- Womb to tomb.
- Sperm to worm.
♪
So, come with me to the dance, huh?
♪
Come on.
♪
Is it Graziella? That what's eatin' you?
♪
No, it ain't Grazie. (CHUCKLES)
♪
She said that you and she was done.
♪
It's good that
you're keeping her company.
♪
Even before you got locked up, you know?
♪
It's cool. Don't get all
the way you get.
♪
Grazie's a great girl,
and the Jets are the greatest.
♪
And you, you're like,
you know, blood to me.
♪
But I'm scared of myself, Riff.
♪
What I done to that kid.
What I almost done.
♪
You gotta get over that.
♪
What is the point
in b*ating yourself up?
♪
I wanna be unlike how I was.
♪
Cause I was disappearing down a sewer
♪
and taking you and everything with me.
♪
- WOMAN: Tony, you coming?
- Yeah, he heard ya!
♪
I had time. Lots of it.
♪
Locked up like that,
♪
and for the first time ever,
I took a look inside,
♪
and that was rough, doing that,
♪
but I... I gotta stay with myself.
♪
You know what I mean? Maybe stay...
♪
by myself, just for...
♪
Yeah, you know what?
♪
You're just too deep for me, kid.
♪
You know, I don't know who I am.
♪
And who cares who I am?
♪
Nobody, including me.
♪
I know that this dust
♪
that's covering everything right now,
♪
that's the four-story buildings
that was standing here
♪
when you went upstate a year ago.
♪
You know, I wake up to everything I know
♪
either getting sold or wrecked,
♪
or being taken over by people
that I don't like.
♪
And they don't like me.
♪
And you know what's left
out of all that?
♪
The Jets.
♪
My guys. My guys, who are just like me.
♪
Who are just like you.
♪
I can't go to the dance, Riff!
♪
My parole officer said no going out!
♪
I told you I don't want you in my store.
♪
I'm a paying customer.
♪
You've been stealing from me
since you were six.
♪
Now, get out. I mean it.
♪
And leave Tony alone.
♪
He is not allowed to associate
with criminals.
♪
Look, don't fall off that ladder.
♪
At your age, brittle bones.
That's all I'm saying.
♪
WOMAN: You'll pay for that candy.
♪
Five cents. On the counter!
♪
Stand me for a Milky Way, huh?
Least you could do.
♪
Womb to tomb
♪
wasn't never a joke for me.
♪
- Don't be like that.
- (DOOR CLOSES)
♪
Just cause I can't go to a dance?
♪
Tony, I don't tell you
who to hang out with. But...
♪
(IMITATES HER) "But those
boys are juvenile delinquent.
♪
"They're no good for you.
And you better watch out."
♪
Hey.
♪
(IMITATES HIM)
"You make fun of the way I talk
♪
- "one more time, blondie..."
- (SNORTS)
♪
(IN NORMAL TONE) I'm gonna
talk to Riff and tell him
♪
that he can't just
come in here and not pay.
♪
Tony, wake up.
♪
I know you love Riff,
but he hates Puerto Ricans.
♪
That is not you.
♪
Riff don't hate you.
♪
I married a gringo.
♪
He thinks that makes me a gringa,
♪
which it don't. And I ain't.
♪
Well, it's guys like Riff and me,
♪
when things ain't familiar,
♪
we just got this instinct to,
you know...
♪
You...
♪
even as an angry little boy,
somehow there was this...
♪
this promise
that you couldn't keep hidden.
♪
Not from you.
♪
And sometimes, I see you smiling,
♪
like you're waiting for the,
♪
what do you call, Irish Sweepstakes,
♪
instead of sweeping the floor
like I pay you to do.
♪
I sweep as good as you pay.
♪
- Yeah?
- Look it.
♪
(GASPS) Ooh.
♪
You see? Promise.
♪
You bring dead floors back to life.
♪
(TONY SIGHS)
♪
Keep looking for better, mi milagro.
♪
Like you always done.
♪
(JAZZ MUSIC INTRO PLAYING SOFTLY)
♪
(SIGHS)
♪
(SINGING) Could be?
♪
Who knows?
♪
There's something due any day
I will know right away
♪
Soon as it shows
♪
- It may come cannonballing
- (GASPS) Aah!
♪
Down through the sky
Gleam in its eye
♪
- Bright as a rose
- (LAUGHS)
♪
Who knows?
♪
It's only just out of reach
Down the block, on a beach
♪
Under a tree
♪
I got a feeling there's a miracle due
♪
Gonna come true
♪
Coming to me
♪
Could it be? Yes, if could
♪
Something's coming
Something good
♪
If I can wait
♪
Something's coming
I don't know what it is
♪
But it is gonna be great
♪
With a click, with a shock
♪
Phone'll jingle, door'll knock
♪
Open the latch
♪
Something's coming
Don't know when
♪
But it's soon
Catch the moon
♪
One-handed catch
♪
Around the corner
♪
Or whistling down the river
♪
Come on, deliver
♪
To me
♪
Will it be? Yes, it will
♪
Maybe just by holding still
♪
It'll be there
♪
Come on, something
Come on in
♪
Don't be shy
Meet a guy
♪
Pull up a chair
♪
The air is humming
♪
And something great is coming
♪
Who knows?
♪
It's only just out of reach
Down the block, on a beach
♪
Maybe tonight
♪
Maybe tonight
♪
Maybe tonight
♪
(MUSIC ENDS)
♪
(NEIGHBOURS CHATTERING)
♪
(SIREN WAILING IN DISTANCE)
♪
WOMAN: María!
♪
María! (SPEAKS SPANISH)
♪
They're gonna be here in five minutes.
♪
(TRAIN CHUGGING IN DISTANCE)
♪
(SIGHS)
♪
WOMAN: Mamita.
♪
Didn't you hear me...? (SIGHS)
♪
What are you doing? Ay, nena...
♪
MARÍA: No, no, no, no.
♪
It look like a shroud,
♪
- it's so big and so white.
- (SPEAKS SPANISH)
♪
It wouldn't look like a shroud
if it was red.
♪
(CONVERSING IN SPANISH)
♪
Speak English.
♪
In Gimbels, there are lots
of dresses that fit me.
♪
And you don't shop in Gimbels.
You clean in Gimbels.
♪
- MARÍA: Ay.
- Mm.
♪
Ahorrar tus chavitos,
♪
- fancy pants.
- (ZIPS DRESS)
♪
(MARÍA GRUNTS)
♪
(MARÍA GROANS)
♪
Aw. Sí.
♪
Ay, turn around.
♪
Hmm. (PRAISING IN SPANISH)
♪
(CHUCKLES)
♪
Ay, Anita.
♪
- (SPEAKS SPANISH)
- (BOTH CHUCKLE)
♪
- (EXCLAIMS IN SPANISH)
- Oh!
♪
Ay, don't mess up my hair.
♪
I just got it to act right.
♪
Ugh. OK.
♪
(SIGHS)
♪
Get your shoes on.
♪
Bernardo will be so mad
if we make him late.
♪
And I want to dance.
♪
(GIGGLES)
♪
Bernardo's always mad.
♪
Necesito lipstick.
♪
I'm too short. I need, please.
♪
Please, some lipstick,
and maybe some eyeliner.
♪
- Hmm.
- The boys think I'm a kid.
♪
You are a kid, kiddo.
♪
I'm ♪ ♪ . I have a job.
♪
I've been taking care of Papi
since I was six.
♪
Bernardo thinks I'm a baby.
♪
Who cares what Bernardo thinks?
♪
Chino is the only boy who counts.
♪
Oh, Chino. Mi primer baile
en Nueva York
♪
and I have to go with
the zángano I don't want to.
♪
Ay, be nice. Chino is a very sweet boy.
♪
- (SPEAKS SPANISH)
- (ANITA SIGHS)
♪
You can't take that personally.
♪
He's got to be like that.
♪
It's how he got to be a great boxer.
♪
Everyone's afraid of him.
♪
Mm, but I'm not.
♪
MAN: Anita, we're home.
♪
(DOOR CLOSES)
♪
(MUFFLED CHATTER)
♪
Are you ready? Chino's here.
♪
(BERNARDO SPEAKS SPANISH)
♪
You gotta dance with her.
♪
(SPEAKS SPANISH)
♪
- I don't know how to dance.
- Ay.
♪
She's bossy. She gonna show you how.
♪
(SPEAKING SPANISH)
♪
Don't move.
♪
You always look out for me.
♪
You're the best friend I ever had.
♪
I owe you so much.
But I just wish that...
♪
You're the smartest friend I ever had.
♪
Maria needs to meet smart guys like you.
♪
Let me join the Sharks.
♪
Ay, muchacho, not this again.
♪
Por favor, let me help you
protect our people.
♪
BERNARDO: No.
♪
You keep out of that. It's stupid.
♪
We gotta do it, but it's stupid.
♪
María can't like a lambeojo
who just works day and night.
♪
Never stands up like her brother does.
♪
She says all the time
♪
she doesn't want anyone like me.
♪
Just be Chino.
♪
But be a Chino who dances.
♪
(DOOR OPENS)
♪
(CONVERSING IN SPANISH)
♪
You look like Mami.
♪
And, Chino, qué guapo.
♪
He took off from night school
♪
just so he could take you to the dance.
♪
Gracias, Chino.
♪
Night school, accounting, and...
♪
And, Chino, what else
are you learning about?
♪
Adding machine repair.
♪
ANITA: And just think,
♪
how many adding machines
in New York City.
♪
Chino is gonna be rich.
♪
Well, not exactly, pero...
♪
Boxers get rich.
♪
Boxers get their brains knocked out.
♪
Bossy, como te dije,
♪
y una wiseass.
♪
(SPEAKS SPANISH)
♪
The gringos tonight,
they stare because...
♪
ANITA: Oh, like you don't stare.
♪
Because our girls
make their girls look lousy.
♪
(SPEAKS SPANISH)
♪
The first gringo boy
who smiles at you... Pow!
♪
Ay, Mr. Juvenile Delincuente.
♪
- BERNARDO: Vamos.
- (ANITA CHUCKLES)
♪
I fold you she likes him.
♪
(SOFT, PENSIVE MUSIC PLAYING)
♪
(BERNARDO AND ANITA LAUGHING)
♪
ANITA: You want her to pick him,
♪
keep telling her she has to like him.
♪
(MARÍA CHUCKLES)
♪
(INDISTINCT CONVERSATION)
♪
(MUSIC CRESCENDOS)
♪
(UPBEAT JAZZ MUSIC PLAYING)
♪
(ALL CHEER)
♪
(UPBEAT JAZZ MUSIC CONTINUES)
♪
Hey, get away from her, you lesbo!
♪
- Get out of here!
- Hey, hey, what are you doing?
♪
(SPEAKING SPANISH)
♪
(SNIFFS)
♪
(UPBEAT JAZZ MUSIC CONTINUES)
♪
How about you give me some room?
♪
(SPEAKS SPANISH)
♪
(CROWD CHEERING)
♪
(UPBEAT JAZZ MUSIC CONTINUES)
♪
- (SPEAKS SPANISH)
- You wanna dance, buddy?
♪
(ALL CLAMOURING)
♪
Get back! (BLOWING WHISTLE)
♪
OFFICER: Let's back up! Back up!
♪
(CONTINUES BLOWING WHISTLE)
♪
Everyone, keep calm now!
♪
Contain the aggression, OK?
♪
What's the matter with you guys?
♪
Pretty girls wanting to dance
♪
and all youse can think of
is to b*at up on each other.
♪
- Thank you, Officer.
- (JETS LAUGHING)
♪
Alright! Alright!
♪
So, tonight is a social experiment,
boys and girls,
♪
brotherhood and all that,
and you're the guinea pigs.
♪
(JETS SNORTING AND LAUGHING)
♪
Thank you, right on cue.
♪
Be nice to each other!
Give us some hope!
♪
Just for a little bit,
♪
then you can revert back
♪ ♪ your true feral selves.
♪
Now, boys,
get into a big circle facing in.
♪
And, girls, make a small circle
♪
on the inside, facing out.
♪
(SPEAKS SPANISH)
♪
(SHARKS LAUGHING)
♪
Speak English
in school-sponsored functions!
♪
- Now, everyone, please!
- (ALL ARGUING)
♪
(WHISTLE BLOWS)
♪
You heard the man! All youse fall in!
♪
Hey!
♪
(SHARKS CHEERING)
♪
SHARKS MEMBER: Hey! Bernardo!
♪
SHARKS MEMBER: Anita!
♪
(SHARKS CHEERING IN SPANISH)
♪
(CHEERING QUIETS)
♪
- (JETS CHEERING)
- JETS MEMBER: Hey, buddy!
♪
JETS MEMBER ♪ : Yeah, Riff!
♪
- OK.
- BOY: Sorry.
♪
- GIRL ♪ : Excuse us.
- I'm sorry.
♪
(INDISTINCT CHATTER)
♪
(PLAYING LIVELY MUSIC)
♪
Boys, step it right. Girls, left.
♪
And when the music stops,
♪
ya dance with whoever's in front of ya.
♪
(MUSIC STOPS)
♪
(SHOUTS IN SPANISH)
♪
- (PLAYING MAMBO MUSIC)
- (ALL CHEERING)
♪
Come on! Give it a chance!
It's gonna...
♪
SHARKS: Mambo!
JETS: Mambo!
♪
ALL: Go!
♪
(MUSIC CONTINUES)
♪
Tony!
♪
Anybodys!
♪
- Good to see ya.
- TONY: Whoa!
♪
Tony, I knew you'd come, buddy boy.
I knew you'd come.
♪
Hey! Come and dance, yeah?
♪
Yeah!
♪
(MUSIC CONTINUES)
♪
SHARKS: Mambo!
♪
(FINGERS SNAP)
♪
SHARKS: Mambo!
♪
Alright. Let's go, boys!
♪
JETS MEMBER: Let's go, boys!
♪
JETS: Oh... Yeah!
♪
(MUSIC CONTINUES)
♪
Yeah!
♪
RIFF: Hey!
♪
No, no, no. I just wanna
give him a talk real quick.
♪
- Hey, Bernardo!
- GRAZIELLA: Riff!
♪
(RHYTHMIC HANDCLAPS)
♪
(MUSIC CONTINUES)
♪
GIRL: Bernardo!
♪
- (SPEAKS SPANISH)
- (ANITA CHEERS IN SPANISH)
♪
(SPEAKS SPANISH)
♪
MAN: Chino!
♪
(PLAYING SOLO)
♪
(MUSIC CONTINUES)
♪
(MUSIC SLOWS DOWN)
♪
(WALTZ MUSIC PLAYING)
♪
(SNAPS FINGERS)
♪
(MUSIC CRESCENDOS)
♪
It's funny, I wasn't planning
on showin' up tonight.
♪
You don't like dancing?
♪
No.
♪
I mean, yeah.
♪
I like it.
♪
I like it a lot, dancing with you.
♪
It's just, you're, uh...
♪
You're tall.
♪
Yeah, I know.
♪
- You're not.
- (CHUCKLES)
♪
You're not Puerto Rican?
♪
You're just figuring that out?
♪
From down here, I wasn't sure.
♪
Is that OK? That I'm not?
♪
I don't know.
♪
(SPEAKS SPANISH)
♪
Since I...
♪
I never seen you before.
♪
This is my first time dancing
in New York City,
♪
so, you tell me.
♪
Is it OK?
♪
There's not much I can do about it,
so...
♪
I'm sorry. You just...
♪
caught me by surprise, is all.
♪
I'm a by-the-book type. So...
♪
By the book?
♪
Try me again.
♪
(MUSIC TEMPO INCREASING)
♪
WOMAN: María! María!
(SPEAKS SPANISH)
♪
(INDISTINCT CONVERSATIONS)
♪
BERNARDO: María!
(SPEAKS SPANISH)
♪
María.
♪
(CONVERSING IN SPANISH)
♪
I'm glad to meet you, I'm...
♪
What were you doing
under there with my sister?
♪
- Bernardo, no!
- María!
♪
(MARÍA AND BERNARDO
ARGUING IN SPANISH)
♪
- TONY: I wasn't doing nothing.
- (SPEAKS SPANISH)
♪
KRUPKE: Back up there, Bernardo.
♪
You ought to know better.
Ain't you learned nothing?
♪
TONY: I didn't mean no disrespect.
♪
I just wanted to dance with her.
♪
She don't wanna dance
with you, American.
♪
Come on, we're all Americans, right?
♪
Keep away from her, hijo de puta!
♪
Hey, hey! Now that
sounded kinda rough, Bernardo,
♪
- and I ain't having it.
- (SPEAKS SPANISH)
♪
Youse gonna fight or youse gonna dance?
♪
I wanna dance, God damn it!
♪
(UPBEAT MUSIC PLAYING)
♪
God damn it, Riff,
♪
you swore to me
you wasn't starting nothing.
♪
You promised me
that we could dance first
♪
and then you was
only gonna challenge 'em...
♪
I am here to dance, girly girl.
♪
Ain't that what we been doin'?
♪
Challenge who to what?
♪
GRAZIELLA: Like I know.
Like he tells me anything.
♪
María.
♪
(SPEAKS SPANISH)
♪
(THANKING IN SPANISH)
♪
Thank you for the dance.
♪
Sure. No, I mean, thank you
for the dance and for the...
♪
ANITA: Ay...
♪
Let's say...
♪
Let's say we visit the head
♪
and we'll pow-wow friendly like.
♪
You, me,
and my troublemaking buddy here.
♪
(BERNARDO BREATHING HEAVILY)
♪
(INDISTINCT CHATTER)
♪
Do you wanna start World w*r III?
♪
Ay, María, María.
♪
Tony? Come on.
♪
Tony, come on.
♪
You walking away? Hey! Come on, man!
♪
(GIRL LAUGHING)
♪
You want to fight, right?
♪
Not here. We gotta set it up.
♪
Set it up?
♪
You mean like a date?
♪
All of you, and all of us.
♪
- We're busy guys.
- RIFF: Mm-hmm.
♪
We got jobs.
♪
Why should we play on the playground
♪
- with a bunch of...?
- Control of your territory,
♪
that's what you get.
♪
We keep clear out of your way,
you're Jet-free. If you win.
♪
We win, you see us coming,
and we will keep coming,
♪
you Sharks make like the rats
and skedaddle.
♪
Where?
♪
The river.
♪
- The docks.
- The underpass.
♪
- The rail yards.
- The salt shed.
♪
¿Dónde?
♪
De dónde está ♪ ♪ th and the river.
♪
Wait!
♪
Midnight tomorrow.
♪
Weapons?
♪
Fists.
♪
Rocks.
♪
- Bricks.
- Pipes.
♪
- Chains.
- Knives?
♪
Hey, we don't need no knives.
♪
- You boys love your knives.
- (CLAMOURING IN SPANISH)
♪
Better without knives.
♪
Better for who is the question
that comes to mind,
♪
but no knives.
♪
And no jazz till then. Copasetic?
♪
(DOOR OPENS)
♪
(DOOR CLOSES)
♪
Riff, I don't know, that about knives...
♪
Them sp*cs sleep
♪
with their switchblades in their teeth.
♪
- Action. Action.
- They ain't gonna leave
♪
- their knives at home.
- (DOOR CREAKS OPEN)
♪
Your friendly friend.
♪
RIFF: What about him?
♪
I'll see him tomorrow night?
♪
You bet your ass.
♪
Tell him...
♪
Tony.
♪
Tell Tony
♪
I look forward to that.
♪
(SOFT ROMANTIC MUSIC PLAYING)
♪
(SCOFFS)
♪
María.
♪
(SINGING) The most beautiful sound
♪
I ever heard
♪
María
♪
María, María
♪
María
♪
All the beautiful sounds of the world
♪
In a single word
♪
María
♪
María
♪
María
♪
María
♪
María, María
♪
- María
- (MUSIC TEMPO INCREASES)
♪
I've just met a girl named María
♪
And suddenly that name
♪
Will never be the same to me
♪
María
♪
I've just kissed a girl named María
♪
And suddenly I've found
♪
How wonderful a sound can be
♪
María
♪
Say it loud
And there's music playing
♪
- (MUSIC TEMPO SLOWS)
- Say it soft
♪
And it's almost like praying
♪
María
♪
I'll never stop saying
♪
- María
- (MUSIC TEMPO INCREASES)
♪
María
♪
María
♪
María, María
♪
María
♪
María
♪
María
♪
María
♪
María
♪
Say it loud and there's music playing
♪
- (MUSIC TEMPOS SLOWS)
- Say it soft
♪
And it's almost like praying
♪
María
♪
I'll never stop saying
♪
María
♪
The most beautiful sound I ever heard
♪
María
♪
(MUSIC FADES OFF)
♪
- (BARRICADE RATTLES)
- (MARÍA SHOUTS IN SPANISH)
♪
(DOG BARKING IN DISTANCE)
♪
It's me!
♪
Are you crazy? You can't...
♪
What are you doing,
spooking around como una rata?
♪
Come down.
♪
- Meet me on the corner...
- No!
♪
- (MARÍA SPEAKS SPANISH)
- Let's meet on the, uh...
♪
- (MARÍA SPEAKS SPANISH)
- What's that mean?
♪
It means "go away."
♪
Can I come up?
♪
No.
♪
- But I found you.
- Please.
♪
My brother's so angry now,
he might...
♪
I'll make him like me. Everybody does.
♪
There's nobody who everybody likes.
♪
Yeah, but, ♪ ♪ long as you like me,
♪
- I'm OK with that.
- (SHUSHES, SPEAKS SPANISH)
♪
Please, you have to go.
♪
Ay, Dios mío. No, no, no.
♪
(METAL CREAKS)
♪
BERNARDO: María! We're home.
♪
ANITA: Need a little rum?
It'll help you sleep.
♪
Who needs to sleep?
♪
(BERNARDO SPEAKS SPANISH)
♪
ANITA: Oh, not here. In the bedroom.
♪
(BOTH CHUCKLE)
♪
(SOFT ROMANTIC MUSIC PLAYING)
♪
¿Dónde estás?
♪
Where are you? Ay!
♪
Is it locked?
♪
Sí, but there's no key.
♪
Well, that's against the law.
You ought to report that.
♪
OK, I will. Now, please go,
♪
or something bad will happen...
♪
Run away with me.
♪
(MARÍA CHUCKLES)
♪
I'm serious. Don't laugh.
♪
Sí, serious.
♪
Maybe tomorrow I'll run away with you.
♪
Tomorrow?
♪
Deal.
♪
Wait!
♪
Tomorrow, where?
♪
I can't see ya.
♪
(SOFT ROMANTIC MUSIC CONTINUES)
♪
Careful.
♪
What's your name?
♪
Tony.
♪
See you tomorrow, Tony.
♪
- You promise me?
- What?
♪
You gotta see me tomorrow. Nobody else.
♪
Only me.
♪
(SOFT ROMANTIC MUSIC CONTINUES)
♪
(SINGING) Only you
♪
You're the only thing I'll see forever
♪
In my eyes, in my words
♪
And in everything I do
♪
Nothing else but you
Ever
♪
And there's nothing for me but María
♪
Every sight that I see is María
♪
Tony, Tony
♪
Always you
Every thought I'll ever know
♪
Everywhere I go
♪
- You'll be
- All the world is only
♪
You and me
♪
(MUSIC TEMPO INCREASES)
♪
Tonight, tonight
♪
It all began tonight
♪
I saw you and the world went away
♪
Tonight, tonight
♪
There's only you tonight
♪
What you are
What you do
♪
What you say
♪
Today, all day
I had the feeling
♪
A miracle would happen
♪
I know now I was right
♪
For here you are
♪
And what was just a world
Is a star
♪
Tonight
♪
(MUSIC SLOWS)
♪
Tonight
♪
Tonight
♪
The world is full of light
♪
With suns and moons all over the place
♪
Tonight, tonight
♪
The world is wild and bright
♪
Going mad
♪
sh**ting sparks into space
♪
Today the world was just an address
♪
A place for me to live in
♪
No better than alright
♪
But here you are
♪
And what was just a world
♪
Is a star
♪
Tonight
♪
BERNARDO: María!
♪
(BERNARDO AND MARÍA
CONVERSING IN SPANISH)
♪
Tomorrow.
♪
Tomorrow.
♪
Sí.
♪
Wait! What time?
♪
Uh, tomorrow night?
♪
I work.
♪
♪ :♪ ♪ ? PM?
♪
♪ ♪ nd Street subway station. Uptown side.
♪
Sí. Sí, OK. Now...
♪
(WHISPERS) Wait! Wait!
♪
(SOFT ROMANTIC MUSIC CONTINUES)
♪
I forgot why I called you.
♪
I'll wait till you remember.
♪
Tony is Antonio?
♪
Anton.
♪
Te adoro, Anton.
♪
Te adoro, María.
♪
(SINGING) Good night
♪
Good night
♪
Sleep well
♪
And when you dream
♪
Dream of me
♪
Tonight
♪
(MUSIC FADES OFF)
♪
(LILTING MUSIC PLAYING)
♪
(CAT MEOWS)
♪
(INDISTINCT CHATTER)
♪
(LILTING MUSIC CONTINUES)
♪
ANITA: María! Breakfast, niña.
♪
(GASPS)
♪
(LILTING MUSIC CONTINUES)
♪
(GRUNTING)
♪
- (SIGHS)
- (MUSIC ENDS)
♪
BERNARDO: Last night I dreamed
I was back in Puerto Rico.
♪
In my dream, we had six kids.
♪
Six kids? Marry a cat.
♪
I've been asking you for five years.
♪
ANITA: Mm-hmm.
♪
You want to marry me,
then leave the gringos alone.
♪
BERNARDO: I'm gonna make
quick work of the Jets.
♪
ANITA: (CHUCKLES)
You sound like the funny papers.
♪
- "The Jets."
- (BERNARDO SPEAKING SPANISH)
♪
English. We gotta practice.
♪
- Anita María Teresa...
- Oh.
♪
- (ANITA GIGGLING)
- Josefina...
♪
Good morning.
♪
I'm right here.
♪
(ANITA SPEAKS SPANISH)
♪
Stay here and don't fight?
♪
What fight?
♪
BERNARDO: Don't worry about that.
♪
You don't have a fight till next week.
♪
The match with that Thompson guy.
♪
What was his name?
♪
Your brother has something
to say to you.
♪
I apologise
♪
for behaving last night like a...
♪
Like a gangster.
♪
(ASSENTS IN SPANISH)
♪
It was embarrassing.
♪
And he's apologising.
♪
Perdón.
♪
I'm a grown-up now, Bernardo.
♪
I can dance with anyone I like.
♪
As long as he's puertorriqueño.
♪
But why? Tony's a nice boy.
♪
Tony? (SPEAKS SPANISH)
♪
Tony. Who cares if he's a...? ♪
♪
I don't know what he is. A Yankee? ♪
♪
He's a Polack. That's what he is. ♪
♪
A big, dumb Polack. ♪
♪
"Polack," says the spic. ♪
♪
Now you sound like a real American.
(CHUCKLES) ♪
♪
I don't want you to marry a gringo. ♪
♪
Marry him? ♪
♪
I danced with him, Bernardo. ♪
♪
For a minute, until you... ♪
♪
You're crazy.
I can't talk to you anymore. ♪
♪
(SPEAKS SPANISH) ♪
♪
I was OK on my own. ♪
♪
Just me and Papi
for five years without you, ♪
♪
while you came here, ♪
♪
where you do everything you want. ♪
♪
You... You study, and you make money... ♪
♪
And he boxes. ♪
♪
Sí. And you have your boxing. ♪
♪
And he fights in the streets. ♪
♪
Don't fight with the Jets. ♪
♪
(SPEAKS SPANISH) ♪
♪
I want you to be happy. ♪
♪
- (SPEAKS SPANISH)
- ANITA: Mm. ♪
♪
Here, dead man, eat your eggs. ♪
♪
- And everyone, speak English.
- (SPEAKS SPANISH) ♪
♪
But I'm here, too. ♪
♪
And I... I want to make a life, a home. ♪
♪
Maybe go to City College ♪
♪
like Rosalía's cousin, Virginia. ♪
♪
I want to be happy here. ♪
♪
(SPEAKS SPANISH) ♪
♪
English. ♪
♪
Puerto Rico, sí. ♪
♪
That is what you think. ♪
♪
- I'm gonna think for myself.
- You keep away from him. ♪
♪
(SPEAKS SPANISH, SIGHS) ♪
♪
As long as you're in my house... ♪
♪
This ain't your house. ♪
♪
She pays rent here
same as me and you. ♪
♪
This is about family. ♪
♪
(SPEAKS SPANISH, STOPS ABRUPTLY) ♪
♪
Ah! (SPEAKING SPANISH) ♪
♪
(SHOUTS IN SPANISH) ♪
♪
(ARGUING IN SPANISH) ♪
♪
- María... (STUTTERS)
- (ANITA SCOFFS) ♪
♪
(UTENSILS RATTLE) ♪
♪
(CONTINUES SPEAKING SPANISH) ♪
♪
Maybe Chino and your friends
fall down at your feet, ♪
♪
and maybe you scare the Americanos ♪
♪
when you make fists and angry faces... ♪
♪
(CONTINUES TEARFULLY IN SPANISH) ♪
♪
And I am not interested
in what you have to say. ♪
♪
(SPEAKS SPANISH) ♪
♪
(ANITA BREATHES DEEPLY) ♪
♪
You want to know where my home is? ♪
♪
It's where I pay rent. Right here, ♪
♪
where I work my fingers raw, ♪
♪
mending pants and hemming neckties ♪
♪
so that I can earn enough money ♪
♪
to pay other girls to sew for me, ♪
♪
so that someday
I can rent a shop of my own ♪
♪
in this great, big,
beautiful Nueva York. ♪
♪
Ah. ♪
♪
(SNAPS FINGERS) ♪
♪
And if you think ♪
♪
that I'm going back home
to Puerto Rico with six kids ♪
♪
that I put to bed hungry every night, ♪
♪
amor de mi vida, you are dreaming. ♪
♪
In Puerto Rico, our kids won't get fat ♪
♪
like the kids in New York. ♪
♪
(LAUGHTER AND INDISTINCT CHATTER) ♪
♪
(LOW PERCUSSION MUSIC INTRO PLAYING) ♪
♪
(SOFT LATIN MUSIC PLAYING) ♪
♪
(SINGING) Puerto Rico ♪
♪
You lovely island ♪
♪
Island of tropical breezes ♪
♪
Always the pineapples growing ♪
♪
Always the coffee blossoms blowing ♪
♪
And the money owing ♪
♪
And the babies crying ♪
♪
And the people trying ♪
♪
I like the island Manhattan ♪
♪
I know you do! ♪
♪
Smoke on your pipe ♪
♪
And put that in ♪
♪
(MUSIC TEMPO QUICKENS) ♪
♪
I like to be in America ♪
♪
OK by me in America ♪
♪
Everything free in America ♪
♪
For a small fee in America ♪
♪
(WHISTLE BLOWS) ♪
♪
Buying on credit is so nice ♪
♪
One look at us
And they charge twice ♪
♪
I have my own washing machine ♪
♪
What do you have though
To keep clean? ♪
♪
Skyscrapers bloom in America ♪
♪
Cadillacs zoom in America ♪
♪
Industry boom in America ♪
♪
Twelve in a room in America ♪
♪
(PROTESTERS CHANTING IN SPANISH) ♪
♪
Lots of new housing with more space ♪
♪
Lots of doors slamming in our face ♪
♪
I'll get a terrace apartment ♪
♪
Better get rid of your accent ♪
♪
Life can be bright in America ♪
♪
If you can fight in America ♪
♪
Life is alright in America ♪
♪
If you're all white in America ♪
♪
(WOMEN SPEAKING SPANISH) ♪
♪
(UP-TEMPO MUSIC CONTINUES) ♪
♪
(CROWD CHEERING) ♪
♪
ALL: Hey, hey, hey! ♪
♪
La la, la la, la
America ♪
♪
America ♪
♪
La la, la la, la
America ♪
♪
- America
- (SHARKS EXCLAIM) ♪
♪
Ay, ay, ay, ay. ♪
♪
(BOXING BELL DINGS) ♪
♪
Here you are free
And you have pride ♪
♪
Long as you stay on your own side ♪
♪
Free to do anything you choose ♪
♪
Free to wait tables and shine shoes ♪
♪
Everywhere grime in America ♪
♪
- Organized crime in America
- (ANITA RESPONDING IN SPANISH) ♪
♪
Terrible time in America ♪
♪
You forget I'm in America ♪
♪
(WOMEN LAUGH) ♪
♪
(UP-TEMPO MUSIC CONTINUES) ♪
♪
(CHEERING INDISTINCTLY) ♪
♪
Hey, hey, hey! ♪
♪
Hey, hey, hey! ♪
♪
I think I go back to San Juan ♪
♪
I know a boat you can get on ♪
♪
WOMEN: Bye-bye! ♪
♪
Everyone there will give big cheer! ♪
♪
SHARKS: Hey! ♪
♪
Everyone there will have moved here ♪
♪
- (WOMEN EXCLAIM)
- (SHARKS LAUGH) ♪
♪
WOMEN: Ow, ow, ow! ♪
♪
Ow, ow, ow! ♪
♪
Ow, ow, ow! ♪
♪
(UP-TEMPO MUSIC CONTINUES) ♪
♪
SHARKS: Hey!
WOMEN: Hey! ♪
♪
SHARKS: Hey!
WOMEN: Hey! ♪
♪
(ALL CHEERING) ♪
♪
SHARKS: Hey! ♪
♪
(UP-TEMPO MUSIC CONTINUES) ♪
♪
ALL: Hey! ♪
♪
- (MUSIC ENDS)
- (ALL CHEERING) ♪
♪
(CHEERING CONTINUES) ♪
♪
"I'm happy to see you again." ♪
♪
(TRANSLATES INTO SPANISH) ♪
♪
(REPEATS SPANISH PHRASE) ♪
♪
So, who are you so happy to see again? ♪
♪
Last one. ♪
♪
"You look beautiful." ♪
♪
(SCOFFS) ¿De verdad? ♪
♪
"De veda..." ♪
♪
¿Una puertorriqueña? ♪
♪
I wanna do like Doc, ♪
♪
find me a Puerto Rican girl. ♪
♪
Ay, Tony,
you don't have enough troubles? ♪
♪
I don't wanna jinx it, ♪
♪
but maybe I'm done with trouble. ♪
♪
You are never done with troubles. Nunca. ♪
♪
- Nunca. "Nunca" means "never"?
- Uh-huh. ♪
♪
What's "forever"? ♪
♪
Like, "I wanna be with you forever." ♪
♪
You don't wanna start, maybe, ♪
♪
with "I'd like to
take you out to coffee"? ♪
♪
No. Come on, tell me. ♪
♪
"I wanna take you to Chock Full o' Nuts ♪
♪
"for a cream cheese sandwich
on a raisin bread"? ♪
♪
This ain't casual like that. ♪
♪
Oh. ♪
♪
"I want to be with you forever." ♪
♪
(TRANSLATES INTO SPANISH) ♪
♪
(REPEATS SPANISH PHRASE) ♪
♪
- (TONY FALTERING)
- (REPEATS WORDS) ♪
♪
"With you." ♪
♪
"Para siempre." ♪
♪
"Siempre." ♪
♪
"Siempre." ♪
♪
"Forever." ♪
♪
TONY: I wanna show you something. ♪
♪
It's a surprise, uptown. ♪
♪
- You seem sorta...
- There's a fight tonight. ♪
♪
Between my brother and his friends. ♪
♪
- News to me.
- And your friend ♪
♪
who helped you when Bernardo... ♪
♪
Riff. ♪
♪
Tell him, Riff, tell him not to. ♪
♪
It's because of us
they're gonna fight, verdad? ♪
♪
Well, get your brother to call it off. ♪
♪
Bernardo's too angry. ♪
♪
Well, Riff's angry, too, so... ♪
♪
- Come on.
- (TRAIN HORN TOOTS) ♪
♪
This place we're going,
it's, uh, up past Harlem. ♪
♪
It's practically
at the tip of the island. ♪
♪
My brother... ♪
♪
there's so much more
against him than Riff. ♪
♪
He's angry because... ♪
♪
The whole world has been against Riff ♪
♪
since he was born. ♪
♪
Do you think it's easier for us? ♪
♪
Uh, well, I think you come
from families, homes. ♪
♪
You and Bernardo, you have hope. ♪
♪
You think Riff has that? ♪
♪
Riff could have hope
if he didn't try to take hope ♪
♪
from people he doesn't know. ♪
♪
Riff didn't start this, it was Bernardo. ♪
♪
He came after me. ♪
♪
Just cause I wanted to dance with you. ♪
♪
Tony, if someone gets hurt
because of what we do... ♪
♪
What did we do to anyone? ♪
♪
We don't do anything wrong,
liking each other, ♪
♪
- pero...
- María. ♪
♪
I don't just like you. ♪
♪
We can't pretend what we do
doesn't cause trouble. ♪
♪
I can't talk my guys
outta making trouble. ♪
♪
Trouble's what they're made of. ♪
♪
All of you go suck a pickle. ♪
♪
You think we're going to jail? ♪
♪
They're fishing, is all.
Asking questions. ♪
♪
Which we ain't answering. ♪
♪
So, you're gonna tell me ♪
♪
where and when the rumble's happening... ♪
♪
or I'm gonna send you
straight to the Tombs. ♪
♪
I don't know where the rumble is. ♪
♪
I don't even know what a rumble is. ♪
♪
Uh, they don't tell me nothing. ♪
♪
They know I can't keep any secrets. ♪
♪
They tell you when to show up, right? ♪
♪
Nah, they don't. ♪
♪
I just hang around
until somebody says "let's go." ♪
♪
And then? ♪
♪
I go. ♪
♪
(FAINT RADIO CHATTER) ♪
♪
I can't go to jail, Deez. ♪
♪
Dry up, weepy, or else go sit
on the ladies' bench ♪
♪
with the other dickless wonder. ♪
♪
- Leave her be.
- Get stuffed, why don't ya? ♪
♪
Go back to the zoo, why don't ya? ♪
♪
Go suck on your sister's titty,
why don't ya? ♪
♪
You guinea hyena. ♪
♪
Hey, Krupke! You made a mistake. ♪
♪
She ain't a Jet.
She nags us all the time. ♪
♪
Hey, I ought to be a Jet.
Tony told me... ♪
♪
She ain't a Jet. ♪
♪
- She ain't even a boy.
- Pipe down, A-Rab. ♪
♪
- She's a dumb girl.
- I ain't a girl! ♪
♪
She looks like some kinda
biological disaster, ♪
♪
but I pantsed her once,
and under oath, she's a girl! ♪
♪
I said I ain't no g*dd*mn girl, ♪
♪
you shrivel-d*ck dago pansy! ♪
♪
- (BOTH GRUNTING)
- KRUPKE: Get off of him, ♪
♪
Cut it out! Now! ♪
♪
You're gonna break her arm,
you godforsaken... ♪
♪
I'm trying to get her off of him. ♪
♪
Back up! God! ♪
♪
My ulcer. ♪
♪
It's a freaking felony! ♪
♪
Assaulting an officer of the... ♪
♪
Sit yourselves some place ♪
♪
and don't move a muscle till I get back! ♪
♪
Don't even sweat! Youse hear me? ♪
♪
Hey, a girl gave me a nosebleed. ♪
♪
She just bought herself a ticket ♪
♪
to the House of Detention. ♪
♪
What about us? ♪
♪
- Rikers, most likely.
- BABY JOHN: Rikers? ♪
♪
What, you ain't
never been arrested before? ♪
♪
He ain't never been nothing before. ♪
♪
- BABY JOHN: That'd k*ll my ma.
- Oh. ♪
♪
I can't go to jail. ♪
♪
You won't.
Long as you remember two things. ♪
♪
One, tell 'em what they wanna hear. ♪
♪
And two, don't tell 'em nothing. ♪
♪
Hey, garbage! ♪
♪
Who? ♪
♪
- Me, Officer Krupke?
- (BOYS LAUGH) ♪
♪
Well, look at youse. ♪
♪
You feckless frigging disappointments. ♪
♪
Now, give me one good reason ♪
♪
I shouldn't throw the book at ya. ♪
♪
(SINGING)
Dear kindly Sergeant Krupke ♪
♪
You gotta understand ♪
♪
It's just our bringin' upke ♪
♪
That gets us out of hand ♪
♪
Our mothers all are junkies ♪
♪
Our fathers all are drunks ♪
♪
Golly Moses ♪
♪
Naturally we're punks ♪
♪
Gee, Officer Krupke ♪
♪
We're very upset ♪
♪
We never had the love
That every child ought to get ♪
♪
We ain't no delinquents ♪
♪
We're misunderstood ♪
♪
Deep down inside us
There is good ♪
♪
There is good ♪
♪
- There is good
- (UPBEAT MUSIC PLAYING) ♪
♪
There is good ♪
♪
There is untapped good
Like inside ♪
♪
The worst of us is good ♪
♪
Aw, that's a touching good story. ♪
♪
Let me tell it to the world! ♪
♪
Oh, just tell it to the judge. ♪
♪
(ALL EXCLAIM) ♪
♪
Whoo! ♪
♪
- (UPBEAT MUSIC CONTINUES)
- (INDISTINCT TALKING) ♪
♪
Get over there. ♪
♪
Dear kindly Judge, Your Honour ♪
♪
My parents treat me rough
With all their marijuana ♪
♪
They won't give me a puff ♪
♪
They didn't wanna have me
But somehow I was had ♪
♪
Leapin' lizards
That's why I'm so bad ♪
♪
Right! Officer Krupke
You're really a square ♪
♪
This boy don't need a judge
He needs a analyst's care ♪
♪
It's just his neurosis
That ought to be curbed ♪
♪
He's psychologically disturbed ♪
♪
I'm disturbed! ♪
♪
We're disturbed
We're disturbed ♪
♪
We're the most disturbed ♪
♪
Like we're psychologically disturbed ♪
♪
(ALL LAUGH AND SCREAM) ♪
♪
(UPBEAT MUSIC CONTINUES) ♪
♪
(WHOOPING) ♪
♪
BALKAN: Hear ye, hear ye. ♪
♪
In the opinion of this court,
the boy's depraved ♪
♪
on account of he ain't had
a normal home. ♪
♪
Hey, I'm depraved
on account of I'm deprived! ♪
♪
So, take this nut to a headshrinker. ♪
♪
Oh, why not? Come on. ♪
♪
DIESEL: Go, go, go. ♪
♪
My father is a bastard
My ma's an S.O.B. ♪
♪
My grandpa's always plastered
My grandma pushes tea ♪
♪
My sister wears a moustache
My brother wears a dress ♪
♪
Goodness gracious ♪
♪
- That's why I'm a mess
- Yes! ♪
♪
Officer Krupke
You're really a slob ♪
♪
This boy don't need a doctor
Just a good honest job ♪
♪
Society's played him a terrible trick ♪
♪
And sociologically he's sick ♪
♪
- I am sick!
- We are sick, we are sick ♪
♪
We are sick, sick, sick ♪
♪
Like we're sociologically sick ♪
♪
(WHOOPING) ♪
♪
A-RAB: I did it! Yeah! ♪
♪
DIESEL: Officer, I'm guilty.
MOUTHPIECE: Get out of here. ♪
♪
In my professional opinion, ♪
♪
what we got here ♪
♪
is a run-of-the-mill
juvenile delinquent, ♪
♪
and juvenile delinquency
is a social disease. ♪
♪
Ew, Diesel, you got a social disease? ♪
♪
Bring him to a social worker. ♪
♪
Wait, can I catch it by touching him? ♪
♪
Get down. ♪
♪
BIG DEAL: Oh! (LAUGHS) ♪
♪
Dear ♪
♪
Kindly social worker ♪
♪
- They say go earn a buck
- (LAUGHTER) ♪
♪
Like be a soda jerker ♪
♪
Which means like be a schmuck ♪
♪
It's not I'm antisocial
I'm only anti-work ♪
♪
Glory! Osky! ♪
♪
That's why I'm a jerk ♪
♪
(IN FALSETTO)
Yee! Officer Krupke ♪
♪
You've done it again ♪
♪
This boy don't need a job
He needs a year in the pen ♪
♪
OK. ♪
♪
It ain't just a question
of misunderstood ♪
♪
Deep down inside him
He's no good ♪
♪
- I'm no good
- We're no good, we're no good ♪
♪
We're no earthly good ♪
♪
Like the best of us is no damn good ♪
♪
The trouble is he's crazy ♪
♪
The trouble is he drinks ♪
♪
The trouble is he's lazy ♪
♪
The trouble is he stinks ♪
♪
The trouble is he's growin' ♪
♪
The trouble is he's grown ♪
♪
Krupke, we've got troubles of our own ♪
♪
Gee, Officer Krupke
We're down on our knees ♪
♪
Cause no one wants a fellow
With a social disease ♪
♪
Gee, Officer Krupke
What are we to do? ♪
♪
Gee, Officer Krupke ♪
♪
Krup you ♪
♪
(MUSIC ENDS) ♪
♪
(PANTING HEAVILY) ♪
♪
(ALL PANTING HEAVILY) ♪
♪
This is for you. ♪
♪
TONY: This is the surprise. ♪
♪
MARÍA: It look like a church. ♪
♪
TONY: It's a museum now, you know. ♪
♪
First time I saw this place, ♪
♪
I was on a prison bus. ♪
♪
Up to the state prison in Ossining. ♪
♪
There was a rumble. ♪
♪
And I busted up this kid. ♪
♪
He was in the Egyptian Kings. ♪
♪
He only didn't die because of luck, ♪
♪
like, one more punch
and he probably would've d*ed. ♪
♪
And I would've done it. ♪
♪
I would've m*rder*d this messed-up kid ♪
♪
who wasn't no different from me. ♪
♪
And for a year in prison
and since I got out, ♪
♪
I can't quit thinking about
what I almost done. ♪
♪
I think about k*lling him, and... ♪
♪
and it's like I'm always
just about to fall off ♪
♪
the edge of
the world's tallest building. ♪
♪
I stopped falling the second I saw you. ♪
♪
(CHURCH BELL TOLLING) ♪
♪
I shouldn't have asked you
to stop the fighting. ♪
♪
I don't want you to go
anywhere near the fighting. ♪
♪
(SLOWLY RECITES PHRASE IN SPANISH) ♪
♪
(LAUGHS) ♪
♪
Don't laugh. It means I wanna be... ♪
♪
I know what it means. ♪
♪
(SPEAKING SPANISH) ♪
♪
I don't know what that... ♪
♪
(SOFT MUSIC PLAYING) ♪
♪
Oh. ♪
♪
- (LAUGHS) Oh, that's...
- Don't laugh. ♪
♪
(GULPS) ♪
♪
I, Tony... ♪
♪
I, Anton, ♪
♪
take you, María, ♪
♪
- rich or poor...
- I'm poor. ♪
♪
I'm poorer. ♪
♪
(CONTINUES VOW IN SPANISH) ♪
♪
To love you and respect you. ♪
♪
Siempre. ♪
♪
(SOFT MUSIC CONTINUES) ♪
♪
TONY: (SINGING)
Make of our hands ♪
♪
One hand ♪
♪
Make of our hearts ♪
♪
One heart ♪
♪
Make of our vows ♪
♪
One last vow ♪
♪
Even death ♪
♪
Won't part us now ♪
♪
Make of our lives ♪
♪
One life ♪
♪
Day after day ♪
♪
One life ♪
♪
Now it begins ♪
♪
Now we start ♪
♪
One hand ♪
♪
One heart ♪
♪
Only death ♪
♪
Will part us now ♪
♪
(SOFT MUSIC CONTINUES) ♪
♪
You're worried.
But they're still my guys. ♪
♪
- They'll listen to me.
- But what if you can't? ♪
♪
We can't be together ♪
♪
while they're brawling all around us. ♪
♪
Because of us. ♪
♪
I swear to you, María, ♪
♪
there won't be any fight. ♪
♪
(SINGING) Make of our lives ♪
♪
One life ♪
♪
Day after day ♪
♪
One life ♪
♪
Now it begins ♪
♪
Now we start ♪
♪
One hand ♪
♪
One heart ♪
♪
- MARÍA: Death won't part
- Even death won't part ♪
♪
- MARÍA: Us now
- Us now ♪
♪
(SOFT MUSIC CONTINUES) ♪
♪
Come see me tonight. ♪
♪
MAN: You ever fired a g*n before? ♪
♪
Sure, of course I have. ♪
♪
What kind? ♪
♪
Colt. Revolver. ♪
♪
That so? What'd it sh**t? ♪
♪
b*ll*ts. ♪
♪
- .♪ ♪ s.
- Colt sh**t .♪ ♪ s. ♪
♪
We got money. ♪
♪
I don't sell heaters to unscrubbed boys. ♪
♪
These guys,
the ones we're rumbling with, ♪
♪
they're bringing heat. ♪
♪
Cause they think we're bringing heat. ♪
♪
So, we need to bring heat ♪
♪
so they know that we ain't defenceless. ♪
♪
And vice versa. ♪
♪
Mutually assured destruction. ♪
♪
I don't know what that is. ♪
♪
That's a Smith and Wesson, Model ♪ ♪ . ♪
♪
Classic of its kind. ♪
♪
If you want it, take it, why don't ya? ♪
♪
Fires trey eights. ♪
♪
Makes quite a hole for a little g*n. ♪
♪
It's loaded. ♪
♪
You don't gotta cock it, even. ♪
♪
You just squeeze the trigger and... ♪
♪
You might as well. ♪
♪
(SCOFFS) ♪
♪
You remind me of your dad. ♪
♪
Leave it on the bar. ♪
♪
- RIFF: (SHOUTS) What you got?
- (WHOOPING) ♪
♪
JETS: Whoa, whoa, whoa! ♪
♪
RIFF: Pow, pow, pow!
ACTION: Pow, pow, pow! ♪
♪
- Eat lead!
- RIFF: Pow, pow, pow! ♪
♪
TIGER: Come on, you chicken!
RIFF: Pow, pow, pow! ♪
♪
TIGER: Chicken, chicken, chicken! ♪
♪
RIFF: Pow! Pow, pow! ♪
♪
TIGER: You yellow flatfoot, come on! ♪
♪
RIFF: Pow! ♪
♪
Pow! Pow, pow! ♪
♪
TONY: Pow. ♪
♪
Gee whillikers, Batman. ♪
♪
Since when you carry a rod? ♪
♪
Well, I don't got magic powers
like you, Superman, ♪
♪
so I got this. ♪
♪
Promise to be with us tonight,
I'll let you hold it. ♪
♪
When are you gonna grow up? ♪
♪
Never probably.
Born to die young, daddy-o. ♪
♪
They catch you with this, ♪
♪
- it's ♪ ♪ years in Attica.
- (CHUCKLES) ♪
♪
- Call it off.
- Call what off? ♪
♪
Tell Bernardo the cops
found out about the rumble. ♪
♪
Tell him a rain check. ♪
♪
Hey, why should we call it off?
We got a g*n. ♪
♪
Shut up, Tiger. Stay out of this. ♪
♪
You know we wouldn't even need
a g*n if you was with us? ♪
♪
But you ain't, so let go
of my g*dd*mn g*n. ♪
♪
I paid for it. ♪
♪
TONY: You paid for it?
RIFF: Right. ♪
♪
TONY: Oh, OK, well, in that case, ♪
♪
- oopsy-daisy.
- RIFF: Tony. Tony. ♪
♪
Tony! Tony! ♪
♪
Tony! Give me the g*n! ♪
♪
- Call off the rumble.
- Come on, it's mine. ♪
♪
It's yours? ♪
♪
Fellas, does it look to you
like this is his g*n? ♪
♪
(SOFT JAZZ MUSIC INTRO PLAYING) ♪
♪
Alright, let's get some beer
and some weed ♪
♪
and let's go to the zoo. ♪
♪
Like the old days, huh? ♪
♪
Yeah. I will if you will. ♪
♪
You know me, brother. I don't look back. ♪
♪
Why? You afraid
of what you're gonna see? ♪
♪
No, I look ahead. ♪
♪
I wanna be prepared
in case they come prepared. ♪
♪
So, give me the g*n, Tony.
I mean it. Now. ♪
♪
(SINGING) Boy, boy, crazy boy ♪
♪
Get cool, boy ♪
♪
Got a rocket in your pocket ♪
♪
- Keep coolly cool, boy
- Come on. ♪
♪
Don't get hot ♪
♪
Cause, man, you've got
Some high times ahead ♪
♪
Take it slow and daddy-o
You can five it up ♪
♪
- And die in bed
- Cut the crap! ♪
♪
Boy, boy, crazy boy ♪
♪
Stay loose, boy ♪
♪
Breeze it, buzz it
Easy does it ♪
♪
Turn off the juice, boy ♪
♪
Go, man, go ♪
♪
But not like a yo-yo school boy ♪
♪
- Just play it cool, boy
- (g*n CLACKS) ♪
♪
Real cool ♪
♪
Careful, buddy. ♪
♪
(JAZZ MUSIC CONTINUES) ♪
♪
Careful yourself, Superman. Come on. ♪
♪
(JAZZ MUSIC CONTINUES) ♪
♪
(JAZZ MUSIC CONTINUES) ♪
♪
- Cool!
- TIGER: Go! ♪
♪
- Crazy!
- Cool! ♪
♪
- Go!
- Crazy! ♪
♪
JETS: Go! ♪
♪
TIGER: Come on!
ACTION: Tony! ♪
♪
I'm open! ♪
♪
ACTION: Tiger, toss it! ♪
♪
Come on, let's go! ♪
♪
(JAZZ MUSIC CONTINUES) ♪
♪
(SINGING) Boy, boy, crazy boy ♪
♪
Stay loose, boy ♪
♪
Breeze it, buzz it
Easy does it ♪
♪
Turn off the juice, boy ♪
♪
(JAZZ MUSIC CONTINUES) ♪
♪
Just play it cool, boy ♪
♪
Real cool ♪
♪
(RIFF PANTING) ♪
♪
Pow. ♪
♪
Pow. ♪
♪
Pow, pow! ♪
♪
Pow. ♪
♪
Pow. ♪
♪
- (MUSIC ENDS)
- (PANTING) ♪
♪
SCHRANK: It's happening tonight. ♪
♪
That's all we know. ♪
♪
The morning papers filled
with stories about dead kids. ♪
♪
Not on my watch. ♪
♪
Every block of Lincoln Square, ♪
♪
every inch of San Juan Hill. ♪
♪
I want the West Side locked down. ♪
♪
- (UP-TEMPO JAZZ MUSIC PLAYING)
- (INDISTINCT CHATTER) ♪
♪
(SINGING) The Jets are gonna
Have their day tonight ♪
♪
The Jets are gonna
Have their way tonight ♪
♪
The Puerto Ricans grumble
"Fair fight" ♪
♪
But when they start a rumble
We'll rumble 'em right ♪
♪
We're gonna hand 'em a surprise tonight ♪
♪
We're gonna cut 'em down to size tonight ♪
♪
We said, "OK, no rumpus
No tricks" ♪
♪
But just in case they jump us
We're ready to mix ♪
♪
Tonight! ♪
♪
We're gonna rock it tonight ♪
♪
We're gonna jazz it up
And have us a ball ♪
♪
They're gonna get it tonight ♪
♪
The more they turn it on
The harder they'll fall ♪
♪
Well, they began it ♪
♪
Well, they began it ♪
♪
And we're the ones to stop 'em
Once and for all ♪
♪
Tonight! ♪
♪
- Anita's gonna get her kicks tonight
- Ssh! ♪
♪
We'll have
our private little mix tonight ♪
♪
He'll walk in hot and tired
So what? ♪
♪
Don't matter if he's tired
As long as he's hot ♪
♪
- Shh!
- Tonight ♪
♪
TONY: Tonight, tonight ♪
♪
Won't be just any night ♪
♪
Tonight there will be no morning star ♪
♪
Tonight, tonight ♪
♪
I'll see my love tonight ♪
♪
And for us
Stars will stop where they are ♪
♪
Today
The minutes seem like hours ♪
♪
The hours go so slowly ♪
♪
And still the sky is light ♪
♪
TONY AND MARÍA:
Oh, moon, grow bright ♪
♪
And make this endless day ♪
♪
Endless night ♪
♪
(TYRES SCREECH) ♪
♪
(UP-TEMPO JAZZ MUSIC CONTINUES) ♪
♪
The Jets are comin' out on top tonight ♪
♪
(JETS CHEER) ♪
♪
We're gonna watch Bernardo drop tonight ♪
♪
(ALL CHEER) ♪
♪
That Puerto Rican punk'll go down ♪
♪
And when he's hollered uncle
We'll tear up the town ♪
♪
Tonight, tonight ♪
♪
ICE: We'll be in back of you, boy ♪
♪
RIFF: Right
MARÍA: Won't be just any night ♪
♪
We're gonna flatten him good ♪
♪
Right ♪
♪
Womb to tomb? ♪
♪
Sperm to worm! ♪
♪
RIFF: And then we'll have us
A ball tonight ♪
♪
- MARÍA: Tonight, tonight
- We're gonna rock it tonight ♪
♪
- I'll see my love tonight
- We're gonna jazz it tonight ♪
♪
And for us
Stars will stop where they are ♪
♪
We're gonna mix it tonight ♪
♪
TONY AND MARÍA: Today
The minutes seem like hours ♪
♪
- JETS: They began it
- TONY: The hours go so slowly ♪
♪
- SHARKS: They began it
- And still the sky is light ♪
♪
JETS: We'll stop 'em
Once and for all ♪
♪
SHARKS: We'll stop 'em
Once and for all ♪
♪
MARÍA AND TONY:
Oh, moon, grow bright ♪
♪
And make this endless day
Endless night ♪
♪
SHARKS:
We're gonna rock it tonight ♪
♪
ALL: Tonight ♪
♪
(MUSIC ENDS) ♪
♪
(SHUTTER WHIRRING) ♪
♪
(CHAINS RATTLING) ♪
♪
ICE: Welcome to the North Pole. ♪
♪
It's salt. ♪
♪
For when the streets ice up. ♪
♪
(SPEAKS SPANISH) ♪
♪
k*ll the lights. ♪
♪
(SWITCH CLANGS) ♪
♪
(SHUTTER WHIRRING) ♪
♪
(GRUNTS) ♪
♪
(GRUNTS) ♪
♪
BERNARDO: Promised your buddy
was gonna be here. ♪
♪
If you don't keep your word, jefe, ♪
♪
how am I going to believe ♪
♪
you'll keep out
of our territory after... ♪
♪
(CONVERSING IN SPANISH) ♪
♪
And just when all hope is lost... ♪
♪
So, is this the sh*t heard
round the world, ♪
♪
or just, you know,
more of your bullshit? ♪
♪
Don't ask me about sh**ting, pal. ♪
♪
You're the one with the g*n. ♪
♪
That's right, and who are you?
Friend or foe? ♪
♪
- You're out of control.
- Hey. ♪
♪
I don't need it if you stand with us. ♪
♪
Here, take it. ♪
♪
Go on, it'll be safe with you. ♪
♪
And you pitch in. ♪
♪
I wanna talk to... ♪
♪
I'm doing the talking now. ♪
♪
- Lets do it!
- ALL: Yeah! ♪
♪
- Right now!
- (INDISTINCT SHOUTING) ♪
♪
- Can I talk to you?
- Anything you need to say, ♪
♪
- you can say through me.
- We talked enough. ♪
♪
Let's try something else. ♪
♪
You and me, ♪
♪
we just got off on the wrong foot,
is all. ♪
♪
I always know which foot I'm on. ♪
♪
- (HUFFS)
- (SHARKS LAUGH) ♪
♪
We all know you can fight, Bernardo. ♪
♪
So, can you just quit dancing
for a second... ♪
♪
RIFF: Yeah, can you quit
whispering in his ear? ♪
♪
...and listen to what
I came here to tell you? ♪
♪
I got nothing against you. ♪
♪
And... And if I, somehow or other, ♪
♪
if I offended you, ♪
♪
I apologise. ♪
♪
Oye, pana, I thought
we were going to fight. ♪
♪
(CLAMOURING) ♪
♪
Did you bring him flowers, too? ♪
♪
Come on, quit flirting with him!
Close his eyes! ♪
♪
Hey, can't you shut up
for a single g*dd*mn second? ♪
♪
What are you afraid of?
Your parole officer? ♪
♪
You are breaking my heart
with this sh*t! ♪
♪
- Come on!
- BERNARDO: A convict? ♪
♪
How long in prison? ♪
♪
Uh, a year. ♪
♪
In prison, there were
Puerto Ricans, Dominicans? ♪
♪
TONY: Sure. Puerto Ricans,
Dominicans, Cubans. ♪
♪
They love locking up
us brown guys. ♪
♪
(SHARKS MURMUR) ♪
♪
TONY: This is not about skin.
It's... It's about... ♪
♪
- It's about territory!
- (CLAMOURING) ♪
♪
A-RAB: That's right! Our territory! ♪
♪
None of us would be here
if any of us believed ♪
♪
we had any place else to be. ♪
♪
What did you do to get
yourself locked up, primo? ♪
♪
He b*at the snot outta someone
exactly like you! ♪
♪
It don't matter what I did. ♪
♪
I'm different now. And... ♪
♪
you don't gotta worry about me
being with María. ♪
♪
So, you told God and Jesús ♪
♪
when you get out,
you gonna become somebody new? ♪
♪
Am I right, pendejito? ♪
♪
And then you came to that dance ♪
♪
and you see my sister, ♪
♪
and you think... ♪
♪
(ALL EXCLAIM) ♪
♪
"How about I get myself a brown girl?" ♪
♪
(INDISTINCT SHOUTING) ♪
♪
"I never spent time
with a little puertorriqueña before." ♪
♪
- RIFF: Tony!
- (INDISTINCT SHOUTING) ♪
♪
"If I can be
with a coloured girl like her, ♪
♪
"I'll be somebody better than I was. ♪
♪
"Somebody I never been before." ♪
♪
DIESEL: Put your hands up!
BABY JOHN: Come on! Hit him! ♪
♪
A-RAB: Come on! ♪
♪
(SPEAKING SPANISH) ♪
♪
He won't fight you,
fight someone who will. ♪
♪
I love her, Bernardo. ♪
♪
(DRAMATIC MUSIC PLAYING) ♪
♪
Stay out of this! ♪
♪
(CHEERING) ♪
♪
(CHEERING CONTINUES) ♪
♪
(SHOUTING IN SPANISH) ♪
♪
(OTHERS CONTINUE CHEERING) ♪
♪
(DRAMATIC MUSIC CONTINUES) ♪
♪
- (EXCLAIMING)
- (JETS CHEERING) ♪
♪
(STIFLED BREATHING) ♪
♪
- (CLAMOURING)
- Finish it! ♪
♪
A-RAB: Tony!
What the hell are you doing? ♪
♪
DIESEL: Tony. ♪
♪
Come on. (PANTING) ♪
♪
(SHOUTS IN SPANISH) ♪
♪
(CLAMOURING) ♪
♪
Fight me! ♪
♪
Riff... ♪
♪
(SUSPENSEFUL MUSIC PLAYING) ♪
♪
(DRAMATIC MUSIC PLAYING) ♪
♪
(GRUNTS) ♪
♪
(GRUNTS) ♪
♪
- OK. That's enough.
- Tony! Tony! Tony! ♪
♪
Let go! Let go! ♪
♪
(PANTING) ♪
♪
(CHUCKLES) ♪
♪
Its OK. Its OK. (CHUCKLES) ♪
♪
Take it out. ♪
♪
(DRAMATIC MUSIC CONTINUES) ♪
♪
(SOBBING) ♪
♪
(BERNARDO GRUNTS) ♪
♪
(ALL SHOUTING MANIACALLY) ♪
♪
(SIREN WAILING IN DISTANCE) ♪
♪
(SUSPENSEFUL MUSIC PLAYING) ♪
♪
Tony, come on! ♪
♪
Come on! Come on. ♪
♪
Tony, come on! ♪
♪
(SPEAKS SPANISH) ♪
♪
ANYBODYS: Tony, come on. ♪
♪
(SUSPENSEFUL MUSIC CONTINUES) ♪
♪
(WOMAN SPEAKING SPANISH) ♪
♪
Housing Department. ♪
♪
(SPEAKS SPANISH) ♪
♪
We're gonna get apartments
in the new buildings. ♪
♪
(WOMEN LAUGHING) ♪
♪
Right where we live now. ♪
♪
Ay, nena, we're gonna get evicted. ♪
♪
(SPEAKING SPANISH) ♪
♪
The new apartments, ♪
♪
the Metropolitan Opera,
the orchestra hall? ♪
♪
- Not for us, for the gringos.
- (ASSENTS IN SPANISH) ♪
♪
That's why I cashed my relocation check ♪
♪
inmediatamente.
(CONTINUES IN SPANISH) ♪
♪
- Before they take it back.
- Mm-hmm. ♪
♪
You cashed the check? I tore mine up. ♪
♪
- Uh-huh.
- You tore up a $ check? ♪
♪
- (SPEAKS SPANISH)
- (OTHERS CHUCKLE) ♪
♪
Once you cash the check,
mi'jita, they can evict you! ♪
♪
I mailed mine right back
to the Public Works. ♪
♪
- (WALTZ MUSIC PLAYING)
- (CONVERSING IN SPANISH) ♪
♪
A ver, Bernardo ain't keeping ♪
♪
their dirty money, verdad, María? ♪
♪
María? (SPEAKS SPANISH) ♪
♪
Get down from there! ♪
♪
(SPEAKS SPANISH) ♪
♪
We have eight floors to clean! María! ♪
♪
Oh, I am terribly sorry, Señora Fausta, ♪
♪
but I do not clean floors. No, no, no. ♪
♪
I wear my $♪ ♪ .♪ ♪ silk shawl... ♪
♪
Ha-ha. (SPEAKS SPANISH) ♪
♪
Now get down. ♪
♪
She's dreaming about her boyfriend. ♪
♪
Oh, Chino. ♪
♪
Chino, sí. She's in love with Chino. ♪
♪
(SPEAKING SPANISH) ♪
♪
I'm happy in my fancy, ♪
♪
rich lady apartment. ♪
♪
(OTHERS EXCLAIM) ♪
♪
(SINGING) I feel pretty
Oh, so pretty ♪
♪
I feel pretty
And witty and bright ♪
♪
And I pity ♪
♪
Any girl who isn't me tonight ♪
♪
(FAUSTA SPEAKING SPANISH) ♪
♪
I feel charming
Oh, so charming ♪
♪
It's alarming
How charming I feel ♪
♪
And so pretty ♪
♪
That I hardly can believe
I'm real ♪
♪
(WALTZ MUSIC CONTINUES) ♪
♪
See that pretty girl
In that mirror there? ♪
♪
(SPRAYING RHYTHMICALLY) ♪
♪
Who can that attractive girl be? ♪
♪
Such a pretty face
Such a pretty dress ♪
♪
Such a pretty smile
Such a pretty me ♪
♪
I feel stunning ♪
♪
- (WOMEN EXCLAIMING)
- And entrancing ♪
♪
Feel like running
And dancing for joy ♪
♪
For I'm loved ♪
♪
By a pretty wonderful boy ♪
♪
(WALTZ MUSIC CONTINUES) ♪
♪
Have you met my good friend María? ♪
♪
The craziest girl on the block ♪
♪
You'll know her the minute you see her ♪
♪
She's the one ♪
♪
Who is in an advanced state of shock ♪
♪
BOTH: She thinks she's in love
She thinks she's in Spain ♪
♪
Ay, she isn't in love ♪
♪
She's merely insane ♪
♪
It must be the heat ♪
♪
Or some rare disease ♪
♪
WOMEN: Or too much to eat ♪
♪
- Or maybe it's fleas
- (LAUGHING) ♪
♪
Keep away from her ♪
♪
Send for Chino ♪
♪
This is not the María we know ♪
♪
- Modest and pure
- Polite ♪
♪
And refined ♪
♪
Well-bred and mature ♪
♪
And out of her mind ♪
♪
(WALTZ MUSIC CONTINUES) ♪
♪
Miss America! ♪
♪
A speech, a speech, por favor! ♪
♪
(SHOUTS IN SPANISH) ♪
♪
I feel pretty ♪
♪
- (SPEAKS SPANISH)
- Oh so pretty ♪
♪
That the city should give me its key ♪
♪
A committee ♪
♪
Should be organized to honour me ♪
♪
(SCOLDS IN SPANISH) ♪
♪
I feel dizzy
I feel sunny ♪
♪
I feel fizzy and funny and fine ♪
♪
And so pretty ♪
♪
Miss America can just resign ♪
♪
ALL: La, la, la, la
La, la, la, la, la, la ♪
♪
See that pretty girl
In that mirror there? ♪
♪
What mirror where? ♪
♪
Who can that attractive girl be? ♪
♪
- Which?
- What? ♪
♪
- Where?
- Who? ♪
♪
Such a pretty face
Such a pretty dress ♪
♪
Such a pretty smile
Such a pretty me ♪
♪
Such a pretty me ♪
♪
- I feel stunning
- I feel stunning ♪
♪
- And entrancing
- And entrancing ♪
♪
Feel like running and dancing for joy ♪
♪
For I'm loved ♪
♪
By a pretty wonderful boy ♪
♪
(MUSIC ENDS) ♪
♪
(WOMEN CHUCKLE) ♪
♪
Get back to work! ♪
♪
(VACUUM WHIRRING) ♪
♪
(INDISTINCT CHATTER) ♪
♪
(SPEAKS SPANISH) ♪
♪
I didn't punch my time card. ♪
♪
(SPEAKING SPANISH) ♪
♪
(METAL RATTLES) ♪
♪
¿Hola? ♪
♪
(INQUIRING IN SPANISH) ♪
♪
(MAN SPEAKS SPANISH) ♪
♪
Chino? ♪
♪
(INQUIRING IN SPANISH) ♪
♪
María. ♪
♪
Que pasó? ♪
♪
Chino, que pasó? ♪
♪
(INQUIRING IN SPANISH) ♪
♪
There was a fight con los Jets. ♪
♪
(CONTINUES IN SPANISH) ♪
♪
Like it was over
before anyone could stop him. ♪
♪
(RESUMES IN SPANISH) ♪
♪
And Riff, he got stabbed, and... ♪
♪
Tony. ♪
♪
(SPEAKING SPANISH) ♪
♪
Chino! ♪
♪
- (SHOUTS IN SPANISH)
- (GASPS) ♪
♪
Tony k*lled Bernardo. ♪
♪
(MARÍA SHOUTS IN SPANISH) ♪
♪
Chino! Liar! ♪
♪
(TENSE MUSIC PLAYING) ♪
♪
What's going on down there? ♪
♪
(TENSE MUSIC CONTINUES) ♪
♪
(SOBS QUIETLY) ♪
♪
(SOFT SOMBRE MUSIC PLAYING) ♪
♪
(SPEAKING SPANISH) ♪
♪
I... I didn't mean for it to... ♪
♪
You promised you would stop this. ♪
♪
You promised you would stop this! ♪
♪
I tried. I tried. ♪
♪
And then you m*rder*d him!
No, no, you m*rder*d me! ♪
♪
You're a k*ller! The k*ller! ♪
♪
(SOBBING) k*ller, k*ller,
k*ller, k*ller, k*ller... ♪
♪
(CONTINUES SOBBING) ♪
♪
I'm going to the cops. ♪
♪
(PANTING) ♪
♪
I just had to see you first. ♪
♪
If you let them take you from me, ♪
♪
how do I forgive you for that? ♪
♪
(SOFT SOMBRE MUSIC CONTINUES) ♪
♪
(CRYING) ♪
♪
(ALL PANTING) ♪
♪
(BRAKES SCREECH) ♪
♪
(SIREN WAILING) ♪
♪
Go! ♪
♪
BABY JOHN: Come on! ♪
♪
(CONVERSING IN SPANISH) ♪
♪
(PANICKY ARGUING) ♪
♪
(VALENTINA SHOUTS IN SPANISH) ♪
♪
(CONVERSING IN SPANISH) ♪
♪
Come on, we gotta get outta here. ♪
♪
(CONVERSING IN SPANISH) ♪
♪
(HURRIED CHATTER) ♪
♪
(SAD MUSIC PLAYING) ♪
♪
(SAD MUSIC CONTINUES) ♪
♪
(SINGING) There's a place ♪
♪
For us ♪
♪
Somewhere ♪
♪
A place for us ♪
♪
Peace and quiet ♪
♪
And open air ♪
♪
Wait for us ♪
♪
Somewhere ♪
♪
There's a ♪
♪
Time for us ♪
♪
Someday ♪
♪
A time for us ♪
♪
Time together ♪
♪
With time to spare ♪
♪
Time to learn ♪
♪
Time to care ♪
♪
Someday ♪
♪
Somewhere ♪
♪
We'll find a new way of living ♪
♪
We'll find a way of forgiving ♪
♪
Somewhere ♪
♪
There's a ♪
♪
Place for us ♪
♪
A time and place for us ♪
♪
Hold my hand ♪
♪
And we're halfway there ♪
♪
Hold my hand
And I'll take you there ♪
♪
Somehow ♪
♪
Someday ♪
♪
Somewhere ♪
♪
(SAD MUSIC CONTINUES) ♪
♪
(SIGHS) ♪
♪
(MUSIC FADES OFF) ♪
♪
(SIREN WAILING IN DISTANCE) ♪
♪
(SPEAKING SPANISH) ♪
♪
I should go. ♪
♪
Where? ♪
♪
(SIREN CONTINUES WAILING) ♪
♪
Ay, no. ♪
♪
Go to Doc's. ♪
♪
Valentina will know what to do. ♪
♪
Tony! ♪
♪
Promise me you will. ♪
♪
(DOOR OPENS) ♪
♪
ANITA: María. ♪
♪
(SPEAKING SPANISH) ♪
♪
(BREATHING SHAKILY) ♪
♪
(SNIFFLES) ♪
♪
(SIGHS) ♪
♪
(SPEAKING SPANISH) ♪
♪
Come with me now. ♪
♪
I can't. I can't. ♪
♪
(SIGHS) ♪
♪
(VOICE BREAKING) María. ♪
♪
(SPEAKING SPANISH) ♪
♪
Sí, I'm almost... I'll come out in a... ♪
♪
Go. Go. ♪
♪
(DOG BARKING IN DISTANCE) ♪
♪
(GASPING SOFTLY) ♪
♪
(LOW, PENSIVE MUSIC PLAYING) ♪
♪
(SPEAKING SPANISH) ♪
♪
I love him. ♪
♪
(DRAMATIC MUSIC PLAYING) ♪
♪
(SINGING) A boy like that
Who'd k*ll your brother ♪
♪
Forget that boy and find another ♪
♪
One of your own kind
Stick to your own kind ♪
♪
A boy like that will give you sorrow ♪
♪
You'll meet another boy tomorrow ♪
♪
One of your own kind
Stick to your own kind ♪
♪
A boy who kills cannot love ♪
♪
A boy who kills has no heart ♪
♪
And he's the boy who gets your love ♪
♪
And gets your heart ♪
♪
Very smart, María
Very smart ♪
♪
(DRAMATIC MUSIC CONTINUES) ♪
♪
A boy like that wants one thing only ♪
♪
And when he's done
He'll leave you lonely ♪
♪
He'll m*rder your love
He m*rder*d mine ♪
♪
Just wait and see
Just wait, María ♪
♪
Just wait and see ♪
♪
Oh, no, Anita, no ♪
♪
Anita, no ♪
♪
It isn't true
Not for me ♪
♪
It's true for you
Not for me ♪
♪
I hear your words
And in my head ♪
♪
I know they're smart
But my heart, Anita ♪
♪
But my heart
Knows they're wrong ♪
♪
A boy like that
Who'd k*ll your brother ♪
♪
MARÍA:
And my heart is too strong ♪
♪
Forget that boy and find another ♪
♪
- For I belong
- One of your own kind ♪
♪
Stick to your own kind ♪
♪
To him alone, to him alone
One thing I know ♪
♪
- A boy who kills cannot love
- I am his ♪
♪
- I don't care what he is
- A boy who kills has no heart ♪
♪
I don't know why it's so ♪
♪
And he's the boy
Who gets your love ♪
♪
- I don't want to know
- And gets your heart ♪
♪
Very smart, María
Very smart ♪
♪
Oh, no, Anita, no ♪
♪
You should know better ♪
♪
You were in love
Or so you said ♪
♪
- You should know better
- (MUSIC SLOWS) ♪
♪
I have a love ♪
♪
And it's all that I have ♪
♪
Right or wrong ♪
♪
What else can I do? ♪
♪
I love him ♪
♪
I'm his ♪
♪
And everything he is ♪
♪
I am, too ♪
♪
I have a love ♪
♪
- And it's all that I need
- (CRYING) ♪
♪
Right or wrong ♪
♪
And he needs me, too ♪
♪
I love him ♪
♪
We're one ♪
♪
There's nothing to be done ♪
♪
Not a thing I can do ♪
♪
But hold him ♪
♪
Hold him forever ♪
♪
Be with him now ♪
♪
Tomorrow ♪
♪
And all ♪
♪
Of my life ♪
♪
(MUSIC SWELLS) ♪
♪
(SOBBING) ♪
♪
When love comes so strong ♪
♪
There is no right or wrong ♪
♪
Your love is ♪
♪
Your life ♪
♪
- (BOTH VOCALIZING END NOTE)
- (MUSIC SWELLING) ♪
♪
(MARÍA CRYING) ♪
♪
(ANITA SNIFFLING) ♪
♪
(VOICE BREAKING)
He will never be safe here. ♪
♪
Sí, lo sé. ♪
♪
And no one will ever forgive him. ♪
♪
Will you? ♪
♪
You can't ever ask me that. ♪
♪
Will you forgive me? ♪
♪
Te quiero, mi niña,
but he will have to go away. ♪
♪
And you will have to go with him. ♪
♪
(MUSIC FADES OFF) ♪
♪
(SWITCH CLICKS) ♪
♪
(INQUIRES IN SPANISH) ♪
♪
(CONVERSING IN SPANISH) ♪
♪
QUIQUE: It got so bad so fast. ♪
♪
(RESUME CONVERSING IN SPANISH) ♪
♪
QUIQUE: He was a hero. ♪
♪
I know people say that
about a lot of people... ♪
♪
(CHICO SPEAKS SPANISH) ♪
♪
Bernardo was a fool. ♪
♪
What did he die for? ♪
♪
Murió luchando por su dignidad... ♪
♪
and for pride, mi hermano,
orgullo puertorriqueño! ♪
♪
Bernardo, he d*ed to show those gringos ♪
♪
how tough Puerto Ricans are. ♪
♪
(SPEAKS SPANISH) ♪
♪
And if they push us too far... ♪
♪
If those nobodies can take
your pride away from you, ♪
♪
tú eres más estúpido que Bernardo. ♪
♪
(ALL SHOUT INDISTINCTLY) ♪
♪
(SPEAKING SPANISH) ♪
♪
It's a big world. ♪
♪
Bernardo let the gringos tell him
there's only this barrio, ♪
♪
these ♪ ♪ bad blocks. ♪
♪
(SPEAKING SPANISH) ♪
♪
Don't you do what Bernardo did. ♪
♪
You k*ll a gringo, they k*ll you. ♪
♪
Sooner or later,
the gringos k*ll everything. ♪
♪
Chino, Chino, Chino, por favor. ♪
♪
(SPEAKING SPANISH) ♪
♪
Don't follow me. ♪
♪
(PANTS) ♪
♪
Bernardo was your husband? ♪
♪
ANITA: Yes. ♪
♪
Oh. Close enough. ♪
♪
Your brother was angry
you danced with a white boy ♪
♪
at the mixer last night. ♪
♪
No. I don't think so. ♪
♪
You don't think the boy
you danced with was white? ♪
♪
Or you don't think Bernardo was angry? ♪
♪
I wouldn't dance with a white boy. ♪
♪
Yeah? ♪
♪
I heard you came with a date. ♪
♪
Some, uh, Puerto Rican boy. ♪
♪
Goes by the street name "Chino." ♪
♪
Word is, Chino's got a g*n. ♪
♪
That's what the word is, anyway. ♪
♪
- He's armed...
- (SEWING MACHINE WHIRRING) ♪
♪
(RAISES VOICE) ...and hunting
for this white stranger ♪
♪
who she danced with, ♪
♪
who we think k*lled your boyfriend! ♪
♪
(WHIRRING STOPS) ♪
♪
Anything else you wanna add? ♪
♪
Bernardo told me about you. ♪
♪
I'm flattered. ♪
♪
The way you talked to him. ♪
♪
Chino is gentle. ♪
♪
He doesn't have a g*n. ♪
♪
Apparently, now he does. ♪
♪
(SEWING MACHINE WHIRRING) ♪
♪
I have a, uh... ♪
♪
(SPEAKING SPANISH) ♪
♪
A headache? ♪
♪
She has her monthly, you know? ♪
♪
I get the picture. ♪
♪
I need for this, uh, medicine. ♪
♪
Anita, she can... she can go for me? ♪
♪
- Mamita...
- (WHIRRING) ♪
♪
(SPEAKING SPANISH) ♪
♪
In English. ♪
♪
Sí. Sí. ♪
♪
English is hard to, uh... ♪
♪
Yeah, I bet it is. ♪
♪
She wants you to go to Doc's drugstore ♪
♪
- and ask Valentina for...
- (CLOTH RIPS) ♪
♪
Hot tea is how my wife handles it. ♪
♪
(SPEAKING SPANISH) ♪
♪
What did I say? ♪
♪
Tell Valentina, ♪
♪
I hope her cousin arrived safe
from Santurce. ♪
♪
And I'm sorry I can't be there
to meet him like I promised. ♪
♪
And all of a sudden, fluency. ♪
♪
(SPEAKS SPANISH) ♪
♪
That means "I'll come as soon as I can." ♪
♪
I can go? ♪
♪
You're not his widow or anything. ♪
♪
I'm done with you. ♪
♪
(DOOR OPENS) ♪
♪
(SIGHS) ♪
♪
(BREATH TREMBLING) ♪
♪
(SCHRANK SIGHS) ♪
♪
Must be tough, losing a brother. ♪
♪
So, let's start from the beginning. ♪
♪
GRAZIELLA: (TEARFULLY)
I wanna go see him. ♪
♪
Talk to him. ♪
♪
Tony just wants to be alone right now, ♪
♪
he don't wanna see us. ♪
♪
A-RAB: He ain't alone. ♪
♪
The old lady's down there with him. ♪
♪
Does he know we're up here?
Me and Grazie? ♪
♪
Does he know I'm here? ♪
♪
Tony cared about me once. ♪
♪
He don't wanna see you, Grazie. ♪
♪
Go home. ♪
♪
We left him lying there. ♪
♪
In the salt shed. ♪
♪
Ice... ♪
♪
I know. ♪
♪
That's bothering me. ♪
♪
Bothers me, too, Deez. ♪
♪
ANYBODYS: He ain't there anymore. ♪
♪
ACTION: Jesus Christ. ♪
♪
ICE: Where'd you come from? ♪
♪
Down the chimney like Santy Claus. ♪
♪
What's Tony gonna do? ♪
♪
Go pop yourself, ya blister. ♪
♪
How long's he figure
on holing up down there? ♪
♪
Till the heat dies down. ♪
♪
When's that gonna happen? ♪
♪
Two guys d*ed, so... ♪
♪
never ever, ♪
♪
Bernardo's friend, Chino? ♪
♪
He has Riff's g*n. ♪
♪
Oh, Jesus. ♪
♪
And he's hunting for Tony. ♪
♪
What are we gonna do? ♪
♪
I don't know. ♪
♪
Where you going? ♪
♪
To keep track of Chino. ♪
♪
Yeah, yeah. Good. You do that. ♪
♪
In and out of shadows. ♪
♪
That's how. ♪
♪
- Hey.
- (DOOR OPENS) ♪
♪
You done good, buddy boy. ♪
♪
Leave. ♪
♪
I want to see your friend, Tony. ♪
♪
He's here? He's supposed to be. ♪
♪
I have a message for him. ♪
♪
Where is Valentina? ♪
♪
You're Bernardo's girl. ♪
♪
We saw you at the gym. ♪
♪
Yeah, you wanna dance, Chiquita Banana? ♪
♪
Dancing up a storm, you was,
dipping them hips. ♪
♪
Valentina! ♪
♪
(SPEAKING SPANISH) ♪
♪
Spanish? ♪
♪
You come here speaking Spanish? ♪
♪
I wasn't talking to you. ♪
♪
No Spanish. Not with us. Not today. ♪
♪
(ANITA SCOFFS) ♪
♪
Let me pass. ♪
♪
You heard her, boys. ♪
♪
She wants to pass. ♪
♪
Hmm, she's too dark to pass. ♪
♪
Let her go. ♪
♪
No one wants you here. ♪
♪
Why don't you dance for us first? ♪
♪
(JUKEBOX CLICKS) ♪
♪
(LATIN DANCE MUSIC PLAYING ON JUKEBOX) ♪
♪
Dance with me, darling,
like you danced at the gym. ♪
♪
Numbers, stop it. ♪
♪
Stop it. ♪
♪
Cutting in. ♪
♪
Balkan, out of here. ♪
♪
A-RAB: Come on, you pig,
let's see you move! ♪
♪
ANITA: No, no, no. ♪
♪
Bernardo's black pig. ♪
♪
WOMAN: Hey! Stop touching her! ♪
♪
GRAZIELLA: Boys, don't do this! ♪
♪
ANITA: No!
GRAZIELLA: Tiger, let her go! ♪
♪
GRAZIELLA: Let her go! ♪
♪
Ice, enough! Enough! ♪
♪
ANITA: Help me! ♪
♪
(CLAMOURING) ♪
♪
GRAZIELLA: No! ♪
♪
Don't hurt her! ♪
♪
Open the door! ♪
♪
MOUTHPIECE: Keep moving! ♪
♪
GRAZIELLA: Don't hurt her! ♪
♪
Don't hurt her, please! ♪
♪
- (MUSIC CONTINUES)
- (BOYS GRUNTING) ♪
♪
Oh, my God! Oh, my God! ♪
♪
What the hell are you doing? ♪
♪
You disgusting pieces of sh*t! ♪
♪
- (MUSIC STOPS)
- (VALENTINA SPEAKS SPANISH) ♪
♪
(ANITA WHIMPERING) ♪
♪
- Mija, mija.
- No! ♪
♪
(SHOUTS IN SPANISH) ♪
♪
Traitor! ♪
♪
(SPEAKING SPANISH) ♪
♪
Go back where you came from. ♪
♪
You think I want to stay here? ♪
♪
In this city full of ugly,
little animals like you? ♪
♪
No, gracias. ♪
♪
(SPEAKING SPANISH) ♪
♪
Tell Tony... (SNIFFLES) ♪
♪
You tell that m*rder*r... ♪
♪
María ain't coming. ♪
♪
Chino, he found out about them... ♪
♪
Tony and María. ♪
♪
He sh*t her. ♪
♪
María is dead. ♪
♪
You tell him that. ♪
♪
(DOOR CLOSES) ♪
♪
I know you. ♪
♪
I know all of your names. ♪
♪
Since you was born. ♪
♪
(VOICE QUIVERING)
I watched you grow up. ♪
♪
And you have grown into rapists. ♪
♪
You dishonour yourselves. ♪
♪
You dishonour your dead. ♪
♪
(DOOR OPENS) ♪
♪
What do we do now? ♪
♪
(DOOR CLOSES) ♪
♪
We're done. ♪
♪
(OBJECT RATTLES) ♪
♪
What was that? What was that? ♪
♪
You can never hear nothing
from down here. ♪
♪
- Was it the cops?
- No, no, no. ♪
♪
It was not police.
No, it was... it was... ♪
♪
Uh... Now it's alright. ♪
♪
Tony, let's sit down for a second, huh? ♪
♪
Listen. I got something to ask you. ♪
♪
No, no, wait. I... I...
I got something... ♪
♪
It ain't easy to ask this,
so let me just go, OK? ♪
♪
Wait, wait. I have something to... ♪
♪
You've given me so much already, ♪
♪
but when she gets here, ♪
♪
just... ♪
♪
If you could help us out
with the bus fare... ♪
♪
- Tony...
- I... ♪
♪
I have no idea what it's gonna cost ♪
♪
to get far enough away,
out west some place. ♪
♪
bucks for both of us. ♪
♪
And we'll get work when we get there. ♪
♪
We'll pay you back every cent. ♪
♪
I know you ain't got money,
so if it's too much to ask... ♪
♪
No, no, no. It's not too much. ♪
♪
It's not too much.
(INHALES SHARPLY) ♪
♪
We're gonna name
all our girls Valentina. ♪
♪
- Hmm.
- Cause if you hadn't cared ♪
♪
for me like you always done, ♪
♪
I wouldn't even be here alive, which... ♪
♪
maybe I shouldn't be. ♪
♪
Don't ever say that, Tony. ♪
♪
Life matters even more than love. ♪
♪
Mm. They're the same thing. ♪
♪
Before María,
maybe I would've said they ain't. ♪
♪
But now, it's all life is. ♪
♪
Even if it lasts no time at all. ♪
♪
A month, a day even. ♪
♪
That was Anita upstairs. ♪
♪
What's wrong? ♪
♪
Chino... ♪
♪
What? ♪
♪
Chino has a g*n. ♪
♪
He... ♪
♪
Chino sh*t María. ♪
♪
He k*lled her. ♪
♪
She's... She's dead. ♪
♪
(TONY WHIMPERS) ♪
♪
(TONY CRYING) ♪
♪
(FOOTSTEPS RUNNING UP STAIRS) ♪
♪
(DOOR OPENS) ♪
♪
(GASPING AND WHIMPERING) ♪
♪
(PANTING) ♪
♪
TONY: Chino! ♪
♪
Chino! ♪
♪
Where are you? ♪
♪
Chino! ♪
♪
I'm right here! ♪
♪
(TEARFULLY) Chino! ♪
♪
Chino! ♪
♪
Come on, man! ♪
♪
I'm right here! ♪
♪
I'm locking for you! ♪
♪
Come on! Come on, with me! ♪
♪
I know how to hide you. ♪
♪
I got places to go they'll never look, ♪
♪
just please! ♪
♪
Don't leave me here! ♪
♪
Get off of me! ♪
♪
Chino, k*ll me! ♪
♪
k*ll me, too, Chino! ♪
♪
(PANTING) ♪
♪
Chino! ♪
♪
(CHUCKLES SOFTLY) ♪
♪
No! ♪
♪
Don't! ♪
♪
(MARÍA SHRIEKS) ♪
♪
(CRYING) ♪
♪
Mi amor mio, mi corazon. ♪
♪
(SOFTLY) María. ♪
♪
María. ♪
♪
(CONTINUES CRYING) ♪
♪
(SINGING) Only you ♪
♪
You're the only thing I'll see ♪
♪
(VOICE QUIVERS) Forever ♪
♪
In my eyes, in my words ♪
♪
And in everything I do ♪
♪
(VOICE BREAKING)
Nothing else but you ♪
♪
Ever (SOBBING) ♪
♪
(TONY BREATHING HEAVILY) ♪
♪
(BREATHING STOPS) ♪
♪
(MARÍA GASPING) ♪
♪
(SOBBING) ♪
♪
(SAD MUSIC PLAYING) ♪
♪
(MARÍA CONTINUES SOBBING) ♪
♪
Give it to me. ♪
♪
(CHINO BREATHING SHAKILY) ♪
♪
How do you fire it? ♪
♪
- Just pull this?
- (BREATH QUIVERS) ♪
♪
(SHOUTING)
How many b*ll*ts are left? ♪
♪
Enough for you? ♪
♪
And you? ♪
♪
All of you! ♪
♪
I can k*ll now because I hate now. ♪
♪
I hate now. ♪
♪
How many can I k*ll, Chino? ♪
♪
And still have one b*llet left for me! ♪
♪
(GASPING) ♪
♪
(CONTINUES GASPING) ♪
♪
(SAD MUSIC CONTINUES) ♪
♪
Te adoro, Anton. ♪
♪
No, don't touch him! ♪
♪
(SPEAKING SPANISH) ♪
♪
(SAD MUSIC CONTINUES) ♪
♪
(SAD MUSIC CONTINUES) ♪
♪
(MUSIC FADES OFF) ♪
♪
(SLOW DRAMATIC MUSIC PLAYING) ♪
♪
(MUSIC FADES OFF) ♪
♪
(ORCHESTRAL MUSIC PLAYING) ♪
♪
West Side Story (2021)
Moderator: Maskath3