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Rust 3 (2023)

Posted: 01/06/24 21:36
by bunniefuu
(low eerie rumbling)

(static crackles)

- Here.

Bodies.

Watch out for this gate.

(tinny distorted ringing)

Mugshot room.

(clattering)

(shuffling footsteps)

- [Officer] Some

strobe effects in here.

(indistinct dispatch chatter)

Okay.

All right, these are real.

We have...

It's at least 13 feet.

Severed feet in this room.

- [Officer] Wait right there.

Don't go any further than that.

It's a cage room.

That's another mannequin.

(indistinct dispatch chatter)

On the left.

Trying to make it look

like a morgue in here.

All right. Okay.

Over here, we have

fresh blood on the wall.

I don't know if it's

arterial spray or what.

Looks like it was

applied recently.

Looks like somebody ran

through here recently.

I'm not sure.

Watch your step.

Watch your step here.

Now, come here.

So.

Looks to be a female, early 20s.

(ominous music)

She appears to have a

chest cavity caved in.

What the f*ck?

- Please help me.

Please help me.

Help me get out of here.

(people screaming)

- [Victim] Help me

get out of here.

Get me out of here.

f*cking get me out.

(heavy breathing)

(children screech)

(indistinct shouting)

- Please help me.

(ominous music)

- [Reporter] A

gruesome discovery

inside this haunted attraction.

The suspect was involved

with numerous homicides,

as you can see authorities

along with the medical examiner

are removing bodies

from the building.

- Authorities are calling this

the most horrific

crime of the decade.

Medical examiners have

been wheeling bodies

outside of the property.

The boxes and barrels

have been reported-

- [Reporter] Police also

removed many boxes and barrels

that are also claimed to be

filled with human remains.

Police are reluctant

to reveal the number

of how many victims

there might be,

but knowledgeable investigators

say it could be more

than three dozen.

- That they have been combing

down this whole crime scene

since the crack of dawn,

and now they're afraid

this tiny discovery

is just the beginning.

- [Reporter] Authorities

are calling this

the most horrific crime

in this state's history.

- [Tom] Although the

identity of the k*ller

has not been revealed,

it is believed that this

individual is a past offender

and has been involved in

these horrendous crimes

for quite some time.

I'm Tom Hammond, and

this is KLB news.

- Man, that was rough.

What do you feel

when you see that?

- It's been a while

since I've seen that,

but all I can think

of is we made it out.

A sense of relief

that it's over.

I feel horrible too.

I can't even imagine

what the families

of all those victims

went through,

all those innocent people.

But it's been a

long time, you know?

I'm so thankful

to be here today,

and I'm so grateful that we

were able to make it over that.

- [Kevin] Right.

But what are your

thoughts on the fact

that they never found the person

responsible for the crime?

- Well, in my book, I-

- [Kevin] And what about Morgan?

In your book, you stated that

you knew her whereabouts.

What happened to you both?

When we come back,

we'll ask the most

important question of all:

what happened to

Travis McClennan?

Is he walking amongst

us, or has he disappeared

and just become a

twisted tale of death?

- That's so sad. Poor girl.

- Yeah, it sucks.

What? It happened

a long time ago.

- You're stupid.

- Yeah, they walk among us.

He's probably in a wheelchair,

like a cane or something.

Like 50 years old.

- Yeah, because that's so old.

Have you heard

anything about this?

- Mm.

My brother just says it's

where college students

would just go to hook

up and smoke weed.

- He never saw anything?

- He said that he

heard something,

but other than that, it

just smelled like shit.

But we'll have to find

out for ourselves.

- [Maddie] Hotel Fear?

Like that Hotel Fear?

- Dude, it's gonna

be f*cking dope.

I mean, all the tickets sold

out in the first weekend,

so I got the hookup.

- The hookup?

- Yeah. Jason.

- Oh, you and Jason are still?

Brooke, I don't know about this.

- Maddie, come on.

It's just one night.

You know, to have fun?

You know what that

word means, right?

Because I know you haven't

done it in a long time, so.

- Okay, let's do it.

- Sweet. Maybe we can

even find you a boy there.

- Oh no.

- Maddie, come on. I know

you like them freaks.

- You are disgusting.

- He knew not to ask,

but he did anyway.

- [Heather] It's fine.

f*ck. I forgot we

were doing this today.

- We can ask if we could

cancel or reschedule.

- [Heather] No, I'll be

okay. Don't worry about it.

Is my hair okay?

- You're good.

- Thanks. Remind me to

never get bangs again.

- Hi.

- Heather. Nice to meet you.

- Nice to meet you.

Sorry I'm running late.

- [Carl] No, no,

no, you're fine.

We're just finished setting up.

- [Heather] Oh, awesome.

- This is our cameraman, Erik.

- Hi. Nice to meet you.

- Thank you for having us.

- [Heather] Oh, of course. Hi.

- Hi.

- [Carl] We'll get started.

- And do you want me to look

at the camera or at you?

- [Carl] Just look at me.

- Okay.

- [Carl] Just look at me.

We're good?

So this is the way

it's gonna work.

I'm gonna ask you a question,

and respond to me

with how you feel.

- Okay.

- [Carl] I'll first start off

with introducing yourself.

- Yeah.

I'm Heather James,

and I am one of the survivors

of the Hotel Fear m*ssacre.

- [Carl] What made you be

okay with us coming in here

and allowing us to your home

to share this story with us?

- Yeah.

Basically, I released my book

a little over a month ago,

and I just figured it was time

to share my experience

with everyone.

And I wanna put eyes

on the case again,

because as you know,

it's still an open case,

and I really wanna put

pressure on the department

to keep it going and

trying to solve it.

- [Carl] And I wanna

commend you for that.

- Thank you.

- [Carl] For your bravery,

and wanting to

share that with us.

- Thank you.

- [Carl] Now, there'll be

no questions unanswered.

There'll be no filters, and

we'll just get things started.

- Okay.

- [Carl] Now tell

me how you feel

when you hear that Travis

McClennan is still out there.

- Honestly, I'm petrified.

I'm furious.

I'm devastated.

There was just no

justice for the victims

who lost their lives, their

families, us, the survivors.

It's unbearable to

think about, honestly.

- [Carl] I mean, what you guys

went through was traumatic.

How did you overcome that?

- I'm not gonna sit here and

lie and say I overcame it.

Honestly, I'm still dealing

with it every single day.

But I found a place within

myself where I can find peace,

and I can really appreciate

that every single day

we have is a gift.

- [Carl] It's been seven years

since everything happened.

And the place

where it all began,

where it all started

is reopening.

And you're gonna be there.

Why? Why go back there?

- Yeah, it sounds

crazy, but in my book,

I tell my readers, to

overcome your fears,

you have to face them head on.

And I was able to do that

with basically everything

in my life except for this.

Just because it really

didn't have the opportunity.

And of course I'm terrified,

but I think it's time to

practice what I preach,

and really go out

there and do it.

- [Carl] Well, I think it's

gonna be a great event.

Your fans are gonna come

to be able to meet you.

Any chance we'll be

able to see Morgan?

Will she be there?

- I'm sorry. No. We need

to finish this interview.

You know you weren't supposed

to ask anything about that,

so we're done.

- It's okay. Just

give us a second.

- Okay.

(Heather sighs)

(indistinct shouting)

(water splashes)

- Lisa, I am sorry.

- [Lisa] Let's talk

in the kitchen.

- [Carl] Okay.

- Oh, you don't

need to apologize.

This is a question that a lot

of people ask about Morgan.

Where is she? How's she doing?

I just feel like

it's really hard

for Heather to

answer the question.

- [Carl] Gotcha, gotcha.

So, what did happen to Morgan?

- You know, I can't imagine

what my sister and

Morgan went through.

- [Carl] Oh, so you're

Heather's sister?

- Yeah.

- [Carl] Oh, wow.

I was adopted when I was three.

- [Carl] Gotcha.

- But I think they just both

handled it very differently.

Like Heather was always more

positive about everything.

And Morgan? Different.

- [Carl] Yeah.

- [Lisa] What people

don't know is Morgan,

through the media

and everything,

it wasn't released

that she was pregnant.

- [Carl] Oh, wow.

- Yeah. Officers said that

she was r*ped multiple times.

- [Heather] Really? That

wasn't your story to tell.

- [Lisa] I'm sorry.

- No, that's why you

guys are here, right?

For your f*cking story.

You'll get your story,

but it'll be my way.

That way, everyone understands

what happened to Morgan

and why she's in hiding.

f*cking assholes.

- Let's get over there.

- We weren't

supposed to go back,

but Morgan's family hired

a private investigator

and a sheriff's deputy to

escort us through the house

to try and keep us safe.

I was the one that was supposed

to be leading everyone,

because I knew

the house already.

But when we got there,

it was like he knew

we were gonna come,

and him and another,

they just hunted us down.

They had the whole entire place

just rigged with these traps.

And me and Tommy.

- [Carl] Tommy Linker.

- Yeah. He's one of the

ones who didn't make it.

But Tommy went out

there to get Morgan,

and that's all he cared about.

So he was able to do that. But

at the time he got to Morgan,

she was there for

over a month already.

And they beat her every day.

They tortured her.

I mean, they did the

most unspeakable things.

I just can't even

begin to imagine.

And I mean, God only knows,

but we finally thought

we were gonna get out

and we were almost there.

And after every single

thing Morgan went through,

they just k*lled Tommy

right in front of her.

I mean, if anybody went

through a 10th of what she did,

they would be f*cked up for

the rest of their lives.

- [Carl] So let me ask

you, where's Morgan now?

- I think we'll pick

that up tomorrow,

and just finish this now.

- [Carl] Okay. That's

fine. We'll stop there.

Heather, thank you so much.

I know that was a lot.

I know it couldn't be easy for

you, so thank you for that.

(distant hammering)

(drill whirring)

- The cables have to

be behind the boards.

What do I pay you guys for?

Hey.

Yeah. What time's

she gonna arrive?

All right.

Yeah, we'll be ready by then.

(door squeaks)

(squeaking footsteps)

(eerie music)

- Is somebody in here?

(door squeaks)

All right, if someone's in here,

you better stop f*cking around.

Great. And there's still

shit on the ground.

Damn it.

The f*ck? You scared

the shit outta me.

All right.

Good job. Ha ha, ha ha.

You wanna go back to work now?

And why are you in wardrobe?

You guys aren't supposed to

be ready for like four hours.

I said get a move on.

Don't gimme a reason.

And clean all this

shit off the ground.

(wet splattering)

(ragged breathing)

(phone rings)

- Hello?

Hey, babe.

Yeah, I got them.

Three VIP passes.

Yeah.

Can you meet me

here around 6, 6:30?

Yeah. Meet me at the front.

Okay.

Yeah. All right. Bye.

(woman screams)

- Oh, f*ck. Don't

f*cking do that.

- Come on. Don't

be a little b*tch.

Jason, come on.

Man, this place is sick.

(ragged breathing)

(ominous music)

(squeaking footsteps)

- Okay, we're all set. We

just need to be there at 6:30.

(muffled pop music)

Maddie, come on.

It's just one night.

One night to let

loose and have fun,

and get your head

outta those books.

- I know, you're right.

(ominous music)

- Hey.

- Oh my gosh, you b*tch.

- I take it you told her.

- Yep. And she's in.

- [Sarah] Nice night to meet.

All right. You

wanna go get ready?

- Yeah.

- Awesome.

- I hear her name or

someone ask me about her,

and there's just

this ache in my chest

and I'm still so mad at myself

for not making her

just turn around,

and never going in that f*cking

place in the first place.

- [Therapist] Okay.

Well, I'm not concerned.

It has been a while since

you have spoken to Morgan,

and you're going back

to that place tonight.

All this could be

a trigger point.

- [Heather] I know.

And I know it's not my fault,

but Travis is still out there,

and I am petrified that

he's gonna come back

and just finish us off.

- [Therapist] Heather.

We don't know that.

You moved one state over,

only a few hours away from

where it all happened.

- And?

- [Therapist] It's very

difficult for you to move on.

If you wanted to find you,

he would've found you by now.

You're letting him live in

your mind, in your emotions.

And that is what

we need to work on.

Technically, you're still in

recovery from what happened.

- I know. I know you're right.

But listen, I just need

to get through tonight.

So, I need you to

gimme something.

- [Therapist] Heather,

that is not the answer.

- [Heather] Yes it is, okay?

I need you to just pull

out your little notepad

and write me my

f*cking prescription.

- [Therapist] Heather,

you have to focus

on your breathing

and the technique we

practiced to calm you down.

- Breathing? Really?

I'm so sick of

pretending like I'm okay

and that this whole

thing didn't f*ck me up

for the rest of my life.

Okay? I pay you. So

write me my prescription.

- [Therapist] Heather.

You are so much

stronger than you think.

But I have told you

time and time again,

you are not ready for this.

- You're the one that told me

that I need to face my fears.

So here I am and I need

to get through this.

So write me the prescription.

- [Therapist] Heather, I'm

really concerned about you.

- Oh, now you're

concerned? Please.

You know what?

Don't even worry

about it, assh*le,

'cause you're f*cking fired.

(somber music)

- Is everything okay?

- Yeah, everything's fine.

I actually wanted

to talk to you guys.

I'm really sorry

about everything that

happened yesterday.

It was just a super rough day.

But I'll answer

all your questions.

Let's just get

through tonight, okay?

- [Carl] All right.

- [Lisa] Ready to go?

- Yeah.

(muffled pop music)

- [Announcer] All

right, guys, let's go.

Tonight's the night.

Make sure your make up

and wardrobe is on point.

- That actually is really cool.

- [Announcer] Gonna

open up the door,

you've got customers

lined up around you.

(indistinct).

- [Actor] First night.

- [Announcer] More blood is

good, guys. More blood is good.

All right?

Remember, you scare

the children and women,

and make some grown-ass

men shit their pants.

You guys are gonna enjoy this

tonight. Tonight's the night.

Hotel Fear reopens.

(intense house music)

(actor shrieks)

- Oh. And there is

one more patient.

Enjoy your stay.

(muffled laughter)

(ragged breathing)

(indistinct chatter)

- Oh my God, this

is gonna be awesome.

- It'll be fine.

- Maddie, I got you, girl.

I'll protect you from anybody

that's trying to k*ll you.

- She's kidding.

You are kidding, right?

- Really?

- Well, we are

going to the place

where almost 80

people got m*rder*d.

- What'd you say?

- Let's go find Jason.

(chainsaw buzzes)

(people screaming)

- Watch where you're going.

- You watch it.

- Excuse me? You ran into me.

- You're right. I

should have seen you.

With a face like that, I

should have been scared.

- "A face like that." Is

that the best you can do?

Clever.

Open your eyes.

(intense house music)

- Jake?

Jake?

Where the hell is Jake?

Jason, have you seen Jake?

- [Jason] Not since earlier, no.

(actor groans)

- [Actor] Where's Jake?

(muffled screaming)

(ominous rumbling)

- Mad, you okay?

- Yeah. I just thought

I saw something.

(girls scream)

- Really? Not cool.

- Ah, I see they convinced

you to get in on the scares.

- That's right.

- Okay. Here are

three VIP passes.

Asylum's the new one.

That's a bit longer, more scary.

Hotel?

That's where it all happened.

- Yeah. Yeah. We know. So?

- This one.

- Thanks. Bye.

- Thank you.

- All right.

- Baby.

- Oh, hey.

- How are you?

- Good.

- Let's just go in back here.

- All right.

- Yeah.

Climb in.

- Someone's gonna catch us.

- No one's gonna catch us.

- Okay.

Idiot.

- Come on. This is

the perfect room.

- Babe, we're gonna get caught.

- We're not going to get

caught. There's no one in here.

It's just me and you.

- Okay. It's always

just me and you.

(distant dripping)

(ominous music)

- Oh, shit.

- [Kyle] Sorry.

- Yeah.

- Sorry. We should have

never done this here.

We'll just leave.

- Kyle?

- [Kyle] Dude, I

said we're sorry.

Come on.

(dramatic music)

(Freddy groans)

- [Freddy] Someone

help me, please.

(wet squelching)

- Freddy.

(ominous music)

(rapid footsteps)

(girl squeals)

- [Kyle] Get the

f*ck out of my way.

- [Actor] What the f*ck?

- Dude, I love your

Travis costume.

(head crunches)

Oh no.

No.

(Kyle pants)

(eerie music)

- g*dd*mn, it's hot.

f*ck.

(dramatic music)

(Kyle groans)

(wet squelching)

(indistinct chatter)

(girls scream)

- [Maddie] Okay. He is a cutie.

- I know.

- God. This place is insane.

Can you believe the last

time people were here

were over 30 years ago?

- You know, they say that

within the remodeling,

they actually kept some of the

set pieces from the m*ssacre?

I said I heard. I don't

know if it's true.

- [Carl] Heather, can you

tell us what you're feeling?

Heather?

- I'm sorry. Let's just go.

- [Carl] Okay.

- [Bystander] Oh my

gosh. Is that Heather?

Oh my gosh. I'm such a huge fan.

Can I get some selfies?

(distant screaming)

- [Bystander] Thank you.

(crowd applauds)

- No f*cking way.

It's Heather James.

- [Maddie] Who?

- [Brooke] Heather James,

the girl from the m*ssacre.

Wow. Takes balls

to show up here.

(muffled dubstep)

(indistinct chatter)

- I am both excited and

honored to be here today.

So, let's just get

straight to it.

I am proud to announce

that the new and improved

Hotel Fear is officially open.

(crowd cheers)

- She's so pretty.

- [Steward] All

right, you're next.

- Actually, you guys go ahead

and I'll meet up with

you before we go in.

- Brooke, really?

You're gonna leave us?

- Maddie, it'll

only be a minute.

- And that's all

it's gonna take?

- It'll be quick. Plus

these tickets weren't free.

You have to pay

for them somehow.

I love you.

(ominous music)

(actor sighs)

(ominous music)

- You're new.

I don't think I've

seen that get up yet.

It's pretty sweet.

It's almost over.

Hey.

Are you still back there?

(distant thud)

Calm down.

(metallic jingling)

(dramatic music)

(actor shouts)

- [Actor] No. No, no, no.

- Wait, hold on one

second. Hold on.

Okay. What?

What? No, absolutely not. No.

- Heather. Heather?

What is it?

- She wants us to do a live

walk through of the haunt.

- Oh, I'll do that.

- Totally do that.

- Fine, fine.

Yes, you do.

All right. Bye.

- So?

- I guess.

- Yes.

- Let's do this shit.

- [Crew] Yeah.

(ominous music)

(fingers crack)

- Come on. What's wrong?

- Oh, we don't

have time for this.

Just kiss me.

(glass smashes)

(Brooke screams)

(dramatic music)

- [Bystander] Hey, can

I get a selfie with you?

- Yeah, of course.

- Awesome.

- Sorry.

- No, no, it's fine.

It's not like you

almost died in there.

(muffled ticking)

(eerie whispering)

(rhythmic squeaking)

(distant scream)

- I'm sorry, Carl. Please

go front. I'm so sorry.

Can you please go

front? I'm sorry.

Sam and Erik, you

can stay back there.

I'm sorry.

- Are you sure?

- [Heather] I'm sorry.

Can you please just go

in front please, please?

- Okay.

(distant wailing)

- [Steward] Let's go.

Hurry up. Get up there.

(metallic clanking)

- You get to go in by yourself.

- I'm good. Thank you.

(door slams)

(clock chimes)

(Heather screams)

(Heather whimpers)

- Heather. You okay?

- I'm sorry. It seems

real. I'm sorry.

- [Carl] It seems

real, but it's not.

It's not real. It's all fake.

Come on. It's all fun.

We're almost done. Come on.

(eerie music)

- Come on.

(animatronic snickers)

(door creaks)

(door handle squeaks)

(dramatic music)

- Please don't hurt me. Please.

Don't hurt me, please.

Please don't hurt me.

Please, take me

with you, please.

Please get outta here. Please.

Help me. You gotta

take me with you.

Please get me out of here,

he'll f*cking k*ll me.

No, no, no, no, no.

(wet squelching)

(ominous music)

(Sarah screams)

(distant woman screaming)

- God help me.

Help me.

God help me. Help me.

Help me please.

No.

- That kind of got me a little.

(Heather hyperventilates)

- [Crew] Hey, it's

not funny, man.

- [Heather] Please.

(indistinct). Go.

- [Crew] Go, go.

- [Heather] Please.

Please. Please help me.

Help. Help me.

Please let me out. God

help me. Let me out.

Help. Please. He's got me.

He's here. He's really here.

- [Crew] Who's here?

Who the f*ck was that?

- [Carl] Where the

f*ck are we going?

- [Crew] Go, go, go, go.

Move. Move. Oh shit, oh God.

- [Carl] Come on, man.

Come on, man. Not here,

not here, not here.

- Go, go, go.

- [Heather] Get us out

of here. Please help us.

Please. Please.

- Heather, will you tell me

what the f*ck is going on?

- [Heather] He's in there.

He's coming, he's coming.

- [Carl] Calm down. Calm down.

- He's coming.

Travis is not real.

- Somebody help.

- It's not f*cking real.

- Yes it f*cking is.

- [Crew] Give me

that damn camera.

- [Heather] Help us, please.

- [Carl] Heather. Heather.

None of this is real.

- He's coming, let's go.

Help us. Help.

Help, please. Help.

Stop.

- Calm down.

- [Heather] He's

coming, he's coming.

(distant screaming)

(door rattles)

- [Tim] f*ck.

(door rattles)

- [Tim] f*ck.

(ominous music)

(slow footsteps)

(door squeaks)

(man groans)

(wet squelching)

- Sarah.

Brooke.

Brooke?

Sarah? Where are you guys?

Brooke?

Sarah?

(Maddie screams)

Get off me, get off me.

Oh my God, help.

- [Bystander] This

one's the best.

(birds chirping)

- Thanks.

(bowls clatter)

- You get some rest?

Not really.

- Heather.

- [Heather] Can you just stop

saying my name like that?

I'm not gonna break.

Look, I'm sorry. It's

just, I know what I saw.

He's back.

- Morning.

Oh, thank you.

- I'm fine.

- Okay.

So, I've been doing

some thinking.

I think you need to talk

about what happened last night

on camera.

It's necessary.

It's something that-

- [Erik] I have something

to show you guys.

Look.

- Wait, when is this?

- This is the footage

from last night.

(ominous music)

- There's no way.

- What is it?

(phone rings)

- Hello?

Okay.

Okay.

Thank you.

- What happened?

- Seven bodies were found

at the haunt this morning.

Two of them was Sam and Tim.

There's still two girls missing.

- He found me.

- Where are you going?

- I have to get Morgan.

- Erik, get the camera.

- [Erik] Heather, can you tell

us where we're at right now?

- This is where Morgan is.

I've known for a while now.

- [Erik] But wait, you

told us you didn't know.

- To keep her safe.

I tried to help her

over and over again,

but she didn't want the help.

- [Erik] What

happened to you guys?

- When everything happened,

she couldn't handle it.

She lost communication

with her family, with me.

She got involved with

the wrong people.

She blamed herself

for everything,

so she got into dr*gs.

She got in trouble with

the law a few times.

I tried to help

her so many times,

but she told me to stop.

So I just try to keep my

distance until she needs me.

But I have to get her now.

- [Erik] So is there a

house out here or what?

What is this exactly?

- No.

In fact, this place

isn't really that safe.

You should probably keep

your equipment in the car

and just hide it under a jacket,

or under the seat if it fits.

- [Erik] Okay. All

right, let's go for it.

(crunching footsteps)

- Listen, just keep quiet

and keep your head up.

(steps clank)

Morgan?

Morgan?

(detritus crunches)

Morgan?

Morgan?

Morgan?

Morgan. Morgan, it's

Heather. Hi. Hi.

- [Morgan] Hi.

Heather.

- [Carl] Hi Morgan. Hi.

- Oh. Oh, you brought friends?

- [Heather] Yeah.

Yeah. Come on.

Come on. I gotta get

you outta here. Okay?

- [Carl] Hi, Morgan.

My name's Carl.

- Carl?

Heather, you brought the news?

- [Heather] No, no, no, no.

- What the f*ck

are you doing here?

- [Heather] Not the

news. No, no, no, no.

- [Morgan] Why would

you bring them?

- [Heather] Okay. Come on.

Come on. It's okay, Morgan.

I gotta get you

outta here, okay?

Morgan, come on. Come

on. Can you help me?

- [Carl] Yeah. Yeah.

- [Heather] Come on,

Morgan. It's okay.

We're gonna go home, okay?

You're gonna come

home with me, okay?

Everything's gonna

be fine, okay?

(detritus crunches)

Come on, Morgan, it's okay.

- [Erik] Where the

f*ck are we right now?

- So what now?

- I don't know, but

as long as she's here,

I can just sleep

better at night.

Let's just cut this for tonight,

and we'll pick it up tomorrow.

- Sure. Let's cut.

(birds chirping)

(Heather sighs)

(cupboard slams)

(ominous music)

(heavy breathing)

- f*ck. You scared

the shit out of me.

- What's going on?

- [Heather] Do you want

something to drink?

- [Morgan] Sure.

- Okay.

(water splashes)

- Your place is nice.

- [Heather] Thanks. I've been

working on it all summer.

Here you go.

- What is this?

- It's lavender tea. It's

supposed to help calm you.

What?

- [Morgan] Heather,

why am I here?

- I just wanted to see

how you were doing.

- [Morgan] Oh, bullshit.

How many times do I have

to tell you I'm not you?

- I'm not saying you are, okay?

Can you just keep your

voice down a little bit?

- Oh, am I too loud for you?

Do I not fit in this

perfect world that you made?

I'm not a f*cking charity case.

I don't need your help, and

I don't need your money.

I've been doing

fine all on my own.

- Morgan, he's back.

- What?

- They reopened the

haunt last night,

and he k*lled seven people.

He took two more girls with him.

- How do you even know it's him?

- I saw him myself.

I came face to face with him,

and he could have k*lled me,

but he didn't.

I don't know why.

- And you brought me here,

so he can find both of us?

- What?

- [Morgan] I was

fine where I was.

He wasn't gonna find me.

- [Heather] Oh yeah. That's

the smartest thing to do.

Go back to the streets.

- Why the f*ck couldn't

you just leave me alone?

You let Dean go and live

his life. But me? Me?

You keep pulling me back in,

and I'm just trying to forget

everything that happened,

and I can't when all you

do is pull me back in.

- I brought you here

to be safe, okay?

Here is safe. There's a

cop stationed outside.

Every door and window

has a lock and alarm.

You're safe here.

- No. No.

I was safe not existing.

- Look Morgan, just for

tonight, just stay here,

and if you wanna go

back in the morning,

I'll drive you myself, okay?

I need you here with me,

and you might even like it.

You know I still have that

room for you upstairs.

Listen Morgan, I love you.

- Me too.

(melancholy music)

- Just get some rest. Okay?

We'll figure it

out in the morning.

(eerie music)

(birds chirping)

(lock clicks)

(ominous music)

(water splashes)

(door squeaks)

(distant glass smashing)

- What the hell was that?

- I don't know. Heather?

- Yeah, I'm fine. Morgan?

(ominous music)

(indistinct police

dispatch chatter)

(melancholy music)

- [Lisa] What's going on

in your head right now?

- I had this plan where

I could convince her

to move in with us, and we

would help each other move on.

She could finally find a guy

and get married and have kids,

and we could raise

our children together.

And they would be

best friends too.

If you told me a week ago

we'd be worse off than before.

Now he's back to k*ll us off.

- [Rich] Ms. James.

My name is Rich Morri.

I'm the detective

assigned to this case.

- Did you guys find anything?

- Well, actually I

wanted to ask you.

Do you have any idea

who would've done

something like this?

- Of course.

- Who?

- It's Travis McLennan.

- You sure?

- Absolutely.

- Let me show you something.

My partner was the detective

assigned to your case

the day you girls were rescued.

He passed a few years ago.

And I took over.

(ominous music)

This guy, Ryan Foley.

- Yeah.

He's the investigator

Morgan's parents hired

to take us back.

- He was no private

investigator.

He was an ex-sheriff

seeking justice.

He reached out to

Morgan's parents,

and suggested they

should go back for her.

But not to help.

He was in search of his niece.

Ashley.

Ashley's body was one of

the many recovered that day.

- Oh my god.

- [Rich] She'd been

missing for three months.

- Wait, I know her.

- [Rich] Her name

is Valerie Smith.

She's one of the victims.

- She's not a f*cking victim.

She's the one that k*lled Tommy.

She tried to k*ll me and

Morgan, but we stopped her.

- Her parents,

they said she went missing

when she went on a road

trip with her sister.

- No, she was with him.

- [Rich] In the

statement you both gave,

you mentioned it was like he

was trying to save Morgan.

He would constantly

make sure she was okay.

- Yeah.

There was a time when that

girl tried to k*ll Morgan,

but he stopped her.

- Seems like he's repeating

some sort of cycle.

- But why now after seven years?

And the haunt has

been remodeled.

There's people

lurking day and night.

How was he not seen?

- No, that's what we were

trying to tell you guys.

He lives in the walls.

When they were remodeling,

he must have just

hid the whole time.

Morgan was right. She

was better off missing.

How can you k*ll someone

that doesn't exist?

- But you weren't hiding.

- [Rich] This is so

out of his pattern.

All of the bodies that were

found in the last 20 years

were found in that area.

Now, we're talking about

a whole different state.

How could he have followed

you all the way over here?

- When I went back, I signed

over our lives to him.

He didn't k*ll me 'cause

Morgan wasn't with me.

He knew I would lead

him right to her.

I'm the reason she's dead.

- [Carl] Oh, sorry.

We're gonna head out.

Thought it'd be best, just

to give you guys some space.

- Thanks.

- [Carl] Before we leave though,

we have something to show you.

- [Erik] When we arrived,

we set up cameras

around your house.

We wanted to capture

some real time paranormal

activity shit, you know?

Sorry.

Anyways, everything was normal

until about 11:20 last night.

(ominous music)

- Jesus.

He was right next to me.

Oh my God.

- I know where he is.

We need to end this tonight.

(distant woman wailing)

(eerie music)

(woman sobs)

- [Woman] Oh my God. Oh my God.

Hurry, help me. He's coming.

Hurry up, he's coming. Please

get me outta here. Please.

Please, hurry up. Please.

- I'm sorry, I can't help.

- [Woman] What do you

mean you can't help me?

Get me the f*ck out

of here, please.

- I can't get you out.

- Please help me.

Please, please, help me.

- I'm sorry. No, I'm...

- Please get me out of here.

(door squeaks)

No, help.

No.

No.

No. Please. Please, no.

Please, please, no.

You don't have to

do this, please. No.

No.

What the f*ck are you doing? No.

No, let me go. Please.

No.

(woman sobs)

(eerie music)

(wet squelching)

(saw scratches)

(Maddie shrieks)

(window rattles)

(floorboards creak)

(Maddie screams)

(dramatic discordant music)

(distant machine thrumming)

(eerie music)

(ragged breathing)

(Maddie screams)

- [Maddie] Come on. Shit.

(floorboards creak)

(Maddie shrieks)

(ominous music)

(door creaks)

(thudding)

(gate rattles)

(g*n clicks)

(door squeaks)

(Heather screams)

(knife stabs)

(Maddie screams)

(door slams)

(door rattles)

(heavy breathing)

(eerie music)

(Maddie pants)

(distant rhythmic squeaking)

- [Maddie] Oh my God, no.

(Maddie screams)

(dramatic music)

(eerie music)

(Maddie screams)

(dramatic music)

(Heather shouts)

- Run. Run.

- [Maddie] Help me.

- No. No.

(Maddie screams)

- [Heather] Run. Run. Run.

Get up.

Get up.

Quick, quick, quick, quick.

Get up. Quick, quick.

- He's here.

- Okay.

This way, this way. Go, go.

Come on, come on, come on.

Trevor.

Trevor.

Trevor.

(eerie music)

- Come out here, you

bastard. Come out.

(ragged breathing)

Come and get me, m*therf*cker.

(g*n fires)

(Heather pants)

- Don't worry, he's

not going anywhere.

(somber music)

(both sobbing)

- Got one in

custody. Hotel Fear.

(ragged breathing)

(birds chirping)

(buzzer sounds)

(buzzer sounds)

(dark music)

- [Prison Guard] Yes,

345. This is 37518.

Transport in progress.

(indistinct dispatch chatter)

- [Radio DJ] Welcome

back to the (indistinct).

And it is now 7:40,

and we are saddened to share

some heartbreaking news.

The body of successful

author and survivor

of the Hotel Fear

m*ssacre, Heather James,

was found in her home

early this morning

after surviving

three brutal att*cks

by notorious masked

m*rder*r, Travis McLennan.

Heather is survived by

her daughter, Morgan.

Now, let's get back to another

30 minutes of nonstop music.

(dramatic music)

(indistinct dispatch chatter)

(ominous music)

(dark music)